World Premiere of “Beneath The Surface” 10/6 – 10/14/18!
World Premiere of
Beneath The Surface
A new underwater, immersive, multimedia experience by Lenora Lee Dance
Saturdays, October 6th & 13th, 2018, evening times to be announced
Sundays, October 7th & 14th, 2018, evening times to be announced
Lenora Lee Dance (LLD) celebrates its 11th Anniversary Season with the World Premiere of Beneath The Surface, LLD’s first underwater, immersive, multimedia experience premiering in a two-week run 10/6 – 10/14/18. Beneath The Surface serves a meditation on forgiveness, reconciliation, and redemption, speaking to the power of individuals to transcend.
Audiences are reoriented for a unique perspective that merges memory, contemporary reality, and social commentary, experiencing epic storytelling inside an immersive underwater world.
Conceived, Produced & Directed by Lenora Lee
Choreography by Lenora Lee in collaboration with performers Yi-Ting Hsu, Hien Huynh, SanSan Kwan, Johnny Nguyen
Music Score Directed by Francis Wong & Tatsu Aoki
Media Design by Olivia Ting & Lenora Lee
Videography Directed by Lenora Lee
Filmed by Hien Huynh, Lenora Lee, Shannon Preto, Olivia Ting
LOCATION:
YMCA of San Francisco Chinatown Branch
855 Sacramento (between Stockton & Grant)
SUGGESTED PARKING:
Portsmouth Square Parking Garage
733 Kearny (between Clay & Washington)
ADMISSION:
There are a very limited number of tickets available per ticket price below.
For each ticket price, you will be given the category options for your experience:
– seated
– underwater shallow end
– underwater deep end
Please select the appropriate ticket price and category, purchasing your tickets early!
Ticket site coming soon!
For more info: www.LenoraLeeDance.com
For questions or high resolution images, email LenoraLeeDance@gmail.com, (415) 913-8725
NOTES REGARDING AUDIENCE IMMERSION:
Audience will have the option to view parts of the performance from inside the swimming pool. In order to make this possible we ask that you:
– Arrive 45 minutes before the performance start time to:
– Attend an orientation explaining where you will sit, and where and when to move in the pool
– Hear about our recommended immersive audience etiquette
– Change into your swim clothes, storing your belongings in a locker
– We may also ask you to move through the water in a coordinated way, as to not visually detract from the performers. We will practice this in the lobby during orientation time.
– Underwater audience may encounter situations in close proximity with performers.
– DO NOT purchase the underwater audience ticket if you are under 4 feet tall and do not know how to tread water.
– Purchase the deep end ticket ONLY if you know how to comfortably tread water for 1 minute or longer
THOSE PLANNING TO GO INTO THE WATER DURING THE PERFORMANCE SHOULD BRING:
– Proper swim clothes (solid dark colors preferred, but not required)
– Goggles
– Accessories to tie long hair up
– Snorkeling gear (optional)
– Flip flop slippers
– Toiletries: shampoo, soap, etc (optional)
– Lock for locker to store your belongings
– Towel
We encourage guests with special needs or questions to contact us in advance at: LenoraLeeDance@gmail.com or (415) 913-8725
“What struck me most was how Lee managed to embed the narrative into the installation’s structure. It shows how carefully Lee wove the narrative into everyone’s experience, including the viewer’s.” – Heather Desaulniers, Dance Commentary, 2015
“It starts with one dancer and eventually blooms to six and looks as if the dancers are exploding out of the film and into the world.” – John Wilkins, KQED, 2016
Audience Feedback for “Within These Walls” (2017) by Lenora Lee Dance
“It was a truly unique and powerful experience, and I feel fortunate to have witnessed it. It snuck into my dreams last night.”
“Moving and beautifully rendered.”
“I was deeply affected and moved by the performance.”
“It was brilliant and emotionally powerful.”
BIOGRAPHIES
LENORA LEE DANCE
LLD’s work integrates contemporary dance, film, music, and research and has gained increasing attention for its sustained pursuit of issues related to immigration, global conflict, and its impacts, particularly on women and families. The company is directed by San Francisco native Lenora Lee, who has been a dancer, choreographer and artistic director for the past 20 years in San Francisco, Los Angeles and New York. In 2013 she was an Artist Fellow at the de Young Museum, a Djerassi Resident Artist, and was a Visiting Scholar at New York University 2012-2016. She is currently an Artist in Residence at Dance Mission Theater. LLD creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength. For the last ten years, LLD has been pushing the envelope of large-scale multimedia dance performance that connects various styles of movement and music to culture, history and human rights issues. Its work has grown to encompass the creation, presentation and screening of films, museum and gallery installations, civic engagement and educational programming. www.LenoraLeeDance.com
Francis Wong (music) was dubbed one of “the great saxophonists of his generation” by the late jazz critic Phil elwood. Few musicians are as accomplished as Wong: for over two decades he has performed his innovative brand of jazz and creative music for audiences in north America, Asia, and europe. A prolific recording artist, Wong is featured on more than forty titles. www.franciswong.net
Olivia Ting (media & graphic design) is interested in the role of digital technology in the fabric of contemporary lives and how our perception of recorded media (film, photography, audio) as “reality” has shifted as technology becomes more sophisticated. olivia has done design work for San Francisco dance Center, San Francisco Performances, and the Brooklyn Children’s Museum. www.olivetinge.com
Tatsu Aoki (music) is a prolific composer, musician, filmmaker, and educator. Based in Chicago, Aoki works in a wide range of musical genres, ranging from traditional Japanese music, jazz, experimental and creative music. Aoki studied experimental filmmaking at the School of the Art Institute of Chicago and is currently an adjunct Full Professor at the Film, Video and New Media Department, teaching film production and history courses. To this date, Aoki has produced and appears in more than 90 recording projects and over 30 experimental films. www.tatsuaoki.org
Yi-Ting (Gama) Hsu (dance), was born and raised in Kaohsiung, Taiwan, and loves to create and share. She has trained in various techniques in dance such as contemporary, ballet, modern, Chinese martial art, Chinese folk dance, Tai-chi initiation, composition, choreography and improvisation. Yi-Ting is a graduate of Tsoying High School, and received her BFA from University of Taipei of the Arts. She moved to San Francisco in 2015 and has danced with Hsu Chen Wei Production, Les Petites Choses Production, David Harrera Performance Company, Lenora Lee Dance, Alyssandra Katherine Dance Project, Epiphany Dance Theater and Kinetech Arts. She’s choreographed “Shi-Ben-Jao-Tu”, “Goodnight Mom”, “Allow”, “coinciDance” and “Arcane keys”. Yi-Ting has produced shows during her studies in Taiwan. www.gamahsu.com
Hien Huynh (dance), began with free-form movement. His background composes of Laban, hip-hop, contemporary, and modern. Exposure to the kinetically speaking world, he resources influences from all beings, textures, sounds, and forms-around and within. Through kinetic and communicative frequencies, Hien aims to link the human to human, heart to heart connection. Born in Da Nang, Vietnam, he migrated at the age of three with his family to Oakland, CA. He holds a B.A. in Dramatic Arts: Dance & Theater and a B.A. in Communication from UC Davis and was the recipient of the prestigious Jere Curry Award. Hien has performed in the works of Kim Epifano, Robert Moses’ Kin, Kinetech Arts, PUSH Dance Company, Lenora Lee Dance, David Grenke, Iu-Hui Chua, Bob McGrath, John Jasperse and Qudus Onikeku. Through kinetic and communicative frequency, Hien hopes to reinforce the human to human, heart to heart connection. https://www.hien-huynh.com
SanSan Kwan (dance) teaches dance and dance studies at UC Berkeley. She has performed with Jonathon Appels, Joanna Mendl Shaw, Chen and Dancers, Maura Nguyen Donohue/In Mixed Company, and composer Scott Rubin, among others. This is her sixth year with Lenora Lee Dance.
Johnny Huy Nguyen (dance) is a dancer, performance artist, and child educator based in San Francisco. Starting with breakin, his dance practice has expanded to encompass a variety of styles including house, vogue, and contemporary. His vision is to use his craft and creativity to activate awareness, healing, and action in ways that are raw, vulnerable, and honest.
Beneath The Surface is supported in part by San Francisco Arts Commission, Kenneth Rainin Foundation, Asian Improv aRts, Asian Improv aRts Midwest, Chinese Historical Society of America Museum, Asian Pacific Islander Cultural Center, San Francisco Grants for the Arts, Portsmouth Plaza Parking Corporation, Dance Mission Theater, and Generous Individuals. Special thanks to Alson & JoAnn Lee, Andy Chu & Aquatics Staff at the YMCA of San Francisco Chinatown Branch.
PHOTOS Courtesy of Lenora Lee Dance, featuring SanSan Kwan, Hien Huynh, Yi-Ting Hsu & Shannon Preto
December 2017 Performances
Upcoming Performances:
– Thursday, 12/7, 7:30pm – LLD principal dancer Yi-Ting Hsu & Idaho State University (ISU) dance students perform Voices and excerpts from LLD’s repertoire as part of the Surviving Voices Symposium, Frazier Hall, ISU
– Sunday, 12/10, 12-12:30pm – LLD performs excerpts of Within These Walls as part of the Chinese Historical Society’s Sunset Project, featuring Lynn Huang, Hien Huynh, Eric Koziol, Chloe Luo, Johnny Nguyen, Shannon Preto, at Sunset Rec Center – 2201 Lawton St, SF.
Photo of Hien Huynh, Eric Koziol, Lynn Huang, by Robbie Sweeny
In Gratitude
Dear Friends,
On this #SmallBusinessSaturday to #GivingTuesday, we invite your participation!
2017 marks our 10th Anniversary and has been our most productive year by far. We celebrated with the creation, production, world premiere and national screenings of our 57-minute film LIGHT, which was awarded Best Experimental Film at the Canada International Film Festival. We launched and are selling the beautiful LIGHT DVD and CD soundtrack Box Set.
We are deeply grateful for your support of the September world premiere of Within These Walls, a new multimedia, immersive performance at the Angel Island Immigration Station Barracks. This work transformed and animated these historic spaces into sites for remembrance and healing, as part of a community-wide commemoration of the 135th Anniversary of the 1882 Chinese Exclusion Act and as the highlight of LLD’s 10th Anniversary Season.
Within These Walls was LLD’s strongest and most ambitious work, and has become one of LLD’s signature pieces. It was an exhilarating experience and brought many to tears, including us. Some say it is the best production they’ve ever seen. Some saw it multiple times, and one person saw 5 out of the 8 performances. The content is so relevant given the current day anti-immigrant climate in this country. It puts forth a compassionate lens on the experiences of immigrants.
We feel extremely thrilled about Within These Walls, coming to you with our plans to make a film and DVD box set based on the project, and to share our desire to remount the performance at the Immigration Station during 2018-2019.
We deeply appreciate your support and invite you to make a contribution today!
Your gift will directly support the:
– Creation of the Within These Walls Film
– Creation of the Within These Walls DVD Box Set
– Remounting of the Within These Walls Performance at the Angel Island Immigration Station
– World Premiere of Beneath The Surface Underwater Immersive Performance in 2018
– National Screenings of the 57-minute film LIGHT in 2018
We seek to share a sense of gratitude for life and our lived experiences, no matter how challenging, we are here, not just surviving, but thriving. The power in sharing these truths is boundless and with your support, we will continue to envision the possibilities and bring them to life.
WIth much appreciation,
Lenora
email: LenoraLeeDance@gmail.com
Audience Feedback:
“I thought about ICE jails, people who fear deportation, and refugees overseas. It was heavy….and so beautiful.”
“It was a truly unique and powerful experience, and I feel fortunate to have witnessed it. It snuck into my dreams last night.”
“Moving and beautifully rendered, and of course, so timely given the global dialogue around immigration. I was there with my seven year old son, and the piece made a big impression on him.”
“I was deeply affected and moved by the performance. I left in tears, and literally cried every time I replayed the performance in my head for 4 days afterward.”
“Your performance was indeed historic, an opportunity to trace, embody and heal the wounds of time, and honor the spirits of those who passed through the Immigration Station. The meta for me was the ever present questions of acceptance, inclusion and belonging, true for all of us, but especially now in these difficult times. By allowing us to be with the dancers/immigrants, you and your troupe created a space of resonance. We are all still waiting, aren’t we, for some kind of deeper belonging and transformation…. But in the performance, we could accept each other.”
“It was brilliant and emotionally powerful.”
“Scenes at the water’s edge were particularly touching. Four women danced in unison as sailboats floated by, driving home the proximity but intangibility of freedom. The dancers then returned to their dormitories, stoically passing through their first audience of the day as if we were invisible witnesses to an injustice we couldn’t control.
No matter which dancer one was following, Within These Walls culminated in a heartbreaking finale in the recreation yard, a sun-drenched acrobatic feat that left just about every performer covered in sweat. The dancers took a bow and were excused to prepare for the day’s second performance. The rest of us made our way to back to the island’s docks, onto ferries and back to freedom.”
From the Director:
“It is not enough to live our lives in the safety of our own experiences, as what we’ve known as our foundation can be taken away in the blink of an eye if we are not exercising our voices for justice, equality and compassion.” – Lenora Lee
Lenora Lee Dance is sponsored by API Cultural Center: a non-profit tax-exempt organization – EIN: 94-3295968. Contributions can be made by credit card at www.LenoraLeeDance.com/donate or sent by check. All donations are fully deductible to the extent allowed by law.
Photo of Hien Huynh & Lynn Huang, by Robbie Sweeny
Within These Walls premieres 9/9 – 9/17/17 on Angel Island!
UPDATES:
PLEASE NOTE:
The performance admission + ferry ticket packages we offer only leave from Pier 41 in San Francisco on the Blue & Gold Fleet.
If you plan to take the Angel Island Tiburon Ferry, purchase the Admission Only tickets on our ticket site. Then purchase Tiburon ferry tickets on board the ferry with cash or check.
The last day to purchase the Admission + Roundtrip ferry package and Shuttle tickets for the 9/9 & 9/10 performances on our ticket site is Tuesday, 9/6!
https://www.eventbrite.com/e/within-these-walls-tickets-36488901286
The last day to purchase the Admission + Roundtrip ferry package and Shuttle tickets for the 9/16 & 9/17 performances on our ticket site is Tuesday, 9/12!
After that you must purchase Admission Only tickets on our ticket site and stand in line at the Pier 39 / 41 Blue & Gold Fleet Box Office, or board the Tiburon Ferry to purchase ferry tickets separately. You may be able to purchase Shuttle tickets from our Angel Island dock Group Leader if they are still available.
On the day of the performance, those who purchased online the Admission + Roundtrip ferry tickets or Shuttle tickets – arrive early to meet our Pier 41 Group Leader wearing the Fluorescent Yellow vest here by the topographical map between Pier 39 & 41 to pick up your tickets.
If you need to buy ferry tickets on the day of the performance, arrive early to stand in line at the Blue & Gold Fleet Ticket Booth between Pier 39 & 41.
Once you have your ferry tickets go to Gate 1 or 2 at the Pier 41 dock to board for Angel Island.
CLICK HERE for information about the Tiburon Ferry.
If you purchased Admission Only tickets and Shuttle tickets, and ride the Tiburon ferry, you can pick up your Shuttle tickets from our Angel Island dock Group Leader in the Fluorescent Yellow vest once the ferry arrives on the Island.
____________________
Asian Improv aRts, API Cultural Center, Chinese Historical Society of America, and
Angel Island Immigration Station Foundation present
The World Premiere of
Within These Walls
A new multimedia immersive dance experience by Lenora Lee Dance
At the Angel Island Immigration Station, San Francisco Bay
Saturdays & Sundays, 9/9, 9/10, 9/16 & 9/17
11am-12pm & 12:30-1:30pm
Performances will begin on time, please arrive early.
Due to the nature of this performance with multiple dances and character narratives unfolding simultaneously throughout the Immigration Station, we recommend you see the performance more than once. It will never be the same experience twice! See ticket options for details on discounted tickets to see the performance twice in one day.
What The Press Is Saying About Within These Walls:
There will also be free screenings of LLD’s recent dance films in the Immigration Station Mess Hall held simultaneously at 11am and 12:30pm for ticket holders. These films were created in collaboration with acclaimed filmmaker Tatsu Aoki. Come early or stay after the performance to see the films!
Those attending one of the 9/16 or 9/17 performances may be captured on film and are asked to sign a Release Form, as we are building an experimental dance film of the Within These Walls performance piece. If you prefer to not be captured on film, please attend one of the 9/9 or 9/10 performances.
Click here for Tickets, Transportation & Details
For more info: www.LenoraLeeDance.com
For questions or high resolution images, email LenoraLeeDance@gmail.com, 415-816-9376
Please Note:
– Comfortable footwear is encouraged.
– Guests may encounter situations in close proximity with performers.
– We encourage guests with special needs to contact us prior to arrival at: LenoraLeeDance@gmail.com or (415) 816-9376
____________________________
Join us for the excursion and adventure!
CLICK on the blue “SELECT A DATE” button, then on the green “TICKETS” button to see PERFORMANCE ADMISSION + TRANSPORTATION DETAILS. Group rate available. Email LenoraLeeDance@gmail.com to inquire.
SAN FRANCISCO DEPARTURES: Company: Blue and Gold Fleet
SUGGESTED TRANSPORTATION TIMES:
Outbound Angel Island Ferry Options
- Departs Pier 41 at 9:45am, arrives on Angel Island at 10:10am
- Ride the 10:30am shuttle to the Station
- See either the 11am or 12:30pm performance
- See the 11am or 12:30pm films in the Station Mess Hall
- Departs Pier 41 at 11:15am, arrives on Angel Island at 11:45am
- No shuttle available. You must walk 25-30 minutes or bike to the Station
- See the 12:30pm performance after making your own way to the Station
Please check this website in August for updated ferry schedulehttp://www.blueandgoldfleet.com/ferry/angel-island/
Return to Pier 41 Ferry Options
- Departs Angel Island at 2:05pm, arrives at Pier 41 at 2:55pm
- Departs Angel Island at 4:25pm, arrives at Pier 41 at 5:30pm
Please check this website in August for updated ferry schedulehttp://www.blueandgoldfleet.com/ferry/angel-island/
TIBURON DEPARTURES: Company: Angel Island Tiburon Ferry
- Departs Tiburon hourly from 10am until 5pm
- Departs Angel Island hourly from 10:20am until 5:20pm
Those wanting to leave from Tiburon must purchase theGENERAL ADMISSION ONLY, ARTS PATRON ADMISSION ONLY, or STUDENT ADMISSION ONLY ticket options. Ferry tickets available for purchase at the facility as you board the ferry with cash or check ONLY. No advanced ferry ticket purchases. See those options and this linkhttp://angelislandferry.com/schedule/ for more details.
ANGEL ISLAND SHUTTLE (can be purchased on this Eventbrite site, see TICKETS – LIMITED AVAILABILITY)
- Departs promptly from the Angel Island Cafe at 10:30am
- Departs Immigration Station 12:45pm and 3pm
Visit http://angelisland.com/usis/ for more info.
If a shuttle is not available at your desired time, walking to and from the Immigration Station takes 25-30 minutes each way. Maps are available at the Angel Island dock.
PARKING OPTIONS at Pier 41, San Francisco
- Academy of Art parking lot on Beach & Stockton Streets ($30 all day)
- 2210 Stockton St between Northpoint & Bay ($25 all day)
Taking public transportation, taxi or Lyft are good options as well.
PARKING OPTIONS by Tiburon dock
Tiburon Parking information can be found online here:http://angelislandferry.com/parking-information/. Parking is between $5 and $15 for the day.
For more info: www.LenoraLeeDance.com, emailLenoraLeeDance@gmail.com, or call (415) 816-9376
Lenora Lee Dance (LLD) celebrates its 10th Anniversary Season with the World Premiere of Within These Walls, a new site-specific immersive multimedia dance experience premiering in a two-week run 9/9 – 9/17/17 on the Angel Island Immigration Station, San Francisco Bay. This work for 14 performers, integrating contemporary dance, video projection, recorded original music, and poetry, will serve as a meditation on healing, resilience, and compassion. Inspired by experiences of those detained and processed on the Station, Within These Walls will transform and animate these historic spaces into sites for remembrance, as part of a community-wide commemoration of the 135th Anniversary of the 1882 Chinese Exclusion Act, speaking to the power of individuals and communities to transcend.
Audiences will travel through a labyrinth of rooms throughout the historic two story building in an intimate interactive environment, a tapestry of movement, sound, poetry and film integrated throughout the inside and outside of the building, and within the walls.
Conceived, produced & directed by Lenora Lee
Choreography by Lenora Lee in collaboration with performers Yao Dang, Lynn Huang, Timothy Huey, Hien Huynh, Carl Irons, Eric Koziol, SanSan Kwan, Wayne Tai Lee, Kevin Lo, Chloe Luo, Johnny Nguyen, Shannon Preto, Yi-Ting Hsu, Stacey Yuen
Music score by Francis Wong and Tatsu Aoki, with Kioto Aoki, JoVia Armstrong, Rami Atassi, Jonathan Chen,Suwan Choi, Deszon X. Claiborne,Coco Elysses, Jason Kao Hwang, Michael Jamanis, Jamie Kempkers, Chad Taylor, Edward Wilkerson Jr., Michael Zerang
Poetry & text by Genny Lim, Wong Gung Jue, and Immigration Station detainees
Voiceover by Lynn Huang, Hien Huynh, Todd Nakagawa, Johnny Nguyen, Shannon Preto
Media Design by Olivia Ting
Videography directed by Lenora Lee
filmed by Lenora Lee, Shannon Preto, Olivia Ting
edited by Tatsu Aoki, Lenora Lee, Olivia Ting
LLD’s work integrates contemporary dance, film, music, and research and has gained increasing attention for its sustained pursuit of issues related to immigration, global conflict, and its impacts, particularly on women and families.
“We strive to generate artistic work that engages deeply the connections between individuals and their experiences, and community and collective memory, through creative processes, research, and public involvement.” – Lenora Lee
“What struck me most was how Lee managed to embed the narrative into the installation’s structure. So many different things were happening all at once and no one could predict what was going to occur, or when, or where… it shows how carefully Lee wove the narrative into everyone’s experience, including the viewer’s.” – Heather Desaulniers, Dance Commentary
BACKGROUND
From 1910 to 1940, Angel Island was the site of an Immigration Station that functioned as the West Coast equivalent of Ellis Island, although the Angel Island facility also enforced policies designed to exclude, rather than welcome, many Pacific Coast immigrants coming from eighty two countries. The processing time for most in the Station was two-three days, however for Chinese, the average was 3 weeks to 3 months of detention. One individual spent 22 months in the station.
In 1970, the site was slated for demolition because of its deteriorated condition; but the discovery of Chinese poetry that had been carved into the walls of the detention barracks saved it from destruction and led to renewed interest in the Angel Island Immigration Station. It increased awareness of the need to access the vivid lessons of sacrifice and triumph in the history of immigration. As a result of a broad advocacy campaign, funding was secured to preserve the site and to open the barracks to the public in 1983. Out of the community campaign the Angel Island Immigration Station Foundation (AIISF) was founded to continue preservation and educational efforts for the site, and to increase awareness of the contributions Pacific Coast immigrants make.
The mission of the Angel Island Immigration Station Foundation (AIISF) is to promote a greater understanding of Pacific Coast immigration and its role in shaping America’s past, present and future. In partnership with the California State Parks, AIISF educates the public about the complex story and rich cultural heritage of Pacific Coast immigrants and their descendants.
LENORA LEE DANCE
The company is directed by San Francisco native Lenora Lee, who has been a dancer, choreographer and artistic director for the past 19 years in San Francisco, Los Angeles and New York. In 2013 she was an Artist Fellow at the de Young Museum, a Djerassi Resident Artist, and was a Visiting Scholar at New York University 2012-2016. She is currently an Artist in Residence at Dance Mission Theater. LLD creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength. For the last ten years, LLD has been pushing the envelope of large-scale multimedia dance performance that connects various styles of movement and music to culture, history and human rights issues. Its work has grown to encompass the creation, presentation and screening of films, museum and gallery installations, civic engagement and educational programming. www.LenoraLeeDance.com
Within These Walls is supported in part by California Arts Council, San Francisco Arts Commission, Zellerbach Family Foundation, Portsmouth Plaza Parking Corporation, Fleishhacker Foundation, San Francisco Grants for the Arts, OCA San Mateo, Dance Mission Theater and to Generous Individuals. Special thanks to Casey Dexter-Lee & California State Parks, Grant Din and Penelope Wong.
photos by Robbie Sweeny featuring:
- Johnny Nguyen
- Johnny Nguyen & Eric Koziol
- Lynn Huang, Eric Koziol, Yi-Ting Hsu
- Yao Dang, Yi-Ting Hsu, Stacey Yuen, Chloe Luo
- Kevin Lo, Johnny Nguyen, Hien Huynh, Wayne Tai Lee
- Kevin Lo & Stacey Yuen
- Johnny Nguyen & Chloe Luo
- Yao Dang, Stacey Yuen, Chloe Luo, Yi-Ting Hsu
- Hien Huynh & Lynn Huang
- Hien Huynh
Bay Area People – Lenora Lee Dance on KTVU Fox 2
Thanks to Claudine Wong & KTVU – http://www.ktvu.com/community/234120868-video
Join us for immersive performances of “Within These Walls” in the Angel Island Immigration Station barracks this August – September!
“LIGHT” film screenings!
LIGHT won Best Experimental Film at the Canada International Film Festival!
Click here for excerpts from LIGHT and an interview with producer / choreography director Lenora Lee
CAAMFest 35 presents the World Premiere screening of the experimental narrative film
LIGHT (2017), 57 minutes
by Lenora Lee and Tatsu Aoki
in association with Lenora Lee Productions, Innocent Eyes and Lenses Films,
and Asian Improv aRts, powered by Asian Improv Nation
Saturday, 3/11, 7pm
Gray Area
2665 Mission Street
San Francisco, CA 94110
Included in the program are live performances by Tatsu Aoki, Melody Takata and Lenora Lee Dance (Yao Dang, Yi-Ting Hsu, Lynn Huang, Wayne Tai Lee)
PAGES short experimental film by Tatsu Aoki & Melody Takata, 15 minutes (precedes LIGHT)
PAGES is a meditation on the emergence of Japanese modernist and experimentalist art movements.
Co-presented by Chinese Historical Society of America and Axis Dance Company
Asian Women United of Minnesota, Minnesota Coalition for Battered Women & Cornerstone
Invite You to the Twin Cities Premiere of LIGHT a Film by Lenora Lee and Tatsu Aoki
Thursday, 4/6, 2017
Cowles Auditorium, Humphrey School of Public Affairs
University of Minnesota
301 – 19th Ave. S., Minneapolis, MN 55455
2 Screenings: 3:30pm & 6:30pm
After each 57 minute screening, there will be a brief panel discussion with the filmmakers and a light reception to follow.
Additional Event Partners:
University of Minnesota School of Social Work
University of Minnesota Asian American Studies Program
University of Minnesota Women’s Center
KC Fortune Cookie Factory
The Foundation for Asian American Independent Media presents
The Chicago Premiere screening of LIGHT
as part of the 22nd Annual Asian American Showcase
Included in the program is a short film The Detached with a special dance and music performance by Lenora Lee, Tatsu Aoki, Jamie Kempkers, and Jonathan Chen, along with a post-performance discussion.
Saturday, 4/8, 8pm
Gene Siskel Film Center
164 N State Street
Chicago, IL 60601
The Center for the Study of Ethnicity and Race
Transnational Asian American Series at Columbia University present:
The New York Premiere film screening of LIGHT
Followed by talkback with Lenora Lee and Tatsu Aoki
Discussants: David Henry Hwang, Associate Professor of Theatre Arts in the Faculty of the Arts, Columbia University and
Karen Shimakawa, Associate Professor, Performance Studies, New York University
Tuesday, 4/11, 5pm
Casa Hispanica
Columbia University
612 West 116th Street
New York, NY 10027
Organized by The Center for the Study of Ethnicity and Race, the Department of Latin American and Iberian Cultures, the Institute for Research on Women, Gender and Sexuality, and the Department of Music. Co-sponsored by the Department of Dance at Barnard College, the Center for Ethnomusicology, the Center for Jazz Studies, the Heyman Center for the Humanities, and the Society of Fellows for the Humanities.
The DisOrient Asian American Film Festival of Oregon welcomes the Pacific Northwest Premiere of LIGHT
Included in the program is a special performance by and a talkback with Lenora Lee and Tatsu Aoki
Sunday, 4/23, 6pm
Bijou Art Cinemas
492 East 13th Avenue
Eugene, OR 97401
The San Francisco Dance Film Festival presents LIGHT Saturday, 10/21, 1:30pm at Brava Theater Studio, Mezzanine, 2781 24th Street, San Francisco
SYNOPSIS
Inspired by the life of Bessie M. Lee (1894 – 1955), who, after migrating to New York City, spent two years in indentured servitude, LIGHT is a film in which dance, memory, music and poetry collide in a visual and aural landscape; a meditation on women being propelled into the unknown by courage and faith to risk their lives and everything they have for freedom. In LIGHT, Aoki and Lee highlight the lives of women, including Bessie M. Lee, who through the resilience and triumph over unimaginable experiences, were grounding forces in the creation of the New York Chinatown community in the early 1900s.
In memory of Bessie M. Lee
(1894 – 1955)
___________________________________________________________________________
BIOGRAPHIES
Tatsu Aoki (director and filmmaker) is a prolific artist, a filmmaker, composer, musician, educator, and a consummate bassist and shamisen lute player. Based in Chicago, Aoki works in a wide range of musical genres, ranging from traditional Japanese music, jazz, experimental, and creative music and producing experimental films.
Aoki was born in Tokyo in 1957 to Toyaki Moto, an artisan family proficient in Okiya, the tradition of working as booking and training agents for geisha in downtown Tokyo. At the age of four, Aoki became part of his family performance crew and received the essence of traditional Tokyo geisha cultural training and studies, which combine history with creativity. In the late 1960s, upon Tokyo’s economic and social decline and his grandmother’s passing, he shifted his training to American pop and experimental music. By the early 1970s, Aoki was active in Tokyo’s underground arts movement as a member of Gintenkai, an experimental ensemble that combined traditional music and new Western forms. At the same time he began working in small-gauge and experimental films, influenced by his biological father, who was a movie producer at Shintoho Studio.
In 1977, Aoki left Tokyo to study experimental filmmaking at the School of the Art Institute of Chicago, where he is now adjunct associate professor in the Film, Video, and New Media Department, teaching film production and history. He has produced more than 30 experimental films and is one of the most in-demand performers of bass, shamisen, and taiko, appearing in over 90 recording projects. http://tatsuaoki.com/
Lenora Lee (producer, choreography director)
Lenora Lee has been a dancer, choreographer, artistic director, and producer for the past 19 years in San Francisco, Los Angeles and New York. She has been an Artist Fellow at the de Young Museum, a Djerassi Resident Artist, and a Visiting Scholar at New York University through the Asian / Pacific / American Institute. She is currently an Artist in Residence at Dance Mission Theater.
For the last ten years she has been pushing the envelope of large-scale multimedia dance performance that connects various styles of movement and music to culture, history, and human rights issues. Her work has grown to encompass the creation, presentation, and screening of films, museum and gallery installations, civic engagement and educational programming. Lee creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength.
www.LenoraLeeDance.com
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CAST AND CREW
Conceived & Produced by Lenora Lee
Directed & Edited by Tatsu Aoki
Cinematography by Tatsu Aoki, Zhuoyun Chen, Joshua Chuck, Ben Estabrook, Eric Koziol, Heath Orchard, Joel Wanek
Choreography by Lenora Lee in collaboration with the cast.
Main cast: Juliet Ante, Kara Davis, Marina Fukushima (playing Bessie M. Lee), Sebastian Grubb, Chin-chin Hsu, Yi-Ting Hsu, Lynn Huang, Wei-Shan Lai, Yukihiko Noda (playing Lawrence S. Lee), Olivia Ting
Additional Cast Members: Tatsu Aoki, Corey Chan, Ming Quan Chang, Xenia Chiu, Mike Kilo, Derek Lang, Alson Lee, JoAnn Lee, Lenora Lee, Aimee Liu, Jean Liu, Sophia Ma, Sophia Noda, Suiso Ogawa, Zhenzhen Qi, Francis Wong, Michele Wong, Ronald Wong, Jared Young, Alicia Yu
Music
*LIGHT soundtrack recordings by
Francis Wong saxophones, flute
Tatsu Aoki bass, taiko
Jonathan Chen violin, electronics
Min Xiao Fen pipa, vocals
*Opening, Arrival, Bessie’s Song, In the Classroom, Walking to the Opera, Escape, Crossing, In the Park, Grove
ESL from Reduction Live recording featuring Kioto Aoki, Tatsu Aoki, Megan Lee, Melody Takata, Edward Wilkerson
Kitchen & Wine Cellar from CD recording AIR 091 Miyumi Project Live 2015 featuring Kioto Aoki, Tatsu Aoki, Mwata Bowden, Coco Elysses, Jamie Kempkers, Avreeayl Ra, Edward Wilkerson
No Need to be Sad from CD recording AIR 089 Needs Are Met featuring Ari Brown and Francis Wong
Touch of Sand from CD recording AIR 088 Pages featuring Kioto Aoki, Melody Takata
All the above recordings are courtesy of Asian Improv Records.
Killing the Green Lion vignette music recorded for the LIGHT soundtrack, featuring Corey Chan, Mike Kilo, MaryEllen Kirkpatrick, Melvina Lee, courtesy of Kei Lun Martial Arts
Poetry & Voiceover – Genny Lim
Sound Engineers – Adam Diller, Karen Stackpole, Caleb Wilitz
Color Correction & Sound Design – Joel Wanek
Lighting – Mary McFadden (Killing the Green Lion vignette)
Costumes – Lenora and JoAnn Lee
Sculpture – “Dialog” by Roland Mayer at the Djerassi Resident Artists Program
Production Assistance – Libby Jones, Gerard Veronica Sese, Kenjo Hatta-Wong
Graphic Design – Olivia Ting
Photos – Keira Heu-Jwyn Chang, Heath Orchard
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Our deepest appreciation to Bessie M. Lee’s grandson, Larry Lee, for sharing so much of his family’s story, and to Larry Lee and Asian Women United of Minnesota for their generous support of this project.
Very special thanks to:
Asian/Pacific/American Institute at New York University
Asia Society
Asian Improv aRts
Asian Pacific Islander Cultural Center
Asian Pacific Islander Legal Outreach
Asian Women Giving Circle
Asian Women’s Shelter
Asian Women United of Minnesota
California Arts Council
California Lawyers for the Arts
Career, Mobility, Partnership (formerly Chinatown Manpower Project, Inc.)
Chinese Historical Society of America
CREDO Mobile
Dance Mission Theater
DAE Advertising
de Young Museum
Djerassi Resident Artists Program
Donaldina Cameron House
Franklin Templeton
Generous Individuals
Grants for the Arts/San Francisco Hotel Tax Fund
New York Asian Women’s Center
New York City Department of Parks & Recreation
Puffin Foundation
San Francisco Arts Commission
Simpson Thacher & Bartlett LLP
True Light Lutheran Church
UTAP Printing & Packaging
Zellerbach Family Foundation
Copyright 2017 Lenora Lee Productions, LLC
www.LenoraLeeDance.com
Purple Gums Performances in Southern California 2/23 – 2/25!
Purple Gums Brass Ensemble, with dancer/choreographer Lenora Lee
Brass ensemble Purple Gums, comprised of Bobby Bradford (cornet), William Roper (tuba) and Francis Wong (saxophones) performs a tasty gumbo of jazz, free improv, ragtime and classical. The trio’s role is to carry on the tradition of making music in the moment. Charts don’t exist. Rehearsals have never occurred. Ideas are generated and developed on the bandstand. Joining the ensemble is Lenora Lee (dancer/choreographer). The performances at UC Irvine are the opening of a Southern California mini-tour, in celebration of the 30th Anniversary of the production company Asian Improv aRts, and dedicated to the memory of the late composer, pianist, shamisen performer, bandleader, community activist, and educator Glenn Horiuchi (1955 – 2000).
Sponsored by the Department of Asian American Studies and the Department of Music
Featuring:
Francis Wong, sax and winds
William Roper, tuba and low brass
Lenora Lee, dancer
Bobby Bradford, cornet
Thursday, 2/23, 7pm
Room 218, Music and Media Building
UC Irvine
Free admission
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Brass ensemble Purple Gums, comprised of Bobby Bradford (cornet), William Roper (tuba) and Francis Wong (saxophones) performs a tasty gumbo of jazz, free improv, ragtime and classical. The trio’s role is to carry on the tradition of making music in the moment. Charts don’t exist. Rehearsals have never occurred. Ideas are generated and developed on the bandstand. Joining the ensemble is Lenora Lee (dancer/choreographer) and taiko artist and dancer Melody Takata. The performance at UC Riverside are part of a Southern California mini-tour, in celebration of the 30th Anniversary of the production company Asian Improv aRts, is also dedicated to the memory of the late composer, pianist, shamisen performer, bandleader, community activist, and educator Glenn Horiuchi (1955 – 2000).
Featuring:
Francis Wong, sax and winds
William Roper, tuba and low brass
Lenora Lee, dancer
Melody Takata, taiko
Bobby Bradford, cornet
Friday, 2/24, 12-2pm
The Barn
UC Riverside
900 University Ave, Riverside, California 92507
Photo: Lenora Lee, by Gabrielle Lurie, The Chronicle
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Musicians Francis Wong, Bobby Bradford, and William Roper, dancer/choreographers Lenora Lee and Melody Takata, will present an interdisciplinary concert in tribute to the late composer/instrumentalist Glenn Horiuchi and in celebration of the 30th Anniversary of the production company Asian Improv aRts.
Click here for information on Glenn
Featuring:
Francis Wong, sax and winds
William Roper, tuba and low brass
Lenora Lee, dancer
Melody Takata, taiko
Bobby Bradford, cornet
Saturday, 2/25, 2-4pm
Far East Lounge
Little Tokyo
353 E 1st St, Los Angeles, CA 90012
Photo: Melody Takata, by Walter Wagner
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About the artists:
Bobby Bradford (cornetist, trumpeter, and composer) took up cornet in 1949 and played with Leo Wright, Buster Smith, and John Hardee (1952), with Ornette Coleman and Eric Dolphy in Los Angeles (1953), and in air force bands. After belonging to the Ornette Coleman Quartet in New York (1961) he attended Huston-Tillotson College (BM 1963) and moved to Los Angeles (1964), where he formed the New Art Jazz Ensemble with John Carter. He taught elementary school (1966-71), lived and worked in England (1971), then rejoined Coleman’s group for a brief period in New York. From 1974 he taught at Pasadena City College and Pomona College, and from 1976 to 1978 belonged to the Little Big Horn workshop with Carter, Arthur Blythe, James Newton, and other free-jazz musicians. Bradford has performed most often with Carter; he has also appeared with David Murray Octet (1982-4), Charlie Haden’s Liberation Music Orchestra (from 1982), John Steven’s Freebop (1986), and his own group Mo’tet. As a composer he has been influenced by the blues and the music of Coleman.
William Roper (tuba) is an interdisciplinary artist based in Los Angeles. He has received awards from the NEA, CA Arts Council, L.A. Dept. of Cultural Affairs, Brody Arts Fund, ArtMatters Inc., American Composers Forum, Meet the Composer, Durfee Foundation and JUSFC. He has been a resident artist at Djerassi Artists Program – California, Oberfalzer Künstlerhaus – Bavaria, College of the Canyons – California and a Japan/US Friendship Association Creative Artist Fellow in Japan. He has fulfilled commissions from Dance L.A., the Gloria Newman Dance Theatre, Heidi Duckler Dance Theatre, SASSAS and the College of the Canyons Symphonic Band. His compositions have been performed by the California E.A.R. Unit, TaiHei Ensemble, Sounds New Ensemble, Duquesne Contemporary Ensemble, Cal Arts Cello Ensemble and others.
Few musicians are as accomplished as Francis Wong (Saxophone), considered one of “the great saxophonists of his generation” by the late jazz critic Phil Elwood. For over 30 years he has performed for audiences in North America, Asia, and Europe with such with such luminaries as Jon Jang, Tatsu Aoki, Genny Lim, William Roper, Bobby Bradford, and the late Glenn Horiuchi, Fred Anderson, and John Tchicai. Wong’s imaginative career straddles roles as varied as performing artist, youth mentor, composer, artistic director, community activist, nonprofit organization manager, consultant, music producer, and academic lecturer.
For the last ten years Lenora Lee (dancer/choreographer) has been pushing the envelope of large-scale multimedia dance performance that connects various styles of movement and music to culture, history, and human rights issues. Her work has grown to encompass the creation, presentation, and screening of films, museum and gallery installations, civic engagement and educational programming. Lee creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength. She has been a dancer, choreographer, artistic director, and producer for the past 18 years in San Francisco, Los Angeles and New York. In 2013 she was an Artist Fellow at the de Young Museum and a Djerassi Resident Artist. She is currently a Visiting Scholar at New York University, an Artist in Residence at Dance Mission Theater, and recently completed a newly commissioned work by Fort Mason Center in 2015.
Melody Takata has been performing in the traditional arts for over 25 years, from her upbringing in the Japanese American community of Los Angeles. She is founder and director of GenRyu Arts, established in 1995 as Gen Taiko and incorporated in 2008. She completed the ACTA master apprentice program for shamisen with Hideko Nakajima Sensei in 2003, and, in celebration of Gen Taiko’s 10th anniversary, the ACTA master apprentice program with 90 year-old Madame Fujima Kansuma. Takata has been one of the most significant collaborators for Tsukasa Taiko’s national expansion program.
A great article by LeRoy Downs about the 2/25 performance “Remembering Glenn Horiuchi”
The Theme is Love and Unity: Santa Monica High Jazz Ensemble, Purple Gums and Dianne Reeves
Day of Remembrance 2/19/17, 2pm
Bay Area Day of Remembrance 2017
75th Anniversary of Executive Order 9066
FRAGILE FREEDOMS
Carrying the Light for Justice
Sunday, February 19, 2017, 2 – 4PM
AMC Kabuki 8 Theatres
Click here for the San Francisco Chronicle article
Photo: Lenora Lee, by Gabrielle Lurie, The Chronicle
CALL FOR DANCERS & THEATER ARTISTS!
Lenora Lee Dance is seeking male dancers and theater artists for a series of immersive performances on the Angel Island Immigration Station. Inspired by the experiences of those detained and processed there, Within These Walls will transform and animate these historic spaces into sites for remembrance, and will be the highlight of Lenora Lee Dance’s 10th Anniversary Season.
Shows on the Immigration Station will be in September 2017. We will also do some filming there in September to create a full-length dance film from this project.
We are open to dancers of various movement backgrounds. Training in modern / contemporary dance, experience in choreography, improvisation, and collaboration are a plus.
Those interested can email LenoraLeeDance@gmail.com or call (415) 816-9376 for more information, and to sign up for an audition rehearsal appointment.
“The Eye of Compassion” premiering 9/24 – 10/2/16 at Cameron House!
A beautiful article by John Wilkins of KQED on “The Eye of Compassion”
A nice write up in the Examiner by Leslie Katz!
Nice plug on Hoodline for “The Eye of Compassion” by Nathan Falstreau
Asian Improv aRts, API Cultural Center, Chinese Historical Society of America, & Donaldina Cameron House present
The World Premiere of “The Eye of Compassion”
A new multimedia immersive dance experience by Lenora Lee Dance
Saturdays, 9/24 & 10/1 – 7:30pm & 9pm
Sundays, 9/25 & 10/2 – 7:30pm
Performances will begin on time, please arrive early.
Donaldina Cameron House
920 Sacramento St (between Powell & Stockton), SF, CA 94108
Parking available at the Portsmouth Square Plaza Garage. There will not be parking available at Cameron House.
Arts Patron: $35 in advance online, includes 6:45-7:15pm pre-performance reception (for 7:30pm show), and 10-10:30pm post-performance reception (for 9pm show)
General Admission: $20 in advance online. $25 at the door
Student rate: $15 in advance online. $20 at the door – Valid student ID required
Group rate available – while tickets last
Due to the intimate nature of the performance, there are a very limited number of tickets available per show. To ensure your space, purchase your tickets today.
Click Here for Tickets
For more info: www.LenoraLeeDance.com, email: LenoraLeeDance@gmail.com, 415-816-9376
Lenora Lee Dance (LLD) celebrates its 9th Anniversary Season with the World Premiere of The Eye of Compassion, a new site-specific multimedia immersive dance experience premiering in a two-week run 9/24 – 10/2/16 in San Francisco’s historic Donaldina Cameron House (CH). This work for six dancers will integrate contemporary dance, video projection, original music, and will serve as a meditation on healing, resilience, compassion and transformation, inspired by the work done at Cameron House over the years. It will feature a collage of vignettes, stories about, and interviews of people previously served in its programs, and also speak to the power of individuals and communities to transcend.
Audiences will travel through a labyrinth of rooms throughout the historic five story building in an intimate interactive environment, a tapestry of movement, sound and visual collage throughout the inside and outside of the building.
LLD’s work integrates contemporary dance, film, music, and research and has gained increasing attention for its sustained pursuit of issues related to immigration, global conflict, and its impacts, particularly on women and families.
“We strive to generate artistic work that engages deeply the connections between individuals and their experiences, and community and collective memory, through creative processes, research, and public involvement.” – Lenora Lee
“What struck me most was how Lee managed to embed the narrative into the installation’s structure. So many different things were happening all at once and no one could predict what was going to occur, or when, or where… it shows how carefully Lee wove the narrative into everyone’s experience, including the viewer’s.” – Heather Desaulniers, Dance Commentary, 9/13/15
Conceived & directed by Lenora Lee
Choreography by Lenora Lee with performers Peter Cheng, Yao Dang, Christian Felix, Yi-Ting Hsu, SanSan Kwan, Chloe Luo
Music score by Francis Wong, Tatsu Aoki, Melody Takata, Kioto Aoki, Jonathan Chen, Ari Brown
Media Design by Lenora Lee
Cinematography directed by Tatsu Aoki and Lenora Lee,
filmed by Ben Estabrook, Eric Koziol, Lenora Lee, Joel Wanek
Edited by Olivia Ting, Tatsu Aoki, Eric Koziol, and Lenora Lee
Additional artists on video: Corey Chan, James Q. Chan, Laurene Chan, Kara Davis, Kimberly Elliot, Raymond Fong, Chizuru Hamada, Karina Lee Howe, Kate Lee Howe, Chin-chin Hsu, Carl Irons, Wei-Shan Lai, Amy Lam, Lenora Lee, Yukihiko Noda, Melody Takata, Olivia Ting, Alisa Wong, Pamela Wong
Please Note:
– Comfortable footwear is encouraged.
– Coat, purse and bag check service is available and is highly recommended.
– Guests may encounter situations in close proximity with performers.
– We encourage guests with special needs to contact us prior to arrival at: LenoraLeeDance@gmail.com or (415) 816-9376
“The Eye of Compassion” is funded in part by San Francisco Arts Commission, Phyllis C. Wattis Foundation, Zellerbach Family Foundation, Portsmouth Plaza Parking Corporation, Fleishhacker Foundation, SF Grants for the Arts, Dance Mission Theater and by Generous Individuals. Special thanks to our Arts Patron Sponsor DAE Advertising and to our Community Circle Partners Asian Pacific Islander Legal Outreach and OCA, San Mateo.
To find out how you can support this project, click here
BACKGROUND
Started as the Occidental Mission Home for Girls in 1874, the initial purpose of the work done at Donaldina Cameron House (CH) was to intervene on behalf of young, Asian, immigrant females who had become vulnerable upon arrival into the United States. From its founding to the 1930’s over 2,000 women and girls sought shelter or sought refuge in Chinatown at CH from forced labor and indentured servitude.
LENORA LEE DANCE
The company is directed by San Francisco native Lenora Lee, who has been a dancer, choreographer and artistic director for the past 18 years in San Francisco, Los Angeles and New York. In 2013 she was an Artist Fellow at the de Young Museum, a Djerassi Resident Artist, and was a Visiting Scholar at New York University 2012-2016. She is currently an Artist in Residence at Dance Mission Theater. LLD creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength. For the last nine years, LLD has been pushing the envelope of large-scale multimedia dance performance that connects various styles of movement and music to culture, history & human rights issues. Its work has grown to encompass the creation, presentation, and screening of films, museum and gallery installations, civic engagement and educational programming.
Photos by Robbie Sweeny and courtesy of Lenora Lee Dance
“The Detached” experimental dance film is screening 7/23, 3:15pm!
“The Detached” (2014), 13:01 min
by Lenora Lee and Tatsu Aoki
Screening Saturday, 7/23, 3:15pm at the Roxie Theater as part of the SF Frozen Film Festival!
Note: some films in the 3:15pm program contain adult content.
http://www.frozenfilmfestival.com/pages/lineup16.php
Conceived & Produced by Lenora Lee
Directed & Edited by Tatsu Aoki
Cinematography by Ben Estabrook, Eric Koziol, Olivia Ting, Joel Wanek
Choreography & Performance by Lenora Lee with Larissa Fong, Raymond Fong, Marina Fukushima, Chin-chin Hsu, Lynn Huang, Wei-Shan Lai, Yukihiko Noda
Music
De-Clime 2 from CD recording Jonathan Chen Orchestra Returns by Tatsu Aoki and Jonathan Chen.
DiStilled by Ari Brown, Tatsu Aoki, and Francis Wong.
Michi from CD recording Shadow to Shadow by Melody Takata and Tatsu Aoki.
Steel Toe from CD recording Actual Music by David Pavkovic and Tatsu Aoki.
Moving the Moment by Ari Brown, Tatsu Aoki, and Francis Wong.
All recordings are courtesy of Asian Improv Records.
Lighting – Harry Rubeck
Costumes – Lenora and JoAnn Lee
Painting – Corey Chan
Production Assistance – Tongjia Wang
Special thanks to Angel Island and the California State Parks
In association with production partners Lenora Lee Dance, Innocent Eyes and Lenses Films, and Asian Improv aRts
Copyright 2014 Lenora Lee Dance
“The Detached” 5/27, 3pm as part of Sacramento Asian Pacific Film Festival!
“The Detached” (2014), 13:01 min
by Lenora Lee and Tatsu Aoki, in association with production partners Lenora Lee Dance, Innocent Eyes and Lenses Films, and Asian Improv aRts
Screening on Friday, 5/27, 3pm as part of the Sacramento Asian Pacific Film Festival!
Conceived & Produced by Lenora Lee
Directed & Edited by Tatsu Aoki
Cinematography by Ben Estabrook, Eric Koziol, Olivia Ting, Joel Wanek
Choreography & Performance by Lenora Lee with Larissa Fong, Raymond Fong, Marina Fukushima, Chin-chin Hsu, Lynn Huang, Wei-Shan Lai, Yukihiko Noda
Music
De-Clime 2 from CD recording Jonathan Chen Orchestra Returns by Tatsu Aoki and Jonathan Chen.
DiStilled by Ari Brown, Tatsu Aoki, and Francis Wong.
Michi from CD recording Shadow to Shadow by Melody Takata and Tatsu Aoki.
Steel Toe from CD recording Actual Music by David Pavkovic and Tatsu Aoki.
Moving the Moment by Ari Brown, Tatsu Aoki, and Francis Wong.
All recordings are courtesy of Asian Improv Records.
Lighting – Harry Rubeck
Costumes – Lenora and JoAnn Lee
Painting – Corey Chan
Production Assistance – Tongjia Wang
Special thanks to Angel Island and the California State Parks
In association with production partners Lenora Lee Dance, Innocent Eyes and Lenses Films, and Asian Improv aRts
Copyright 2014 Lenora Lee Dance
Take 5 – June 10, 2016, 5pm at ODC’s Mott Studio
Lenora Lee Dance is pleased to present a work-in-progress excerpt as part of the ODC Take 5 Series.
Take 5
June 10, 2016 at 5:00pm
Tickets $5 | Buy Tickets at the Door
Featured artists*: Lenora Lee, Katharine Hawthorne, Christy Funsch
Be a shareholder in the creative process. See works in progress from dance artists. Discuss what you saw, what resonated, and what sparked questions. Then, exercise your share to award an artist with 15 hours of free rehearsal time.
Program Subject to Change
LOCATION
ODC Theater
Mott Studio
3153 17th Street SF CA 94110
TICKETS
Buy Tickets at the Door
Tickets $5
Double Victory at Fort Point May 21-22, 1pm!
1 pm to 2:30 pm on Saturday May 21 and Sunday May 22, 2016
Fort Point National Historic Site
999 Marine Dr, SF 94129, under the South Side of the Golden Gate Bridge entrance
Admission free
Please arrive early to find parking. Click here for directions.
Featuring
Lenora Lee Dance – Yao Dang, Gama Hsu, Lenora Lee, Chloe Luo
Francis Wong Unit – Karl Evangelista on guitar, John-Carlos Perea on bass & flute, Karen Stackpole on gongs & drum set, Melody Takata on taiko, Francis Wong on saxophone, Yangqin Zhao on yangqin.
Visiting artists – William Roper (Los Angeles) on tuba, Michael Jamanis on violin (from Lancaster, PA) and Amanda Kemp (Sunday only) with spoken word (also from Lancaster)
Special guests – Kei Lun Martial Arts, and Okinawan music and lion dance by Wesley Ueunten and ensemble
Remarks by historian Connie Young Yu and SFSU Asian American Studies Professor Wesley Ueunten and other guests to follow Saturday’s performance. Please click here to RSVP for this post performance discussion. Seating is very limited.
Visit www.asianimprov.org,www.
Background
Many of us are familiar with how important World War II was in shaping our modern world and the heroism and sacrifice of what has been called “the greatest generation”. However, a lesser known story is how World War II was a turning point for racial justice in the US. For Chinese Americans, it meant that an alliance between US and China would finally repeal the 1882 Chinese Exclusion Act, which banned Chinese from naturalization to U.S. Citizenship and restricted their immigration.
The heroic role that Japanese Americans played in WWII while their families were incarcerated in concentration camps in the US would also bring about important changes such as the repeal of the Alien Land Law barring non-citizens from purchasing land. More than the legislation, this era represented a moment that deeply empowered Asian Americans as well as other communities of color in the struggle for civil rights and racial equality.
It was the beginning of a new era of activism around issues such as the promised benefits to Filipino war veterans, to finally lifting of restrictive quotas on Asian immigration, to redress for the camps for Japanese Americans. In this spirit our intercultural collaboration of artists and organizations comes together to evoke remembrance and celebration of the sacrifices made and victories won in WWII, the defining event of our global society.
Called to Rise: Chinese Americans in CBI
Several stories from the World War II experience of Asian Americans have inspired the works to be performed at this event. One of these stories is the experience of Chinese Americans in the China Burma India (CBI) theater of the war. CBI operations were a critical part of the Allied strategy to supply the wartime Chinese government’s resistance to Japanese occupation. President Roosevelt had believed that the defense of China was key to the defense of America, making the alliance with China vital to the US war effort.
Composer Francis Wong and CHSA Historian Connie Young Yu share a connection to this historic chapter through Wong’s father George and late mother Noela Wong and Young Yu’s late father, Colonel John C. Young, a decorated U.S. Army Combat Liaison Officer (under General Joseph Stilwell) who among other duties, played a key role in the pivotal Battle of Mount Song. Wong’s father George, a Chinese citizen at the time (as was Wong’s mother), served as a liaison with a U.S Foreign Economic Administration (FEA) team under the US State Department in Guizhou, working on transportation issues related to the Burma Road. Wong’s mother was civilian staff for the US Army transportation administration in Kunming in Yunnan Province.
A special educational mini-installation exploring this narrative produced by the Chinese Historical Society of America, Called to Rise: Chinese Americans in CBI will be on view May 6 – June 30, 2016 at the Fort Point Historic Site. The hours for the site are Friday – Sunday 10am – 5pm, Thursday – Tuesday 10am – 5pm starting end of May.
www.FrancisWong.net
www.LenoraLeeDance.com
www.asianimprov.org
Purple Gums Performance Saturday, 3/19, 2pm!
PURPLE GUMS PERFORMANCE
SATURDAY, MARCH 19th 2016, 2 PM
Tateuchi Auditorium, Sutter YWCA building
1830 Sutter Street, SF, CA 94115
Admission Free
Brass ensemble comprised of Bobby Bradford (cornet), William Roper (tuba) andFrancis Wong (saxophones), carrying on the tradition of making music in the moment. Expect a tasty gumbo of jazz, free improv, ragtime and classical. With special guests Lenora Lee (dancer/choreographer) and Genny Lim (poetry).
Asian Improv aRts is honored by the presence of such a significant artist, Bobby Bradford, to the history of the music.
Photos: Lenora Lee by Cody T Williams, and courtesy of Asian Improv aRts
SF Premiere Screening of “The Detached” 3/11, 10pm at the Roxie Theater!
CAAMFest 2016 presents the San Francisco premiere of
“The Detached” by Lenora Lee & Tatsu Aoki
as a part of its “Through the Looking Glass” shorts program
Filmed on Angel Island, the short experimental dance film “The Detached” is a collaboration between director Tatsu Aoki and dancer / producer Lenora Lee, in association with production partners Lenora Lee Dance, Innocent Eyes and Lenses Films, and Asian Improv aRts
Friday, March 11, 2016, 10pm
Roxie Theater
3117 16th St, San Francisco, CA 94103
http://caamfest.com/2016/shorts-programs/through-the-looking-glass/
General Admission: $14, Student/Seniors (65+)/Disabled: $13, CAAM Members: $12
The Detached
Conceived & Produced by Lenora Lee
Directed & Edited by Tatsu Aoki
Cinematography by Ben Estabrook, Eric Koziol, Olivia Ting, Joel Wanek
Choreography & Performance by Lenora Lee with Larissa Fong, Raymond Fong, Marina Fukushima, Chin-chin Hsu, Lynn Huang, Wei-Shan Lai, Yukihiko Noda
Music
De-Clime 2 from CD recording Jonathan Chen Orchestra Returns by Tatsu Aoki and Jonathan Chen.
DiStilled by Ari Brown, Tatsu Aoki, and Francis Wong.
Michi from CD recording Shadow to Shadow by Melody Takata and Tatsu Aoki.
Steel Toe from CD recording Actual Music by David Pavkovic and Tatsu Aoki.
Moving the Moment by Ari Brown, Tatsu Aoki, and Francis Wong.
All recordings are courtesy of Asian Improv Records.
Lighting – Harry Rubeck
Costumes – Lenora and JoAnn Lee
Painting – Corey Chan
Production Assistance – Tongjia Wang
Special thanks to Angel Island and the California State Parks
Above photo of Lenora Lee, by Robbie Sweeny
Chin-chin Hsu and Yukihiko Noda, photo courtesy of Lenora Lee Dance
Larissa Fong, Wei-Shan Lai, Chin-chin Hsu, and Lynn Huang, photo courtesy of Lenora Lee Dance
Thank you for your support!
There are no words to express how our cast of collaborators have been impacted by the creation and performance of “Fire of Freedom” in 2015.
Audience responses to “Fire of Freedom”:
“Sometimes we discuss these issues. Occasionally we delve deep into them. Most of the time we ignore the suffering of our veterans. This piece, unlike anything I’ve experienced put the audience in the thick of it all, as much as you can without experiencing it yourselves.”
“Beautiful, intense, emotionally-charged, surreal” “Haunting, enigmatic, provocative”
“A profoundly moving work long in coming.”
“Watching this piece after the 14th anniversary of 9/11, I was especially provoked to wonder what the true price of war is. Are we at war on terrorism or at war with ourselves? Thank you for embodying the words of our veterans. It is that much more powerful.”
Lenora Lee Dance embarked on a journey and dove deep into the construction of an immersive performance piece larger and more complex than anything we have ever created. The subject matter drove the work in a way that peeled back the superficial layer of what we each knew about war, and exposed the wounds of veterans, survivors, war, and its legacy.
“The trauma that our war survivors must endure is almost entirely cloaked by a veil of heroism – missing the stress that must be addressed that our survivors carry always with them.”
“Then someone comes into the room. One’s touch. Let me connect with your eyes, with your heart. Let me see you.”
We have been seeking to share through these stories a sense of gratitude for life and our lived experiences, no matter how challenging or beautiful, we are here, not just surviving, but thriving. The power in sharing our truths is boundless and with your support, we can continue to envision the possibilities and bring them to life.
Your gift will directly impact:
- The 2016 premiere of “Crossroads,” Part 2 in a trilogy examining the effects of war on resilience and transformation, serving as a meditation on healing and forgiveness.
- The deepening of existing and creation of new collaborations with advocate and community organizations and educational institutions nationwide.
- The 2016 premiere of the film “Light” a powerful and evocative story highlighting the lives of women, including Bessie M. Lee and Miriam Chou Jean, who were at the forefront of the early New York Chinatown community.
In appreciation, respect, and community,
Lenora Lee
P.S. Just one gift can help take us all one more step forward!
A Very Special Thank You to All of the End of 2015 into 2016 Donors So Far
Jennifer Alonso-Garzee, Arlene Biala, Jeanette & Low Chan, Leslie & Bob Chan, Louisa & Arthur Chin, Philip Chin, Marjorie Chung, May & Wayne Chung, David Dea, Doreen Der-Mcleod, Larissa Fong, Raymond Fong, Shar & Al Hall, Perrine Hamel, Carolyn Hee, Ellie Hisama, Michael Holscher, Evelyn Huang, Pamela Jang & Keith Jew, Carl & Jackie Jew, Cindy Joe, Ed & Peggy Kam, Roberta Lee Kelly, Aileen Kim, Benjamin Kwan, SanSan Kwan, JJ Lara, Alson & JoAnn Lee, Gail Lee, Jenson & Winnie Lee, Larry Lee, Linda Lee & Harry Chuck, Shirley Lee, Dayton & Mary Wong Leong, Lianne & Terry Leong, Nancy Lim-Yee, Jean Liu & Terry Chea, George Louie, Larry & May Lui, Victoria Marks, Belinda Mekdara, Dora Ng, Nancy Ng, Gunthilde & Lew Perin, John Seto, Linda Shigio, David & Marcella Soohoo, Joel Wanek, Morrie & Evy Warshawski, Nancy Wong, Lillian Woo, Betty Foo Yamamoto, Jiro Yamamoto, Mei & George Yee, Connie Young Yu, Sandra Yuen
photos by Robbie Sweeny
Reflections on “Fire of Freedom” by Wan-Lin Lo
Reflections on “Fire of Freedom” by Wan-Lin Lo
Highly recommend to everyone who are interested in modern/contemporary dance. Even I, who wasn’t a big fan of the dance in general, had very good time watching the performance and enjoyed it a lot.
The story has three independent lines that went on simultaneously. Every line was about violence and healing, yet all took different shapes of the violence (such as war violence, domestic violence as the two examples). The audience may follow any dancer throughout the performance; the storyline I was following was focused on the war violence, where my friend Wei-Shan was a major character to lead the story.
The dance was beautiful. It’s so beautiful that the emotion was contagious and made my heart hurt. When the bomb in battlefields dropped on the foreign ground, it destroyed not only everything that the enemy ever owned, but also hit the inside of yourself, and people who are close to you. Violence, no matter how well it’s masked by the so-called justice, is just like any other things in the universe, that for it to happen, you need to offer something to exchange. And most of the time, the price is the inner peace, where we could always find ourselves comfortable no matter cold or warm, lone or lost, with hope or desperate. And when that comfort is gone, no medical help may work the wonder to heal the wound.
The team used a lot of multimedia work to bring in the background and tell the story. No words were said, but Wei-Shan and her “military colleague” used every movement of their bodies and facial expression, to drive the story forward. Maybe because we as the audience may choose which storyline we wanted to follow, the performance became part of the “reality” at that moment when watching the dancers danced. Thus, when they drank in the bar to numb the pain, when the violence took place, when the medicine failed the hope, I felt like I was there as well. The dancers were struggling with the post trauma thanks to the war violence, and the audience, by standing in the same room, were struggling with the hurt that the violence seeded and a sense of helpless that may echo how these war victims’ friends and family feel.
photo by Robbie Sweeny
The Rotunda Dance Series presents Lenora Lee Dance at SF City Hall!
Rotunda Dance Series
San Francisco City Hall
Rotunda Dance Series: Lenora Lee Dance Presented by Dancers’ Group and World Arts West, in partnership with Grants for the Arts and San Francisco City Hall
Free Friday, September 4, 2015 12 Noon
The performance of Fire of Freedom at City Hall is part of Lenora Lee Dance’s 8th Anniversary Season which continues with its premiere at the General’s Residence in Fort Mason Center September 10-20, in partnership with Fort Mason Center, Asian Improv aRts, API Cultural Center, and the Chinese Historical Society of America. Lenora Lee Dance’s work integrates contemporary dance, film, music, and research and has gained increasing attention for its sustained pursuit of issues related to immigration, global conflict, and its impacts, particularly on women and families.
The high-profile Rotunda Dance Series brings many of the Bay Area’s most celebrated dance companies to San Francisco City Hall’s rotunda space for free monthly noon-time performances. The series is presented by Dancers’ Group and World Arts West in partnership with Grants for the Arts and San Francisco City Hall. Throughout 2015, the monthly Rotunda Dance Series celebrates the 100th anniversary of the Panama-Pacific International Exposition. The 1915 Exposition left a lasting imprint on the San Francisco Bay Area, especially in regards to world dance and music. It is only fitting that the highly visible Rotunda Dance Series use this historic anniversary to celebrate the past, present and future of dance in the Bay Area.
About Lenora Lee Dance (lenoraleedance.com)
For the last eight years, Lenora Lee Dance has been pushing the envelope of large-scale multimedia dance performance that connects various styles of movement and music to culture, history and human rights issues. Its work has grown to encompass the creation, presentation, and screening of films, museum and gallery installations, civic engagement and educational programming.
The company is directed by San Francisco native Lenora Lee, who has been a dancer, choreographer and artistic director for the past 17 years in San Francisco, Los Angeles and New York. In 2013 she was an Artist Fellow at the de Young Museum and a Djerassi Resident Artist. She is currently a Visiting Scholar at New York University, an Artist in Residence at Dance Mission Theater, and is being commissioned by Fort Mason Center to create Fire of Freedom premiering this September 10-20.
Lenora Lee Dance creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength.
About World Arts West (worldartswest.org)
For over three decades, World Arts West has supported and presented world dance artists throughout the San Francisco Bay Area. The main presenting program of the organization is the nationally acclaimed San Francisco Ethnic Dance Festival, which presents over 100 distinct dance forms and thousands of local dancers who are sustaining and innovating within those forms. The organization works year round to advance cultural literacy and build bridges of cultural understanding.
About Dancers’ Group (dancersgroup.org)
Dancers’ Group promotes the visibility and viability of dance. Founded in 1982, we serve San Francisco Bay Area artists, the dance community and audiences through programs and services that are as collaborative and innovative as the creative process. As a hybrid dance service and presenting organization for the second largest dance community in the country, Dancers’ Group’s many programs help artists produce work, build audiences, and connect with their peers and the community.
The 2015 Rotunda Dance Series continues: Fri, Oct 2: Mary Sano and Her Duncan Dancers Fri, Nov 6: Nimely Pan African Dance Company Fri, Dec 4: Hālau ‘o Kawainuhi Visit dancersgroup.org/rotunda for more information.
Photos of Chin-chin Hsu, by Robbie Sweeny
Read the full press release
World Premiere of “Fire of Freedom” 9/10-9/20/15 at Fort Mason Center!
Fort Mason Center Presents in association with Asian Improv aRts, API Cultural Center, and the Chinese Historical Society of America
present the World Premiere of
Fire of Freedom
a new site-specific multimedia immersive dance piece by Lenora Lee Dance
CLICK TO SEE FIRE OF FREEDOM PHOTOS, VIDEO, ARTICLES, REFLECTIONS, AUDIENCE FEEDBACK
Thursdays-Sundays, September 10-13 and 17-20, 2015, 8pm
Location: Fort Mason Center’s General’s Residence in the Upper Fort Mason area —
Enter at Franklin & Bay Streets. Turn right after the first Stop sign. Click here for a map.
Arts Patron: $30 includes reserved seating
General Admission: $16 in advance online, $20 at the door (fees apply)
Student rate: $12 in advance online, $16 at the door (fees apply) Valid student ID required
Group rate for 8 or more people: $10 each, must be purchased all together (in advance only)
Tickets: www.fortmason.org/boxoffice, (415) 345-7575
For questions, email LenoraLeeDance@gmail.com
LLD celebrates its 8th Anniversary Season with the World Premiere of Fire of Freedom, a new multimedia immersive dance piece that explores cycles of violence and healing in the context of our increasingly challenging world. The work of Lenora Lee Dance (LLD) integrates contemporary dance, film, music, and research and has gained increasing attention for its sustained pursuit of issues related to immigration, global conflict, and its impacts, particularly on women and families. Audiences will travel through a labyrinth of rooms throughout the three story General’s Residence in an intimate interactive environment, a tapestry of movement, sound and visual collage throughout the interior and exterior of the building.
“We strive to generate artistic work that engages deeply the connections between individuals and their experiences, and community and collective memory, through creative processes, research, and public involvement.” – Lenora Lee
“Fire of Freedom’s intrigue lies in its multi-modal exploration of violence and regeneration”, said Rich Hillis, Executive Director of the Fort Mason Center. “The immersive experience created by Lenora Lee Dance is a powerful and moving journey through the lives of the unrepresented.”
conceived & directed by Lenora Lee
music by Francis Wong with Deszon Claiborne, Karen Stackpole, Tatsu Aoki
cinematography directed & editing by Tatsu Aoki, filmed by Ben Estabrook, Joel Wanek, Zhuoyun Chen
media design & editing by Olivia Ting
media programming by Ian Winters
set design by Lenora Lee, Olivia Ting, Karl Gillick
lighting design by Patty-Ann Farrell
text excerpts taken from Katinka Hooyer’s “Surplus Data”
sound engineers: Karen Stackpole, Caleb Willitz, Lenora Lee, Timmy Leong & Sound Innovations
choreography by Lenora Lee in collaboration with the following artists:
performing live: Nick Brentley, Christian Felix, Larissa Fong, Marina Fukushima, Chin-chin Hsu, Yi-Ting Hsu, Lynn Huang, SanSan Kwan, Wei-Shan Lai, Wayne Tai Lee, Tim Rubel, David Silpa
on video: Kelly Del Rosario, Raymond Fong, Mike Garabato, Jorge Hernandez, Jon Iiyama, Eric Jacobus, Rafael Janania, Ed Kahana, Yukihiko Noda, Lucas Okuma, Bo Speirs
Please Note:
- Comfortable footwear is encouraged.
- Coat, purse and bag check service is available for $2 and is highly recommended.
- Guests may encounter situations in close proximity with performers.
- We encourage guests with special needs to contact us prior to arrival at Boxoffice@fortmason.org or 415.345.7575.
• Parking for handicapped visitors displaying valid credentials is available near the General’s Residence or in any marked space at Fort Mason or Fort Mason Center at regular parking rates
• Event patrons arriving Monday through Friday after 6:00pm or any time on Saturday, Sunday or a holiday may park in appropriately marked parking spaces adjacent to the General’s Residence or Chapel per posted regulations.
• Under no circumstances may visitors use any parking adjacent to Fort Mason residences.
• Visitors are encouraged to park in the Fort Mason Center lot (space permitting and at prevailing rates) or on adjacent city streets per posted regulations. The Fort Mason Center lot is entered at Marina Blvd and Buchanan Streets (see link to map above). Visitors may walk back to the General’s Residence or Chapel either up the stairs or through the paths on the Great Meadow. The walking distance is about 1,800 feet and the elevation change is approximately 55 feet.
• Visitors who carpool may drop off patrons at the General’s Residence or Chapel and then remove vehicle to alternate parking site.
For the last eight years, LLD has been pushing the envelope of large-scale multimedia dance performance that connects various styles of movement and music to culture, history & human rights issues. Its work has grown to encompass the creation, presentation, and screening of films, museum and gallery installations, civic engagement and educational programming.
The company is directed by San Francisco native Lenora Lee, who has been a dancer, choreographer and artistic director for the past 17 years in San Francisco, Los Angeles and New York. In 2013 she was an Artist Fellow at the de Young Museum and a Djerassi Resident Artist. She is currently a Visiting Scholar at New York University and an Artist in Residence at Dance Mission Theater. LLD creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength.
For more than 35 years Fort Mason Center has served as a unique destination in San Francisco, hosting arts and cultural events, organizations, and programs in a historic campus along San Francisco’s scenic northern waterfront. It is an extraordinary example of repurposing former military land and buildings for contemporary uses, including museums, performance spaces, and a vibrant schedule of art and cultural exhibitions and events. Each year the Fort Mason Center provides more than $2.2 million in grants to local arts groups like Embark Gallery. With more than 1 million annual visitors, the Fort Mason Center is one of the highest attended arts and cultural organizations in the Bay Area. For more information, visit www.FortMason.org or call (415) 345-7530
Special thanks to the California Arts Council, Dance Mission Theater, Enshin Karate San Mateo Dojo, Golden Gate National Recreation Area, National Park Service, Kenneth Rainin Foundation, San Francisco Arts Commission, San Francisco Grants for the Arts, Zellerbach Family Foundation, and Generous Individuals.
Arts Patron Corporate Sponsors: DAE Advertising, Portsmouth Square Parking Corporation. Arts Patron Community Sponsors: Donaldina Cameron House, Oakland Asian Cultural Center. Community Circle Partners: Angel Island Immigration Station Foundation, Asian Americans for Community Involvement, Asian Women’s Shelter, Chinese Progressive Association, OCA San Mateo, Xavier Tsang
Photos by Robbie Sweeny. Postcard design by Olivia Ting
Francis Wong & Tatsu Aoki with Lenora Lee – Wong Wei’s Gamble 5/30/15!
(Photo by Leon Sun)
Wong Wei’s Gamble is a new four movement musical work by Francis Wong that will feature the composer, shamisen performer Tatsu Aoki, dancer/choreographer Lenora Lee, bassist John-Carlos Perea, guitarist Karl Evangelista, Yangqin (hammered dulcimer) performer Yangqin Zhao, drums and gong performer Karen Stackpole, trapset drummer Deszon X. Claiborne. WWG will memorialize the story of Wong Wei, the composer’s grandfather, a professional jockey and business manager who dared to open up the International Racecourse of Tianjin in northern China during the Japanese occupation of World War II – the once active course had been closed by the occupiers – as a means to provide employment and entertainment for the city during this dark period. In a move that risked being labeled a “collaborator”.
Presented by San Francisco International Arts Festival, Asian Pacific Island Cultural Center and Asian Improv aRts
Tickets: $15-$30 General Admission and Reserved Seating
Few musicians are as accomplished as Francis Wong (musical director / composer), considered one of “the great saxophonists of his generation” by the late jazz critic Phil Elwood. A prolific recording artist, Wong is featured on more than forty titles as a leader and sideman. For over two decades he has performed his innovative brand of jazz and creative music for audiences in North America, Asia, and Europe with such with such luminaries as Jon Jang, Tatsu Aoki, Genny Lim, William Roper, Bobby Bradford, James Newton, Joseph Jarman, Don Moye and the late Glenn Horiuchi, John Tchicai, and Fred Anderson.
WHEN
May 30, 2015 at 7pm – 8:30pm
WHERE
San Francisco International Arts Festival, Festival Central Bldg A Fort Mason Center
2 Marina Blvd
San Francisco, CA 94123
United States
2 Marina Blvd
San Francisco, CA 94123
United States
“The Detached” film-in-progress screening & “Fire of Freedom” presentation!
CHSA is proud to present its third annual Joice Alley Celebration on May 2nd in collaboration with Cameron Carnival. This family friendly neighborhood event will feature many sights and sounds by familiar Asian American artists.
Saturday, 5/2/15 Schedule of events:
12pm dragon dance in Joice Alley by Kei Lun Martial Arts
12:30pm Lenora Lee’s “The Detached” film-in-progress screening, with a presentation about upcoming “Fire of Freedom” at CHSA Museum
1pm Francis Wong Unit performing their first set at Cameron House Yard
1:30pm Charlie Chin will be entertaining us with songs at CHSA Museum
2pm Francis Wong Unit performing their final set at Cameron House Yard
Much gratitude to our end-of-the 2014 year into 2015 supporters!
We are deeply grateful for all of the generosity and support from the following individuals and organizations at the end of 2014 into 2015!
Jennifer Alonso-Garzee, Joyce Ashizawa-Yee & Bradley Yee, Arlene Biala, Jeanette & Low Chan, Patricia Chan, Louisa & Arthur Chin, Philip Chin, Calvin & Sharon Chinn, Carole Chinn-Morales, Linda Lee & Harry Chuck, Marjorie Chung, David Dea, Kimberly Elliot, Larissa Fong, Raymond Fong & Enshin Karate San Mateo Dojo, Donald & Loretta Gibbs, Rosemary Gong, Ellie Hisama, Byron & Karen Ho, Michael Holscher, Karina Lee & Perry Howe, Evelyn Huang, Catherine Hung & Michael Derkacz, Carl & Jackie Jew, Victor Clark Joe, Zak Kong, Glenna Kurisu, Benjamin Kwan, Scott Lau, Alson & JoAnn Lee, Eunice & Gilbert Lee, Gail Lee, Kenneth Lee, Larry Lee, Winnie & Jenson Lee, Christina & Leonard Lew, David & Elizabeth Lew, Nancy Lim-Yee, George Louie, Larry & May Lui, Jean & Richard Lym, Victoria Marks, Christina Ng, Nancy Ng, Gunthilde & Lewis Perin, Eliza Perkins, Jeanne & Winchell Quock, John Seto, Linda Shigio, David & Marcella SooHoo, Van Tran, Xavier Tsang, Monica Tzeng, Morrie Warshawski, Jones Wong, Sandra & Kenneth Wong, Ruth Wu, Jiro Yamamoto, Rodney Yano, Junnie Yong, Connie Young Yu, Gary Yuen, Anonymous, Asian Women’s Shelter, Blackhawk Physical Therapy, Chinese Progressive Association, CREDO Mobile, DAE Advertising, Franklin Templeton, Oakland Asian Cultural Center, Portsmouth Square Parking Corporation, Presbyterian Church in Chinatown, Ruby’s Place, UTAP Printing & Packaging.
Asian Improv aRts, API Cultural Center, Asian/Pacific/American Institute at New York University, Asian Women United of Minnesota, California Arts Council, Chinese Historical Society of America, Dance Mission Theater, Donaldina Cameron House, Kenneth Rainin Foundation, New York Asian Women’s Center, Puffin Foundation, San Francisco Arts Commission, San Francisco Grants for the Arts, Zellerbach Family Foundation
If you would like to support Lenora Lee Dance, CLICK HERE.
Lynn Huang, photo by Robbie Sweeny