Within These Walls premieres 9/9 – 9/17/17!
![20140525_104658[1]](http://www.lenoraleedance.com/wordpress/wp-content/gallery/within-these-walls/20140525_1046581.jpg?x60568 "20140525_104658[1]")
Within These Walls
Inspired by experiences of those detained and processed on the Angel Island Immigration Station, these immersive performances featuring contemporary dance, recorded original music and voiceover text, will transform and animate these historic spaces into sites for remembrance, as part of a community-wide commemoration of the 135th Anniversary of the 1882 Chinese Exclusion Act, and as the highlight of Lenora Lee Dance’s 10th Anniversary Season.
Conceived, produced and directed by Lenora Lee
Choreography by Lenora Lee in collaboration with the cast
Cast: Yao Dang, Lynn Huang, Timothy Huey, Hien Huynh, Carl Irons, Eric Koziol, SanSan Kwan, Wayne Tai Lee, Kevin Lo, Chloe Luo, Johnny Nguyen, Shannon Preto, Yi-Ting (Gama) Hsu, Stacey Yuen
Featuring music by Francis Wong and Tatsu Aoki
Saturdays & Sundays, 9/9, 9/10, 9/16, 9/17, matinees (times TBA)
Location: Angel Island Immigration Station
In partnership with the Angel Island Immigration Station Foundation and the California State Parks. Commissioned with the support of the San Francisco Arts Commission and the California Arts Council.
Bay Area People – Lenora Lee Dance on KTVU Fox 2
Thanks to Claudine Wong & KTVU – http://www.ktvu.com/community/234120868-video
Join us for immersive performances of “Within These Walls” in the Angel Island Immigration Station barracks this August – September!
“LIGHT” film screenings in March & April!
LIGHT won Best Experimental Film at the Canada International Film Festival!
Click here for excerpts from LIGHT and an interview with producer / choreography director Lenora Lee
CAAMFest 35 presents the World Premiere screening of the experimental narrative film
LIGHT (2017), 57 minutes
by Lenora Lee and Tatsu Aoki
in association with Lenora Lee Productions, Innocent Eyes and Lenses Films,
and Asian Improv aRts, powered by Asian Improv Nation
Saturday, 3/11, 7pm
Gray Area
2665 Mission Street
San Francisco, CA 94110
Included in the program are live performances by Tatsu Aoki, Melody Takata and Lenora Lee Dance (Yao Dang, Yi-Ting Hsu, Lynn Huang, Wayne Tai Lee)
PAGES short experimental film by Tatsu Aoki & Melody Takata, 15 minutes (precedes LIGHT)
PAGES is a meditation on the emergence of Japanese modernist and experimentalist art movements.
Co-presented by Chinese Historical Society of America and Axis Dance Company
Asian Women United of Minnesota, Minnesota Coalition for Battered Women & Cornerstone
Invite You to the Twin Cities Premiere of LIGHT a Film by Lenora Lee and Tatsu Aoki
Thursday, 4/6, 2017
Cowles Auditorium, Humphrey School of Public Affairs
University of Minnesota
301 – 19th Ave. S., Minneapolis, MN 55455
2 Screenings: 3:30pm & 6:30pm
After each 57 minute screening, there will be a brief panel discussion with the filmmakers and a light reception to follow.
Additional Event Partners:
University of Minnesota School of Social Work
University of Minnesota Asian American Studies Program
University of Minnesota Women’s Center
KC Fortune Cookie Factory
The Foundation for Asian American Independent Media presents
The Chicago Premiere screening of LIGHT
as part of the 22nd Annual Asian American Showcase
Included in the program is a short film The Detached with a special dance and music performance by Lenora Lee, Tatsu Aoki, Jamie Kempkers, and Jonathan Chen, along with a post-performance discussion.
Saturday, 4/8, 8pm
Gene Siskel Film Center
164 N State Street
Chicago, IL 60601
The Center for the Study of Ethnicity and Race
Transnational Asian American Series at Columbia University present:
The New York Premiere film screening of LIGHT
Followed by talkback with Lenora Lee and Tatsu Aoki
Discussants: David Henry Hwang, Associate Professor of Theatre Arts in the Faculty of the Arts, Columbia University and
Karen Shimakawa, Associate Professor, Performance Studies, New York University
Tuesday, 4/11, 5pm
Casa Hispanica
Columbia University
612 West 116th Street
New York, NY 10027
Organized by The Center for the Study of Ethnicity and Race, the Department of Latin American and Iberian Cultures, the Institute for Research on Women, Gender and Sexuality, and the Department of Music. Co-sponsored by the Department of Dance at Barnard College, the Center for Ethnomusicology, the Center for Jazz Studies, the Heyman Center for the Humanities, and the Society of Fellows for the Humanities.
The DisOrient Asian American Film Festival of Oregon welcomes the Pacific Northwest Premiere of LIGHT
Included in the program is a special performance by and a talkback with Lenora Lee and Tatsu Aoki
Sunday, 4/23, 6pm
Bijou Art Cinemas
492 East 13th Avenue
Eugene, OR 97401
SYNOPSIS
Inspired by the life of Bessie M. Lee (1894 – 1955), who, after migrating to New York City, spent two years in indentured servitude, LIGHT is a film in which dance, memory, music and poetry collide in a visual and aural landscape; a meditation on women being propelled into the unknown by courage and faith to risk their lives and everything they have for freedom. In LIGHT, Aoki and Lee highlight the lives of women, including Bessie M. Lee, who through the resilience and triumph over unimaginable experiences, were grounding forces in the creation of the New York Chinatown community in the early 1900s.
In memory of Bessie M. Lee
(1894 – 1955)
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BIOGRAPHIES
Tatsu Aoki (director and filmmaker) is a prolific artist, a filmmaker, composer, musician, educator, and a consummate bassist and shamisen lute player. Based in Chicago, Aoki works in a wide range of musical genres, ranging from traditional Japanese music, jazz, experimental, and creative music and producing experimental films.
Aoki was born in Tokyo in 1957 to Toyaki Moto, an artisan family proficient in Okiya, the tradition of working as booking and training agents for geisha in downtown Tokyo. At the age of four, Aoki became part of his family performance crew and received the essence of traditional Tokyo geisha cultural training and studies, which combine history with creativity. In the late 1960s, upon Tokyo’s economic and social decline and his grandmother’s passing, he shifted his training to American pop and experimental music. By the early 1970s, Aoki was active in Tokyo’s underground arts movement as a member of Gintenkai, an experimental ensemble that combined traditional music and new Western forms. At the same time he began working in small-gauge and experimental films, influenced by his biological father, who was a movie producer at Shintoho Studio.
In 1977, Aoki left Tokyo to study experimental filmmaking at the School of the Art Institute of Chicago, where he is now adjunct associate professor in the Film, Video, and New Media Department, teaching film production and history. He has produced more than 30 experimental films and is one of the most in-demand performers of bass, shamisen, and taiko, appearing in over 90 recording projects. http://tatsuaoki.com/
Lenora Lee (producer, choreography director)
Lenora Lee has been a dancer, choreographer, artistic director, and producer for the past 19 years in San Francisco, Los Angeles and New York. She has been an Artist Fellow at the de Young Museum, a Djerassi Resident Artist, and a Visiting Scholar at New York University through the Asian / Pacific / American Institute. She is currently an Artist in Residence at Dance Mission Theater.
For the last ten years she has been pushing the envelope of large-scale multimedia dance performance that connects various styles of movement and music to culture, history, and human rights issues. Her work has grown to encompass the creation, presentation, and screening of films, museum and gallery installations, civic engagement and educational programming. Lee creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength.
www.LenoraLeeDance.com
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CAST AND CREW
Conceived & Produced by Lenora Lee
Directed & Edited by Tatsu Aoki
Cinematography by Tatsu Aoki, Zhuoyun Chen, Joshua Chuck, Ben Estabrook, Eric Koziol, Heath Orchard, Joel Wanek
Choreography by Lenora Lee in collaboration with the cast.
Main cast: Juliet Ante, Kara Davis, Marina Fukushima (playing Bessie M. Lee), Sebastian Grubb, Chin-chin Hsu, Yi-Ting Hsu, Lynn Huang, Wei-Shan Lai, Yukihiko Noda (playing Lawrence S. Lee), Olivia Ting
Additional Cast Members: Tatsu Aoki, Corey Chan, Ming Quan Chang, Xenia Chiu, Mike Kilo, Derek Lang, Alson Lee, JoAnn Lee, Lenora Lee, Aimee Liu, Jean Liu, Sophia Ma, Sophia Noda, Suiso Ogawa, Zhenzhen Qi, Francis Wong, Michele Wong, Ronald Wong, Jared Young, Alicia Yu
Music
*LIGHT soundtrack recordings by
Francis Wong saxophones, flute
Tatsu Aoki bass, taiko
Jonathan Chen violin, electronics
Min Xiao Fen pipa, vocals
*Opening, Arrival, Bessie’s Song, In the Classroom, Walking to the Opera, Escape, Crossing, In the Park, Grove
ESL from Reduction Live recording featuring Kioto Aoki, Tatsu Aoki, Megan Lee, Melody Takata, Edward Wilkerson
Kitchen & Wine Cellar from CD recording AIR 091 Miyumi Project Live 2015 featuring Kioto Aoki, Tatsu Aoki, Mwata Bowden, Coco Elysses, Jamie Kempkers, Avreeayl Ra, Edward Wilkerson
No Need to be Sad from CD recording AIR 089 Needs Are Met featuring Ari Brown and Francis Wong
Touch of Sand from CD recording AIR 088 Pages featuring Kioto Aoki, Melody Takata
All the above recordings are courtesy of Asian Improv Records.
Killing the Green Lion vignette music recorded for the LIGHT soundtrack, featuring Corey Chan, Mike Kilo, MaryEllen Kirkpatrick, Melvina Lee, courtesy of Kei Lun Martial Arts
Poetry & Voiceover – Genny Lim
Sound Engineers – Adam Diller, Karen Stackpole, Caleb Wilitz
Color Correction & Sound Design – Joel Wanek
Lighting – Mary McFadden (Killing the Green Lion vignette)
Costumes – Lenora and JoAnn Lee
Sculpture – “Dialog” by Roland Mayer at the Djerassi Resident Artists Program
Production Assistance – Libby Jones, Gerard Veronica Sese, Kenjo Hatta-Wong
Graphic Design – Olivia Ting
Photos – Keira Heu-Jwyn Chang, Heath Orchard
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Our deepest appreciation to Bessie M. Lee’s grandson, Larry Lee, for sharing so much of his family’s story, and to Larry Lee and Asian Women United of Minnesota for their generous support of this project.
Very special thanks to:
Asian/Pacific/American Institute at New York University
Asia Society
Asian Improv aRts
Asian Pacific Islander Cultural Center
Asian Pacific Islander Legal Outreach
Asian Women Giving Circle
Asian Women’s Shelter
Asian Women United of Minnesota
California Arts Council
California Lawyers for the Arts
Career, Mobility, Partnership (formerly Chinatown Manpower Project, Inc.)
Chinese Historical Society of America
CREDO Mobile
Dance Mission Theater
DAE Advertising
de Young Museum
Djerassi Resident Artists Program
Donaldina Cameron House
Franklin Templeton
Generous Individuals
Grants for the Arts/San Francisco Hotel Tax Fund
New York Asian Women’s Center
New York City Department of Parks & Recreation
Puffin Foundation
San Francisco Arts Commission
Simpson Thacher & Bartlett LLP
True Light Lutheran Church
UTAP Printing & Packaging
Zellerbach Family Foundation
Copyright 2017 Lenora Lee Productions, LLC
www.LenoraLeeDance.com
Purple Gums Performances in Southern California 2/23 – 2/25!
Purple Gums Brass Ensemble, with dancer/choreographer Lenora Lee
Brass ensemble Purple Gums, comprised of Bobby Bradford (cornet), William Roper (tuba) and Francis Wong (saxophones) performs a tasty gumbo of jazz, free improv, ragtime and classical. The trio’s role is to carry on the tradition of making music in the moment. Charts don’t exist. Rehearsals have never occurred. Ideas are generated and developed on the bandstand. Joining the ensemble is Lenora Lee (dancer/choreographer). The performances at UC Irvine are the opening of a Southern California mini-tour, in celebration of the 30th Anniversary of the production company Asian Improv aRts, and dedicated to the memory of the late composer, pianist, shamisen performer, bandleader, community activist, and educator Glenn Horiuchi (1955 – 2000).
Sponsored by the Department of Asian American Studies and the Department of Music
Featuring:
Francis Wong, sax and winds
William Roper, tuba and low brass
Lenora Lee, dancer
Bobby Bradford, cornet
Thursday, 2/23, 7pm
Room 218, Music and Media Building
UC Irvine
Free admission
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Brass ensemble Purple Gums, comprised of Bobby Bradford (cornet), William Roper (tuba) and Francis Wong (saxophones) performs a tasty gumbo of jazz, free improv, ragtime and classical. The trio’s role is to carry on the tradition of making music in the moment. Charts don’t exist. Rehearsals have never occurred. Ideas are generated and developed on the bandstand. Joining the ensemble is Lenora Lee (dancer/choreographer) and taiko artist and dancer Melody Takata. The performance at UC Riverside are part of a Southern California mini-tour, in celebration of the 30th Anniversary of the production company Asian Improv aRts, is also dedicated to the memory of the late composer, pianist, shamisen performer, bandleader, community activist, and educator Glenn Horiuchi (1955 – 2000).
Featuring:
Francis Wong, sax and winds
William Roper, tuba and low brass
Lenora Lee, dancer
Melody Takata, taiko
Bobby Bradford, cornet
Friday, 2/24, 12-2pm
The Barn
UC Riverside
900 University Ave, Riverside, California 92507
Photo: Lenora Lee, by Gabrielle Lurie, The Chronicle
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Musicians Francis Wong, Bobby Bradford, and William Roper, dancer/choreographers Lenora Lee and Melody Takata, will present an interdisciplinary concert in tribute to the late composer/instrumentalist Glenn Horiuchi and in celebration of the 30th Anniversary of the production company Asian Improv aRts.
Click here for information on Glenn
Featuring:
Francis Wong, sax and winds
William Roper, tuba and low brass
Lenora Lee, dancer
Melody Takata, taiko
Bobby Bradford, cornet
Saturday, 2/25, 2-4pm
Far East Lounge
Little Tokyo
353 E 1st St, Los Angeles, CA 90012
Photo: Melody Takata, by Walter Wagner
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About the artists:
Bobby Bradford (cornetist, trumpeter, and composer) took up cornet in 1949 and played with Leo Wright, Buster Smith, and John Hardee (1952), with Ornette Coleman and Eric Dolphy in Los Angeles (1953), and in air force bands. After belonging to the Ornette Coleman Quartet in New York (1961) he attended Huston-Tillotson College (BM 1963) and moved to Los Angeles (1964), where he formed the New Art Jazz Ensemble with John Carter. He taught elementary school (1966-71), lived and worked in England (1971), then rejoined Coleman’s group for a brief period in New York. From 1974 he taught at Pasadena City College and Pomona College, and from 1976 to 1978 belonged to the Little Big Horn workshop with Carter, Arthur Blythe, James Newton, and other free-jazz musicians. Bradford has performed most often with Carter; he has also appeared with David Murray Octet (1982-4), Charlie Haden’s Liberation Music Orchestra (from 1982), John Steven’s Freebop (1986), and his own group Mo’tet. As a composer he has been influenced by the blues and the music of Coleman.
William Roper (tuba) is an interdisciplinary artist based in Los Angeles. He has received awards from the NEA, CA Arts Council, L.A. Dept. of Cultural Affairs, Brody Arts Fund, ArtMatters Inc., American Composers Forum, Meet the Composer, Durfee Foundation and JUSFC. He has been a resident artist at Djerassi Artists Program – California, Oberfalzer Künstlerhaus – Bavaria, College of the Canyons – California and a Japan/US Friendship Association Creative Artist Fellow in Japan. He has fulfilled commissions from Dance L.A., the Gloria Newman Dance Theatre, Heidi Duckler Dance Theatre, SASSAS and the College of the Canyons Symphonic Band. His compositions have been performed by the California E.A.R. Unit, TaiHei Ensemble, Sounds New Ensemble, Duquesne Contemporary Ensemble, Cal Arts Cello Ensemble and others.
Few musicians are as accomplished as Francis Wong (Saxophone), considered one of “the great saxophonists of his generation” by the late jazz critic Phil Elwood. For over 30 years he has performed for audiences in North America, Asia, and Europe with such with such luminaries as Jon Jang, Tatsu Aoki, Genny Lim, William Roper, Bobby Bradford, and the late Glenn Horiuchi, Fred Anderson, and John Tchicai. Wong’s imaginative career straddles roles as varied as performing artist, youth mentor, composer, artistic director, community activist, nonprofit organization manager, consultant, music producer, and academic lecturer.
For the last ten years Lenora Lee (dancer/choreographer) has been pushing the envelope of large-scale multimedia dance performance that connects various styles of movement and music to culture, history, and human rights issues. Her work has grown to encompass the creation, presentation, and screening of films, museum and gallery installations, civic engagement and educational programming. Lee creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength. She has been a dancer, choreographer, artistic director, and producer for the past 18 years in San Francisco, Los Angeles and New York. In 2013 she was an Artist Fellow at the de Young Museum and a Djerassi Resident Artist. She is currently a Visiting Scholar at New York University, an Artist in Residence at Dance Mission Theater, and recently completed a newly commissioned work by Fort Mason Center in 2015.
Melody Takata has been performing in the traditional arts for over 25 years, from her upbringing in the Japanese American community of Los Angeles. She is founder and director of GenRyu Arts, established in 1995 as Gen Taiko and incorporated in 2008. She completed the ACTA master apprentice program for shamisen with Hideko Nakajima Sensei in 2003, and, in celebration of Gen Taiko’s 10th anniversary, the ACTA master apprentice program with 90 year-old Madame Fujima Kansuma. Takata has been one of the most significant collaborators for Tsukasa Taiko’s national expansion program.
A great article by LeRoy Downs about the 2/25 performance “Remembering Glenn Horiuchi”
The Theme is Love and Unity: Santa Monica High Jazz Ensemble, Purple Gums and Dianne Reeves
Day of Remembrance 2/19/17, 2pm
Bay Area Day of Remembrance 2017
75th Anniversary of Executive Order 9066
FRAGILE FREEDOMS
Carrying the Light for Justice
Sunday, February 19, 2017, 2 – 4PM
AMC Kabuki 8 Theatres
Click here for the San Francisco Chronicle article
Photo: Lenora Lee, by Gabrielle Lurie, The Chronicle
CALL FOR DANCERS & THEATER ARTISTS!
Lenora Lee Dance is seeking male dancers and theater artists for a series of immersive performances on the Angel Island Immigration Station. Inspired by the experiences of those detained and processed there, Within These Walls will transform and animate these historic spaces into sites for remembrance, and will be the highlight of Lenora Lee Dance’s 10th Anniversary Season.
Shows on the Immigration Station will be in September 2017. We will also do some filming there in September to create a full-length dance film from this project.
We are open to dancers of various movement backgrounds. Training in modern / contemporary dance, experience in choreography, improvisation, and collaboration are a plus.
Those interested can email LenoraLeeDance@gmail.com or call (415) 816-9376 for more information, and to sign up for an audition rehearsal appointment.
“The Eye of Compassion” premiering 9/24 – 10/2/16 at Cameron House!
A beautiful article by John Wilkins of KQED on “The Eye of Compassion”
A nice write up in the Examiner by Leslie Katz!
Nice plug on Hoodline for “The Eye of Compassion” by Nathan Falstreau
Asian Improv aRts, API Cultural Center, Chinese Historical Society of America, & Donaldina Cameron House present
The World Premiere of “The Eye of Compassion”
A new multimedia immersive dance experience by Lenora Lee Dance
Saturdays, 9/24 & 10/1 – 7:30pm & 9pm
Sundays, 9/25 & 10/2 – 7:30pm
Performances will begin on time, please arrive early.
Donaldina Cameron House
920 Sacramento St (between Powell & Stockton), SF, CA 94108
Parking available at the Portsmouth Square Plaza Garage. There will not be parking available at Cameron House.
Arts Patron: $35 in advance online, includes 6:45-7:15pm pre-performance reception (for 7:30pm show), and 10-10:30pm post-performance reception (for 9pm show)
General Admission: $20 in advance online. $25 at the door
Student rate: $15 in advance online. $20 at the door – Valid student ID required
Group rate available – while tickets last
Due to the intimate nature of the performance, there are a very limited number of tickets available per show. To ensure your space, purchase your tickets today.
Click Here for Tickets
For more info: www.LenoraLeeDance.com, email: LenoraLeeDance@gmail.com, 415-816-9376
Lenora Lee Dance (LLD) celebrates its 9th Anniversary Season with the World Premiere of The Eye of Compassion, a new site-specific multimedia immersive dance experience premiering in a two-week run 9/24 – 10/2/16 in San Francisco’s historic Donaldina Cameron House (CH). This work for six dancers will integrate contemporary dance, video projection, original music, and will serve as a meditation on healing, resilience, compassion and transformation, inspired by the work done at Cameron House over the years. It will feature a collage of vignettes, stories about, and interviews of people previously served in its programs, and also speak to the power of individuals and communities to transcend.
Audiences will travel through a labyrinth of rooms throughout the historic five story building in an intimate interactive environment, a tapestry of movement, sound and visual collage throughout the inside and outside of the building.
LLD’s work integrates contemporary dance, film, music, and research and has gained increasing attention for its sustained pursuit of issues related to immigration, global conflict, and its impacts, particularly on women and families.
“We strive to generate artistic work that engages deeply the connections between individuals and their experiences, and community and collective memory, through creative processes, research, and public involvement.” – Lenora Lee
“What struck me most was how Lee managed to embed the narrative into the installation’s structure. So many different things were happening all at once and no one could predict what was going to occur, or when, or where… it shows how carefully Lee wove the narrative into everyone’s experience, including the viewer’s.” – Heather Desaulniers, Dance Commentary, 9/13/15
Conceived & directed by Lenora Lee
Choreography by Lenora Lee with performers Peter Cheng, Yao Dang, Christian Felix, Yi-Ting Hsu, SanSan Kwan, Chloe Luo
Music score by Francis Wong, Tatsu Aoki, Melody Takata, Kioto Aoki, Jonathan Chen, Ari Brown
Media Design by Lenora Lee
Cinematography directed by Tatsu Aoki and Lenora Lee,
filmed by Ben Estabrook, Eric Koziol, Lenora Lee, Joel Wanek
Edited by Olivia Ting, Tatsu Aoki, Eric Koziol, and Lenora Lee
Additional artists on video: Corey Chan, James Q. Chan, Laurene Chan, Kara Davis, Kimberly Elliot, Raymond Fong, Chizuru Hamada, Karina Lee Howe, Kate Lee Howe, Chin-chin Hsu, Carl Irons, Wei-Shan Lai, Amy Lam, Lenora Lee, Yukihiko Noda, Melody Takata, Olivia Ting, Alisa Wong, Pamela Wong
Please Note:
– Comfortable footwear is encouraged.
– Coat, purse and bag check service is available and is highly recommended.
– Guests may encounter situations in close proximity with performers.
– We encourage guests with special needs to contact us prior to arrival at: LenoraLeeDance@gmail.com or (415) 816-9376
“The Eye of Compassion” is funded in part by San Francisco Arts Commission, Phyllis C. Wattis Foundation, Zellerbach Family Foundation, Portsmouth Plaza Parking Corporation, Fleishhacker Foundation, SF Grants for the Arts, Dance Mission Theater and by Generous Individuals. Special thanks to our Arts Patron Sponsor DAE Advertising and to our Community Circle Partners Asian Pacific Islander Legal Outreach and OCA, San Mateo.
To find out how you can support this project, click here
BACKGROUND
Started as the Occidental Mission Home for Girls in 1874, the initial purpose of the work done at Donaldina Cameron House (CH) was to intervene on behalf of young, Asian, immigrant females who had become vulnerable upon arrival into the United States. From its founding to the 1930’s over 2,000 women and girls sought shelter or sought refuge in Chinatown at CH from forced labor and indentured servitude.
LENORA LEE DANCE
The company is directed by San Francisco native Lenora Lee, who has been a dancer, choreographer and artistic director for the past 18 years in San Francisco, Los Angeles and New York. In 2013 she was an Artist Fellow at the de Young Museum, a Djerassi Resident Artist, and was a Visiting Scholar at New York University 2012-2016. She is currently an Artist in Residence at Dance Mission Theater. LLD creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength. For the last nine years, LLD has been pushing the envelope of large-scale multimedia dance performance that connects various styles of movement and music to culture, history & human rights issues. Its work has grown to encompass the creation, presentation, and screening of films, museum and gallery installations, civic engagement and educational programming.
Photos by Robbie Sweeny and courtesy of Lenora Lee Dance
“The Detached” experimental dance film is screening 7/23, 3:15pm!
“The Detached” (2014), 13:01 min
by Lenora Lee and Tatsu Aoki
Screening Saturday, 7/23, 3:15pm at the Roxie Theater as part of the SF Frozen Film Festival!
Note: some films in the 3:15pm program contain adult content.
http://www.frozenfilmfestival.com/pages/lineup16.php
Conceived & Produced by Lenora Lee
Directed & Edited by Tatsu Aoki
Cinematography by Ben Estabrook, Eric Koziol, Olivia Ting, Joel Wanek
Choreography & Performance by Lenora Lee with Larissa Fong, Raymond Fong, Marina Fukushima, Chin-chin Hsu, Lynn Huang, Wei-Shan Lai, Yukihiko Noda
Music
De-Clime 2 from CD recording Jonathan Chen Orchestra Returns by Tatsu Aoki and Jonathan Chen.
DiStilled by Ari Brown, Tatsu Aoki, and Francis Wong.
Michi from CD recording Shadow to Shadow by Melody Takata and Tatsu Aoki.
Steel Toe from CD recording Actual Music by David Pavkovic and Tatsu Aoki.
Moving the Moment by Ari Brown, Tatsu Aoki, and Francis Wong.
All recordings are courtesy of Asian Improv Records.
Lighting – Harry Rubeck
Costumes – Lenora and JoAnn Lee
Painting – Corey Chan
Production Assistance – Tongjia Wang
Special thanks to Angel Island and the California State Parks
In association with production partners Lenora Lee Dance, Innocent Eyes and Lenses Films, and Asian Improv aRts
Copyright 2014 Lenora Lee Dance
“The Detached” 5/27, 3pm as part of Sacramento Asian Pacific Film Festival!
“The Detached” (2014), 13:01 min
by Lenora Lee and Tatsu Aoki, in association with production partners Lenora Lee Dance, Innocent Eyes and Lenses Films, and Asian Improv aRts
Screening on Friday, 5/27, 3pm as part of the Sacramento Asian Pacific Film Festival!
Conceived & Produced by Lenora Lee
Directed & Edited by Tatsu Aoki
Cinematography by Ben Estabrook, Eric Koziol, Olivia Ting, Joel Wanek
Choreography & Performance by Lenora Lee with Larissa Fong, Raymond Fong, Marina Fukushima, Chin-chin Hsu, Lynn Huang, Wei-Shan Lai, Yukihiko Noda
Music
De-Clime 2 from CD recording Jonathan Chen Orchestra Returns by Tatsu Aoki and Jonathan Chen.
DiStilled by Ari Brown, Tatsu Aoki, and Francis Wong.
Michi from CD recording Shadow to Shadow by Melody Takata and Tatsu Aoki.
Steel Toe from CD recording Actual Music by David Pavkovic and Tatsu Aoki.
Moving the Moment by Ari Brown, Tatsu Aoki, and Francis Wong.
All recordings are courtesy of Asian Improv Records.
Lighting – Harry Rubeck
Costumes – Lenora and JoAnn Lee
Painting – Corey Chan
Production Assistance – Tongjia Wang
Special thanks to Angel Island and the California State Parks
In association with production partners Lenora Lee Dance, Innocent Eyes and Lenses Films, and Asian Improv aRts
Copyright 2014 Lenora Lee Dance
Take 5 – June 10, 2016, 5pm at ODC’s Mott Studio
Lenora Lee Dance is pleased to present a work-in-progress excerpt as part of the ODC Take 5 Series.
Take 5
June 10, 2016 at 5:00pm
Tickets $5 | Buy Tickets at the Door
Featured artists*: Lenora Lee, Katharine Hawthorne, Christy Funsch
Be a shareholder in the creative process. See works in progress from dance artists. Discuss what you saw, what resonated, and what sparked questions. Then, exercise your share to award an artist with 15 hours of free rehearsal time.
Program Subject to Change
LOCATION
ODC Theater
Mott Studio
3153 17th Street SF CA 94110
TICKETS
Buy Tickets at the Door
Tickets $5
Double Victory at Fort Point May 21-22, 1pm!
1 pm to 2:30 pm on Saturday May 21 and Sunday May 22, 2016
Fort Point National Historic Site
999 Marine Dr, SF 94129, under the South Side of the Golden Gate Bridge entrance
Admission free
Please arrive early to find parking. Click here for directions.
Featuring
Lenora Lee Dance – Yao Dang, Gama Hsu, Lenora Lee, Chloe Luo
Francis Wong Unit – Karl Evangelista on guitar, John-Carlos Perea on bass & flute, Karen Stackpole on gongs & drum set, Melody Takata on taiko, Francis Wong on saxophone, Yangqin Zhao on yangqin.
Visiting artists – William Roper (Los Angeles) on tuba, Michael Jamanis on violin (from Lancaster, PA) and Amanda Kemp (Sunday only) with spoken word (also from Lancaster)
Special guests – Kei Lun Martial Arts, and Okinawan music and lion dance by Wesley Ueunten and ensemble
Remarks by historian Connie Young Yu and SFSU Asian American Studies Professor Wesley Ueunten and other guests to follow Saturday’s performance. Please click here to RSVP for this post performance discussion. Seating is very limited.
Visit www.asianimprov.org,www.
Background
Many of us are familiar with how important World War II was in shaping our modern world and the heroism and sacrifice of what has been called “the greatest generation”. However, a lesser known story is how World War II was a turning point for racial justice in the US. For Chinese Americans, it meant that an alliance between US and China would finally repeal the 1882 Chinese Exclusion Act, which banned Chinese from naturalization to U.S. Citizenship and restricted their immigration.
The heroic role that Japanese Americans played in WWII while their families were incarcerated in concentration camps in the US would also bring about important changes such as the repeal of the Alien Land Law barring non-citizens from purchasing land. More than the legislation, this era represented a moment that deeply empowered Asian Americans as well as other communities of color in the struggle for civil rights and racial equality.
It was the beginning of a new era of activism around issues such as the promised benefits to Filipino war veterans, to finally lifting of restrictive quotas on Asian immigration, to redress for the camps for Japanese Americans. In this spirit our intercultural collaboration of artists and organizations comes together to evoke remembrance and celebration of the sacrifices made and victories won in WWII, the defining event of our global society.
Called to Rise: Chinese Americans in CBI
Several stories from the World War II experience of Asian Americans have inspired the works to be performed at this event. One of these stories is the experience of Chinese Americans in the China Burma India (CBI) theater of the war. CBI operations were a critical part of the Allied strategy to supply the wartime Chinese government’s resistance to Japanese occupation. President Roosevelt had believed that the defense of China was key to the defense of America, making the alliance with China vital to the US war effort.
Composer Francis Wong and CHSA Historian Connie Young Yu share a connection to this historic chapter through Wong’s father George and late mother Noela Wong and Young Yu’s late father, Colonel John C. Young, a decorated U.S. Army Combat Liaison Officer (under General Joseph Stilwell) who among other duties, played a key role in the pivotal Battle of Mount Song. Wong’s father George, a Chinese citizen at the time (as was Wong’s mother), served as a liaison with a U.S Foreign Economic Administration (FEA) team under the US State Department in Guizhou, working on transportation issues related to the Burma Road. Wong’s mother was civilian staff for the US Army transportation administration in Kunming in Yunnan Province.
A special educational mini-installation exploring this narrative produced by the Chinese Historical Society of America, Called to Rise: Chinese Americans in CBI will be on view May 6 – June 30, 2016 at the Fort Point Historic Site. The hours for the site are Friday – Sunday 10am – 5pm, Thursday – Tuesday 10am – 5pm starting end of May.
www.FrancisWong.net
www.LenoraLeeDance.com
www.asianimprov.org
Purple Gums Performance Saturday, 3/19, 2pm!
PURPLE GUMS PERFORMANCE
SATURDAY, MARCH 19th 2016, 2 PM
Tateuchi Auditorium, Sutter YWCA building
1830 Sutter Street, SF, CA 94115
Admission Free
Brass ensemble comprised of Bobby Bradford (cornet), William Roper (tuba) andFrancis Wong (saxophones), carrying on the tradition of making music in the moment. Expect a tasty gumbo of jazz, free improv, ragtime and classical. With special guests Lenora Lee (dancer/choreographer) and Genny Lim (poetry).
Asian Improv aRts is honored by the presence of such a significant artist, Bobby Bradford, to the history of the music.
Photos: Lenora Lee by Cody T Williams, and courtesy of Asian Improv aRts
SF Premiere Screening of “The Detached” 3/11, 10pm at the Roxie Theater!
CAAMFest 2016 presents the San Francisco premiere of
“The Detached” by Lenora Lee & Tatsu Aoki
as a part of its “Through the Looking Glass” shorts program
Filmed on Angel Island, the short experimental dance film “The Detached” is a collaboration between director Tatsu Aoki and dancer / producer Lenora Lee, in association with production partners Lenora Lee Dance, Innocent Eyes and Lenses Films, and Asian Improv aRts
Friday, March 11, 2016, 10pm
Roxie Theater
3117 16th St, San Francisco, CA 94103
http://caamfest.com/2016/shorts-programs/through-the-looking-glass/
General Admission: $14, Student/Seniors (65+)/Disabled: $13, CAAM Members: $12
The Detached
Conceived & Produced by Lenora Lee
Directed & Edited by Tatsu Aoki
Cinematography by Ben Estabrook, Eric Koziol, Olivia Ting, Joel Wanek
Choreography & Performance by Lenora Lee with Larissa Fong, Raymond Fong, Marina Fukushima, Chin-chin Hsu, Lynn Huang, Wei-Shan Lai, Yukihiko Noda
Music
De-Clime 2 from CD recording Jonathan Chen Orchestra Returns by Tatsu Aoki and Jonathan Chen.
DiStilled by Ari Brown, Tatsu Aoki, and Francis Wong.
Michi from CD recording Shadow to Shadow by Melody Takata and Tatsu Aoki.
Steel Toe from CD recording Actual Music by David Pavkovic and Tatsu Aoki.
Moving the Moment by Ari Brown, Tatsu Aoki, and Francis Wong.
All recordings are courtesy of Asian Improv Records.
Lighting – Harry Rubeck
Costumes – Lenora and JoAnn Lee
Painting – Corey Chan
Production Assistance – Tongjia Wang
Special thanks to Angel Island and the California State Parks
Above photo of Lenora Lee, by Robbie Sweeny
Chin-chin Hsu and Yukihiko Noda, photo courtesy of Lenora Lee Dance
Larissa Fong, Wei-Shan Lai, Chin-chin Hsu, and Lynn Huang, photo courtesy of Lenora Lee Dance
Thank you for your support!
There are no words to express how our cast of collaborators have been impacted by the creation and performance of “Fire of Freedom” in 2015.
Audience responses to “Fire of Freedom”:
“Sometimes we discuss these issues. Occasionally we delve deep into them. Most of the time we ignore the suffering of our veterans. This piece, unlike anything I’ve experienced put the audience in the thick of it all, as much as you can without experiencing it yourselves.”
“Beautiful, intense, emotionally-charged, surreal” “Haunting, enigmatic, provocative”
“A profoundly moving work long in coming.”
“Watching this piece after the 14th anniversary of 9/11, I was especially provoked to wonder what the true price of war is. Are we at war on terrorism or at war with ourselves? Thank you for embodying the words of our veterans. It is that much more powerful.”
Lenora Lee Dance embarked on a journey and dove deep into the construction of an immersive performance piece larger and more complex than anything we have ever created. The subject matter drove the work in a way that peeled back the superficial layer of what we each knew about war, and exposed the wounds of veterans, survivors, war, and its legacy.
“The trauma that our war survivors must endure is almost entirely cloaked by a veil of heroism – missing the stress that must be addressed that our survivors carry always with them.”
“Then someone comes into the room. One’s touch. Let me connect with your eyes, with your heart. Let me see you.”
We have been seeking to share through these stories a sense of gratitude for life and our lived experiences, no matter how challenging or beautiful, we are here, not just surviving, but thriving. The power in sharing our truths is boundless and with your support, we can continue to envision the possibilities and bring them to life.
Your gift will directly impact:
- The 2016 premiere of “Crossroads,” Part 2 in a trilogy examining the effects of war on resilience and transformation, serving as a meditation on healing and forgiveness.
- The deepening of existing and creation of new collaborations with advocate and community organizations and educational institutions nationwide.
- The 2016 premiere of the film “Light” a powerful and evocative story highlighting the lives of women, including Bessie M. Lee and Miriam Chou Jean, who were at the forefront of the early New York Chinatown community.
In appreciation, respect, and community,
Lenora Lee
P.S. Just one gift can help take us all one more step forward!
A Very Special Thank You to All of the End of 2015 into 2016 Donors So Far
Jennifer Alonso-Garzee, Arlene Biala, Jeanette & Low Chan, Leslie & Bob Chan, Louisa & Arthur Chin, Philip Chin, Marjorie Chung, May & Wayne Chung, David Dea, Doreen Der-Mcleod, Larissa Fong, Raymond Fong, Shar & Al Hall, Perrine Hamel, Carolyn Hee, Ellie Hisama, Michael Holscher, Evelyn Huang, Pamela Jang & Keith Jew, Carl & Jackie Jew, Cindy Joe, Ed & Peggy Kam, Roberta Lee Kelly, Aileen Kim, Benjamin Kwan, SanSan Kwan, JJ Lara, Alson & JoAnn Lee, Gail Lee, Jenson & Winnie Lee, Larry Lee, Linda Lee & Harry Chuck, Shirley Lee, Dayton & Mary Wong Leong, Lianne & Terry Leong, Nancy Lim-Yee, Jean Liu & Terry Chea, George Louie, Larry & May Lui, Victoria Marks, Belinda Mekdara, Dora Ng, Nancy Ng, Gunthilde & Lew Perin, John Seto, Linda Shigio, David & Marcella Soohoo, Joel Wanek, Morrie & Evy Warshawski, Nancy Wong, Lillian Woo, Betty Foo Yamamoto, Jiro Yamamoto, Mei & George Yee, Connie Young Yu, Sandra Yuen
photos by Robbie Sweeny
Reflections on “Fire of Freedom” by Wan-Lin Lo
Reflections on “Fire of Freedom” by Wan-Lin Lo
Highly recommend to everyone who are interested in modern/contemporary dance. Even I, who wasn’t a big fan of the dance in general, had very good time watching the performance and enjoyed it a lot.
The story has three independent lines that went on simultaneously. Every line was about violence and healing, yet all took different shapes of the violence (such as war violence, domestic violence as the two examples). The audience may follow any dancer throughout the performance; the storyline I was following was focused on the war violence, where my friend Wei-Shan was a major character to lead the story.
The dance was beautiful. It’s so beautiful that the emotion was contagious and made my heart hurt. When the bomb in battlefields dropped on the foreign ground, it destroyed not only everything that the enemy ever owned, but also hit the inside of yourself, and people who are close to you. Violence, no matter how well it’s masked by the so-called justice, is just like any other things in the universe, that for it to happen, you need to offer something to exchange. And most of the time, the price is the inner peace, where we could always find ourselves comfortable no matter cold or warm, lone or lost, with hope or desperate. And when that comfort is gone, no medical help may work the wonder to heal the wound.
The team used a lot of multimedia work to bring in the background and tell the story. No words were said, but Wei-Shan and her “military colleague” used every movement of their bodies and facial expression, to drive the story forward. Maybe because we as the audience may choose which storyline we wanted to follow, the performance became part of the “reality” at that moment when watching the dancers danced. Thus, when they drank in the bar to numb the pain, when the violence took place, when the medicine failed the hope, I felt like I was there as well. The dancers were struggling with the post trauma thanks to the war violence, and the audience, by standing in the same room, were struggling with the hurt that the violence seeded and a sense of helpless that may echo how these war victims’ friends and family feel.
photo by Robbie Sweeny
The Rotunda Dance Series presents Lenora Lee Dance at SF City Hall!
Rotunda Dance Series
San Francisco City Hall
Rotunda Dance Series: Lenora Lee Dance Presented by Dancers’ Group and World Arts West, in partnership with Grants for the Arts and San Francisco City Hall
Free Friday, September 4, 2015 12 Noon
The performance of Fire of Freedom at City Hall is part of Lenora Lee Dance’s 8th Anniversary Season which continues with its premiere at the General’s Residence in Fort Mason Center September 10-20, in partnership with Fort Mason Center, Asian Improv aRts, API Cultural Center, and the Chinese Historical Society of America. Lenora Lee Dance’s work integrates contemporary dance, film, music, and research and has gained increasing attention for its sustained pursuit of issues related to immigration, global conflict, and its impacts, particularly on women and families.
The high-profile Rotunda Dance Series brings many of the Bay Area’s most celebrated dance companies to San Francisco City Hall’s rotunda space for free monthly noon-time performances. The series is presented by Dancers’ Group and World Arts West in partnership with Grants for the Arts and San Francisco City Hall. Throughout 2015, the monthly Rotunda Dance Series celebrates the 100th anniversary of the Panama-Pacific International Exposition. The 1915 Exposition left a lasting imprint on the San Francisco Bay Area, especially in regards to world dance and music. It is only fitting that the highly visible Rotunda Dance Series use this historic anniversary to celebrate the past, present and future of dance in the Bay Area.
About Lenora Lee Dance (lenoraleedance.com)
For the last eight years, Lenora Lee Dance has been pushing the envelope of large-scale multimedia dance performance that connects various styles of movement and music to culture, history and human rights issues. Its work has grown to encompass the creation, presentation, and screening of films, museum and gallery installations, civic engagement and educational programming.
The company is directed by San Francisco native Lenora Lee, who has been a dancer, choreographer and artistic director for the past 17 years in San Francisco, Los Angeles and New York. In 2013 she was an Artist Fellow at the de Young Museum and a Djerassi Resident Artist. She is currently a Visiting Scholar at New York University, an Artist in Residence at Dance Mission Theater, and is being commissioned by Fort Mason Center to create Fire of Freedom premiering this September 10-20.
Lenora Lee Dance creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength.
About World Arts West (worldartswest.org)
For over three decades, World Arts West has supported and presented world dance artists throughout the San Francisco Bay Area. The main presenting program of the organization is the nationally acclaimed San Francisco Ethnic Dance Festival, which presents over 100 distinct dance forms and thousands of local dancers who are sustaining and innovating within those forms. The organization works year round to advance cultural literacy and build bridges of cultural understanding.
About Dancers’ Group (dancersgroup.org)
Dancers’ Group promotes the visibility and viability of dance. Founded in 1982, we serve San Francisco Bay Area artists, the dance community and audiences through programs and services that are as collaborative and innovative as the creative process. As a hybrid dance service and presenting organization for the second largest dance community in the country, Dancers’ Group’s many programs help artists produce work, build audiences, and connect with their peers and the community.
The 2015 Rotunda Dance Series continues: Fri, Oct 2: Mary Sano and Her Duncan Dancers Fri, Nov 6: Nimely Pan African Dance Company Fri, Dec 4: Hālau ‘o Kawainuhi Visit dancersgroup.org/rotunda for more information.
Photos of Chin-chin Hsu, by Robbie Sweeny
Read the full press release
World Premiere of “Fire of Freedom” 9/10-9/20/15 at Fort Mason Center!
Fort Mason Center Presents in association with Asian Improv aRts, API Cultural Center, and the Chinese Historical Society of America
present the World Premiere of
Fire of Freedom
a new site-specific multimedia immersive dance piece by Lenora Lee Dance
CLICK TO SEE FIRE OF FREEDOM PHOTOS, VIDEO, ARTICLES, REFLECTIONS, AUDIENCE FEEDBACK
Thursdays-Sundays, September 10-13 and 17-20, 2015, 8pm
Location: Fort Mason Center’s General’s Residence in the Upper Fort Mason area —
Enter at Franklin & Bay Streets. Turn right after the first Stop sign. Click here for a map.
Arts Patron: $30 includes reserved seating
General Admission: $16 in advance online, $20 at the door (fees apply)
Student rate: $12 in advance online, $16 at the door (fees apply) Valid student ID required
Group rate for 8 or more people: $10 each, must be purchased all together (in advance only)
Tickets: www.fortmason.org/boxoffice, (415) 345-7575
For questions, email LenoraLeeDance@gmail.com
LLD celebrates its 8th Anniversary Season with the World Premiere of Fire of Freedom, a new multimedia immersive dance piece that explores cycles of violence and healing in the context of our increasingly challenging world. The work of Lenora Lee Dance (LLD) integrates contemporary dance, film, music, and research and has gained increasing attention for its sustained pursuit of issues related to immigration, global conflict, and its impacts, particularly on women and families. Audiences will travel through a labyrinth of rooms throughout the three story General’s Residence in an intimate interactive environment, a tapestry of movement, sound and visual collage throughout the interior and exterior of the building.
“We strive to generate artistic work that engages deeply the connections between individuals and their experiences, and community and collective memory, through creative processes, research, and public involvement.” – Lenora Lee
“Fire of Freedom’s intrigue lies in its multi-modal exploration of violence and regeneration”, said Rich Hillis, Executive Director of the Fort Mason Center. “The immersive experience created by Lenora Lee Dance is a powerful and moving journey through the lives of the unrepresented.”
conceived & directed by Lenora Lee
music by Francis Wong with Deszon Claiborne, Karen Stackpole, Tatsu Aoki
cinematography directed & editing by Tatsu Aoki, filmed by Ben Estabrook, Joel Wanek, Zhuoyun Chen
media design & editing by Olivia Ting
media programming by Ian Winters
set design by Lenora Lee, Olivia Ting, Karl Gillick
lighting design by Patty-Ann Farrell
text excerpts taken from Katinka Hooyer’s “Surplus Data”
sound engineers: Karen Stackpole, Caleb Willitz, Lenora Lee, Timmy Leong & Sound Innovations
choreography by Lenora Lee in collaboration with the following artists:
performing live: Nick Brentley, Christian Felix, Larissa Fong, Marina Fukushima, Chin-chin Hsu, Yi-Ting Hsu, Lynn Huang, SanSan Kwan, Wei-Shan Lai, Wayne Tai Lee, Tim Rubel, David Silpa
on video: Kelly Del Rosario, Raymond Fong, Mike Garabato, Jorge Hernandez, Jon Iiyama, Eric Jacobus, Rafael Janania, Ed Kahana, Yukihiko Noda, Lucas Okuma, Bo Speirs
Please Note:
- Comfortable footwear is encouraged.
- Coat, purse and bag check service is available for $2 and is highly recommended.
- Guests may encounter situations in close proximity with performers.
- We encourage guests with special needs to contact us prior to arrival at Boxoffice@fortmason.org or 415.345.7575.
• Parking for handicapped visitors displaying valid credentials is available near the General’s Residence or in any marked space at Fort Mason or Fort Mason Center at regular parking rates
• Event patrons arriving Monday through Friday after 6:00pm or any time on Saturday, Sunday or a holiday may park in appropriately marked parking spaces adjacent to the General’s Residence or Chapel per posted regulations.
• Under no circumstances may visitors use any parking adjacent to Fort Mason residences.
• Visitors are encouraged to park in the Fort Mason Center lot (space permitting and at prevailing rates) or on adjacent city streets per posted regulations. The Fort Mason Center lot is entered at Marina Blvd and Buchanan Streets (see link to map above). Visitors may walk back to the General’s Residence or Chapel either up the stairs or through the paths on the Great Meadow. The walking distance is about 1,800 feet and the elevation change is approximately 55 feet.
• Visitors who carpool may drop off patrons at the General’s Residence or Chapel and then remove vehicle to alternate parking site.
For the last eight years, LLD has been pushing the envelope of large-scale multimedia dance performance that connects various styles of movement and music to culture, history & human rights issues. Its work has grown to encompass the creation, presentation, and screening of films, museum and gallery installations, civic engagement and educational programming.
The company is directed by San Francisco native Lenora Lee, who has been a dancer, choreographer and artistic director for the past 17 years in San Francisco, Los Angeles and New York. In 2013 she was an Artist Fellow at the de Young Museum and a Djerassi Resident Artist. She is currently a Visiting Scholar at New York University and an Artist in Residence at Dance Mission Theater. LLD creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength.
For more than 35 years Fort Mason Center has served as a unique destination in San Francisco, hosting arts and cultural events, organizations, and programs in a historic campus along San Francisco’s scenic northern waterfront. It is an extraordinary example of repurposing former military land and buildings for contemporary uses, including museums, performance spaces, and a vibrant schedule of art and cultural exhibitions and events. Each year the Fort Mason Center provides more than $2.2 million in grants to local arts groups like Embark Gallery. With more than 1 million annual visitors, the Fort Mason Center is one of the highest attended arts and cultural organizations in the Bay Area. For more information, visit www.FortMason.org or call (415) 345-7530
Special thanks to the California Arts Council, Dance Mission Theater, Enshin Karate San Mateo Dojo, Golden Gate National Recreation Area, National Park Service, Kenneth Rainin Foundation, San Francisco Arts Commission, San Francisco Grants for the Arts, Zellerbach Family Foundation, and Generous Individuals.
Arts Patron Corporate Sponsors: DAE Advertising, Portsmouth Square Parking Corporation. Arts Patron Community Sponsors: Donaldina Cameron House, Oakland Asian Cultural Center. Community Circle Partners: Angel Island Immigration Station Foundation, Asian Americans for Community Involvement, Asian Women’s Shelter, Chinese Progressive Association, OCA San Mateo, Xavier Tsang
Photos by Robbie Sweeny. Postcard design by Olivia Ting
Francis Wong & Tatsu Aoki with Lenora Lee – Wong Wei’s Gamble 5/30/15!
(Photo by Leon Sun)
Wong Wei’s Gamble is a new four movement musical work by Francis Wong that will feature the composer, shamisen performer Tatsu Aoki, dancer/choreographer Lenora Lee, bassist John-Carlos Perea, guitarist Karl Evangelista, Yangqin (hammered dulcimer) performer Yangqin Zhao, drums and gong performer Karen Stackpole, trapset drummer Deszon X. Claiborne. WWG will memorialize the story of Wong Wei, the composer’s grandfather, a professional jockey and business manager who dared to open up the International Racecourse of Tianjin in northern China during the Japanese occupation of World War II – the once active course had been closed by the occupiers – as a means to provide employment and entertainment for the city during this dark period. In a move that risked being labeled a “collaborator”.
Presented by San Francisco International Arts Festival, Asian Pacific Island Cultural Center and Asian Improv aRts
Tickets: $15-$30 General Admission and Reserved Seating
Few musicians are as accomplished as Francis Wong (musical director / composer), considered one of “the great saxophonists of his generation” by the late jazz critic Phil Elwood. A prolific recording artist, Wong is featured on more than forty titles as a leader and sideman. For over two decades he has performed his innovative brand of jazz and creative music for audiences in North America, Asia, and Europe with such with such luminaries as Jon Jang, Tatsu Aoki, Genny Lim, William Roper, Bobby Bradford, James Newton, Joseph Jarman, Don Moye and the late Glenn Horiuchi, John Tchicai, and Fred Anderson.
WHEN
May 30, 2015 at 7pm – 8:30pm
WHERE
San Francisco International Arts Festival, Festival Central Bldg A Fort Mason Center
2 Marina Blvd
San Francisco, CA 94123
United States
2 Marina Blvd
San Francisco, CA 94123
United States
“The Detached” film-in-progress screening & “Fire of Freedom” presentation!
CHSA is proud to present its third annual Joice Alley Celebration on May 2nd in collaboration with Cameron Carnival. This family friendly neighborhood event will feature many sights and sounds by familiar Asian American artists.
Saturday, 5/2/15 Schedule of events:
12pm dragon dance in Joice Alley by Kei Lun Martial Arts
12:30pm Lenora Lee’s “The Detached” film-in-progress screening, with a presentation about upcoming “Fire of Freedom” at CHSA Museum
1pm Francis Wong Unit performing their first set at Cameron House Yard
1:30pm Charlie Chin will be entertaining us with songs at CHSA Museum
2pm Francis Wong Unit performing their final set at Cameron House Yard
Much gratitude to our end-of-the 2014 year into 2015 supporters!
We are deeply grateful for all of the generosity and support from the following individuals and organizations at the end of 2014 into 2015!
Jennifer Alonso-Garzee, Joyce Ashizawa-Yee & Bradley Yee, Arlene Biala, Jeanette & Low Chan, Patricia Chan, Louisa & Arthur Chin, Philip Chin, Calvin & Sharon Chinn, Carole Chinn-Morales, Linda Lee & Harry Chuck, Marjorie Chung, David Dea, Kimberly Elliot, Larissa Fong, Raymond Fong & Enshin Karate San Mateo Dojo, Donald & Loretta Gibbs, Rosemary Gong, Ellie Hisama, Byron & Karen Ho, Michael Holscher, Karina Lee & Perry Howe, Evelyn Huang, Catherine Hung & Michael Derkacz, Carl & Jackie Jew, Victor Clark Joe, Zak Kong, Glenna Kurisu, Benjamin Kwan, Scott Lau, Alson & JoAnn Lee, Eunice & Gilbert Lee, Gail Lee, Kenneth Lee, Larry Lee, Winnie & Jenson Lee, Christina & Leonard Lew, David & Elizabeth Lew, Nancy Lim-Yee, George Louie, Larry & May Lui, Jean & Richard Lym, Victoria Marks, Christina Ng, Nancy Ng, Gunthilde & Lewis Perin, Eliza Perkins, Jeanne & Winchell Quock, John Seto, Linda Shigio, David & Marcella SooHoo, Van Tran, Xavier Tsang, Monica Tzeng, Morrie Warshawski, Jones Wong, Sandra & Kenneth Wong, Ruth Wu, Jiro Yamamoto, Rodney Yano, Junnie Yong, Connie Young Yu, Gary Yuen, Anonymous, Asian Women’s Shelter, Blackhawk Physical Therapy, Chinese Progressive Association, CREDO Mobile, DAE Advertising, Franklin Templeton, Oakland Asian Cultural Center, Portsmouth Square Parking Corporation, Presbyterian Church in Chinatown, Ruby’s Place, UTAP Printing & Packaging.
Asian Improv aRts, API Cultural Center, Asian/Pacific/American Institute at New York University, Asian Women United of Minnesota, California Arts Council, Chinese Historical Society of America, Dance Mission Theater, Donaldina Cameron House, Kenneth Rainin Foundation, New York Asian Women’s Center, Puffin Foundation, San Francisco Arts Commission, San Francisco Grants for the Arts, Zellerbach Family Foundation
If you would like to support Lenora Lee Dance, CLICK HERE.
Lynn Huang, photo by Robbie Sweeny
Our 2015 “Fire of Freedom Fund”!
As a wonderfully productive 2014 comes to a close, we would like to thank you immensely for your generosity. We would also like to share what 2015 has in store and ask for your continued commitment in support of our ongoing research, engagement with communities, and building of innovative artistic works through performance and film – all of which beckon a call for visibility, change and action.
You have the ability to initiate this change and envision the possibilities, which happens one step at a time, with one person at a time.
We invite you to step on board for this exciting 2015 season!
If you would like to make a tax deductible contribute to our “2015 Fire of Freedom Fund”, click here. Your gift will directly support:
– The 2015 premiere of the “Fire of Freedom” project, a multimedia site-specific immersive dance theater project, associated engagement activities and discussions that will take place 9/10 – 9/20 as part of the Fort Mason Presents Series.
– 3/20 & 3/21 “Fire of Freedom” film/video shoots – footage to be projected in the Fort Mason shows.
– The expansion of our research topics to include learning about the lives, experiences, health and well-being of military veterans.
– The deepening of existing and creation of new collaborations and activities with advocate and community organizations, and educational institutions nationwide.
“Fire of Freedom” Video Projection Mock-ups – actual video to be used will be filmed in 2015.
Ongoing contributions will also support:
– The creation and 2015 premiere of the film “Light” a powerful and evocative story highlighting the lives of women, including Bessie M. Lee (-b. 1894), who were at the forefront of the early New York Chinatown community, who through the resilience and triumph over unimaginable experiences, were grounding forces in the creation of this community.
– The continuation of our youth arts education program at Cameron House.
Thank you so very much for your generosity and support!
In respect, compassion, and community, Lenora
photo of Wayne Tai Lee & Lynn Huang
LLD featured on the PBS NewsHour!
Click here to see the PBS NewsHour feature of LLD by Joel Wanek
photo by Robbie Sweeny
Presidio Dialogues with Corey Chan and Lenora Lee 2/5/15, 7pm
Presidio Dialogues: “Reclaiming Our Chinese Heritage” with Corey Chan & Lenora Lee – 2/5/15, 7pm
photo by Robbie Sweeny
In Dance Article – September 2014
Click here to read the In Dance Article by Rob Taylor, featuring Lenora Lee