Call for NYC Dancers!
CALL FOR NYC DANCERS!
Award-winning San Francisco-based company, Lenora Lee Dance (LLD) is seeking NYC-based dancers for outdoor immersive performances in NYC on South Street Seaport Museum’s Tall Ship Wavertree May 24 – 27, 2024.
LLD is looking for NYC-based dancers with experience in choreography, improvisation, collaboration, modern / contemporary dance, and/or other dance styles, available to work in-person during the following intensive periods in NYC:
- Around September 25 – October 1, 2023, (with photo/video shoot)
- Around November 10 – 18, 2023, (with photo/video shoot)
- Around March 16 – 24, 2024 (with photo/video shoot)
- Around May 16 – 23, with shows May 24 – 27, 2024
Note additional rehearsals may be added via Zoom and intensive rehearsal periods above are subject to change.
“Convergent Waves: NYC” will be a series of site-responsive, immersive dance performances in NYC, May 24 – 27, 2024 on South Street Seaport Museum’s Tall Ship Wavertree. It will focus on the experiences of NYC residents and advocates, making a collective statement for the preservation of community, eliciting stories of agency, resilience, and transformation.
The piece will feature 8 dancers from San Francisco, Boston, and NYC, with recorded original music by Tatsu Aoki, Francis Wong, as well as by NYC based Vijay Iyer, who has received a MacArthur Fellowship, a Doris Duke Performing Artist Award, a Grammy nomination, amongst other awards. The movement will be created collaboratively with the dancers, directed by Lenora Lee. All photo / video shoot, rehearsal, tech, and performance time is paid.
This is part of a multi-city project supported in part by New England Foundation for the Arts’ National Dance Project and Expeditions Tour Planning Grant, National Endowment for the Arts, Pao Arts Center, ArtsEmerson, Asian Improv aRts, API Cultural Center, California Arts Council, San Francisco Arts Commission, San Francisco Grants for the Arts, Asian Art Museum, South Street Seaport Museum, Nai-Ni Chen Dance Company, A/P/A Institute at NYU, and Generous Individuals. “Convergent Waves: Boston” premiered in Boston at Pao Arts Center April 2022, and “Convergent Waves: SF” premiered in San Francisco at Asian Art Museum June 2022.
Those interested can fill in THIS SUBMISSION FORM with the following information by Friday, August 11, 2023 Midnight ET.
- your contact phone number
- a resume or CV
- your website and/or social media handle
- 1-2 video links of dance pieces you have choreographed or are featured dancing in
Auditions are by invitation only and will occur via Zoom and/or in person August 16 – 25, 2023. Notifications sent by August 30, 2023. For questions please email lenoraleedance@gmail.com.
About the Company
For the last 15 years Lenora Lee Dance (LLD) has been pushing the envelope of intimate and large-scale multimedia dance performance that connects various styles of movement/dance, film, text, research and music to culture, history, and human rights issues. LLD creates works that are both set in public and private spaces, inspired by individual stories as well as community strength. At times crafted for the proscenium, or underwater, and at times the pieces are site-responsive, immersive and interactive. Its work has grown to encompass the creation, presentation and screening of films, museum and gallery installations, civic engagement, and educational programming.
LLD is directed by Lenora Lee, who has been a dancer, choreographer and artistic director for the past 25 years. She has been an Artist Fellow at the de Young Museum, a Djerassi Resident Artist, a Visiting Scholar at the A/P/A Institute at New York University, a 2019 United States Artists Fellow, an Artist in Residence at Dance Mission Theater, Pao Arts Center and ArtsEmerson. She will be a 2023-2024 Artist in Residence at Bunker Hill Community College.
Samples of LLD’s work
“In the Movement” at ODC Theater, September 1-11, 2022
“And the Community Will Rise” dance film trailer (2023)
Screened at Center for Asian American Media’s 41st anniversary of CAAMFest.
Won “Best Feature Film” at the Experimental, Dance & Music Film Festival 2023
“And the Community Will Rise” awarded Best Feature Film 2023!
“And The Community Will Rise” is awarded Best Feature Film
by Experimental, Dance & Music Film Festival!
Experimental Dance & Music Film Festival & Wildsound Festival TV is screening our film on-demand July 9-10, 2023 here as part of their Experimental Documentary Showcase!
See what audiences are saying about our film:
CLICK HERE to listen to the Wildsound Podcast with director Lenora Lee 6/15/23
CLICK HERE to read the Film review by Victoria Angelique
LLD is thrilled to have the World Premiere screening of our film “And The Community Will Rise”
at #CAAMFest2023 as part of Being, Belonging & Beyond – SF Bay Area AAPI Dance Film Festival, co-presented by 500 Capp Street, Asian Pacific Islander Cultural Center (APICC), and CAAMFest
Sunday, 5/14, 2pm at Kapwa Gardens, 967 Mission St, SF (between 5th & 6th Streets)
AAPI DANCE FILM FESTIVAL SCHEDULE, 5/14, starting 2pm:
1:00 PM: Doors Open
2:00 PM: Premiere Screening: AND THE COMMUNITY WILL RISE by Lenora Lee Dance
3:30 PM: Performance by Megan Lowe + Shorts Program Screening:
- BREATHE (HINGA) by Sammay Dizon & Kat
- a film by Melissa Lewis Wong
- Film excerpts from Alleluia Panis/KULARTS
5:00PM: Reception featuring Sarap Shop & Victory Hall
6:00PM: Premiere Screening & Performance: HOME(in)STEAD by Megan Lowe & Johnny Huy Nguyen
6:30PM AAPI Dance Film Panel Discussion with Audience Q&A
Tickets includes re-entry for any of the presentations. Audience are welcome to come and go for any portion of the program as they please. ASL interpretation provided.
This film festival is also part of APICC’s 26th United States of Asian America Festival (USAAF).
The Center for Asian American Media (CAAM) presents CAAMFest, the nation’s largest Asian American festival, celebrating 41 years of Asian American Stories May 11 – 21, 2023. For information on screenings and tickets, visit caamfest.com.
“Remembrance Rise” by Francis Wong, Lynn Huang, Flora Han 5/19-5/20!
Remembrance Rising: In Tribute to the World War II Comfort Women
“Making Ground” USF Dance Ensemble 4/20 – 4/22/23, 8pm!
Join us at University of San Francisco Thursday, 4/20 – Saturday 4/22
for an evening of incredible dance works by Jennifer Polyocan, Marie Hamel, Sebastian Le, Grace Shaver, Mirage Witzer, and Lenora Lee, as part of “Making Ground” the USF Dance Ensemble Spring Concert!
“In Visibility” (excerpt)
A meditation on reconciliation and restorative justice, speaking to the power of individuals and communities to transcend.
Conceived & Directed by Lenora Lee
Choreography by Lenora Lee in collaboration with Dance Collaborators / Performers: Mary Jane Agnew, Genna Bolino, Erica Edberg, Natalia Garcia Moreno, Chisa Kobayashi, Zoë-Elise Quon, David Robinson
Music directed by Tatsu Aoki, with Kioto Aoki, JoVia Armstrong, Mwata Bowden, Suwan Choi, Coco Elysses, Jamie Kempkers, Edward Wilkerson Jr., Michael Zerang. Courtesy of Asian Improv Records
Interviewee Voiceover by Serafin Andrade
Media Design, Video & Soundscore Editing by Lenora Lee (if projection works on the floor of the theater)
Costumes by Lenora Lee and the Dance Collaborators / Performers
This excerpt is part of a larger work being created for Lenora Lee Dance’s 15th Anniversary Performances 2/2 – 2/4/24 at Dance Mission Theater.
David Robinson, Photo by Cheshire Issacs
“Within These Walls” documentary film!
WITHIN THESE WALLS
Conversations with creative collaborators and dancers of the next generation
by Lenora Lee Dance in association with Lenora Lee Productions, Asian Improv aRts, Innocent Eyes and Lenses Films, Asian Improv aRts Midwest, powered by Asian Improv Nation
Directed by Lenora Lee & Francis Wong
Edited by Joel Wanek
Cinematography by Ben Estabrook, Edward Kaikea Goo, Lenora Lee, Olivia Ting, Rebecca Tsai, Joel Wanek
Production and rehearsal assistance by Lynn Huang, SanSan Kwan, Keanu Marquez, Johnny Huy Nguyen, Lucy Tafler
Featuring interviewees (in order of audio): Genny Lim, Lenora Lee, Olivia Ting, Francis Wong, SanSan Kwan, Crystal Song, Eika Tokunaga, Emma Lowe, Kimberly Fong, Tatianna Steiner, Teo Lin-Bianco
Additional film, performance, and rehearsal footage taken from the 2023 experimental dance film directed by Tatsu Aoki, edited by Kishino Takagishi, the 2017 and 2019 performances at the U.S. Immigration Station on Angel Island, and 2022 rehearsal footage for the Berkeley Dance Project, a production of the Department of Theater, Dance and Performance Studies at U.C. Berkeley.
COPYRIGHT 2023 Lenora Lee Productions, LLC
www.LenoraLeeDance.com
@LenoraLeeDance
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the award-winning multimedia work by Lenora Lee Dance
re-staged with UC Berkeley students as part of Berkeley Dance Project 2023
February 23 – 26, 2023 at Zellerbach Playhouse
Info
CLICK HERE to see a video of performance excerpts
________________
WITHIN THESE WALLS experimental dance film
directed by Tatsu Aoki
screenings begin Spring 2023
CLICK HERE to see the film trailer
“Within These Walls” re-staged 2/23 – 2/26/23 at Zellerbach Playhouse!
WITHIN THESE WALLS
by Lenora Lee Dance
Re-staged with UC Berkeley Students for Berkeley Dance Project 2023
Presented by the Department of Theater, Dance, and Performance Studies (TDPS)
February 23–26 at Zellerbach Playhouse
Conceived, Produced & Directed by Lenora Lee
Choreographed by Lenora Lee in collaboration with
The Lenora Lee Dance Cast (2017/ 2019) and The Berkeley Dance Project Cast (2022/2023)
Stage Manager Keanu Marquez
Production Coordinator SanSan Kwan
Costume Designer Wendy Sparks
Lighting Designer Ray Oppenheimer
Scenic Designer Peet Cocke
Projection Designer Olivia Ting
Original Score Francis Wong & Tatsu Aoki
with Kioto Aoki, JoVia Armstrong, Rami Atassi, Mwata Bowden, Jonathan Chen, Suwan Choi, Deszon X. Claiborne, Coco Elysses, Jason Kao Hwang, Michael Jamanis, Jamie Kempkers, Chad Taylor, Edward Wilkerson Jr, and Michael Zerang
Poetry & Text Genny Lim & Wong Gung Jue
Voiceovers Lynn Huang, Hien Huynh, Johnny Huy Nguyen, Shannon Preto
Berkeley Dance Project Cast
Cristopher Avila (Law Oy Hup), Kimberly Fong (Lang Jing), Jingwen “Caitlin” Han (Ling Ha), Teo Lin-Bianco (Wong Gung Jue), Emma Lowe (Hieu Yieu), Noah Ryang (Yieu Yun), Jiho Seo (Huey Hung Gay), Eika Tokunaga (Lei Wai), Erin Yoon (Lee Ping To), Victoria Amador (Missionary Gwan), Verena Lee (Interpreter Chan), Gilberto Martinez Martinez (Inspector Bennington), Liam Quinn (Dr. John Williams), Tatianna Steiner (Interpreter Wong)
2019 Cast (Lenora Lee Dance)
George Cheng, Derek Harris, Yi-Ting (Gama) Hsu, Lynn Huang, Hien Huynh, Carl Irons, SanSan Kwan, Wei-Shan Lai, Chloe Luo, Johnny Nguyen, Dalmacio Payomo, Alley Wilde
with contributions from Original 2017 cast members Yao Dang. Timothy Huey, Eric Koziol, Wayne Tai Lee, Kevin Lo, Shannon Preto, Stacey Yuen
Collaborators
Rehearsal Assistants Lynn Huang, SanSan Kwan, Johnny Huy Nguyen, Lucy Tafler
Dramaturg Crystal Song
Assistant Stage Manager & Production Coordinator Hazel Horton
Assistant Scenic Designer & Calligrapher Shin Yang
Assistant Costume Designers Ace Chen, Abhiraj Muhar
Light Board Operators Audrey Lee-Gardner, Riley Richardson
Sound Technician Emily Fassler
Sound & Video Board Operators Gibran Mustafa, Amelia Patterson, Nick Reulbach
Deck Crew Sohel Bagai, Callista Crabtree, Eugeniu Cuznetov, Kimi Galang Villegas
Wardrobe Crew Hannah Barukh, Jasmine Cevallos, Leonora Sanchez
Scenic Work-Study Assistant Lev Collins
Costume Work-Study Assistants Amanda Hayami, Jennifer Hernandez, Cara Maccianti, Autumn Peak, Tessa Schaap, Tiffany Stratton
Electrics Installation & Focus Students of Theater 175B
Camera Operator & Editor Ben Estabrook
Second Camera Operator Joel Wanek
Photographer Robbie Sweeny
Front of House & Box Office Staff Provided by Cal Performances
TDPS Staff & Faculty Advisors
Production Manager Jamila Cobham
Assistant Production Manager Emily Fassler
Technical Director Joshua Frachiseur
Scene Shop Supervisor Timothy Kopra
Scenic Artist Zoë Gopnik-McManus
Properties Director & Carpenter Peet Cocke
Theater Supervisor Eugene Palmer
Costume Director Wendy Sparks
Head Costumer Jane Boggess
Assistant Costumer & Costume Curator Miyuki Bierlein
Lighting Design Advisor Ray Oppenheimer
Scenic & Costume Design Advisor Annie Smart
Stage Management Advisor Laxmi Kumaran
Administrative Staff Myriam Cotton, Ben Dillon, Jean-Paul Gressieux, Megan Lowe, Michael Mansfield, Avy Valladares
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This production of Within These Walls was presented as part of
A YEAR ON ANGEL ISLAND:
IMMIGRATION HISTORIES & FUTURES
Sponsored by the Berkeley Arts + Design Initiative and Future Histories Lab
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Creation of the original Within These Walls was supported in part by Asian Improv aRts, Asian Improv aRts Midwest, API Cultural Center, Chinese Historical Society of America, California Arts Council, San Francisco Arts Commission, Zellerbach Family Foundation, Fleishhacker Foundation, San Francisco Grants for the Arts, Angel Island Company, Angel Island Immigration Station Foundation, Dance Mission Theater, and generous individuals.
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WITHIN THESE WALLS documentary
Conversations with creative collaborators and dancers of the next generation by Lenora Lee Dance in association with Lenora Lee Productions, Asian Improv aRts, Innocent Eyes and Lenses Films, Asian Improv aRts Midwest, powered by Asian Improv Nation Directed by Lenora Lee & Francis Wong. Edited by Joel Wanek. CLICK HERE to see the documentary
WITHIN THESE WALLS experimental dance film
directed by Tatsu Aoki screenings begin Spring 2023. CLICK HERE to see the film trailer
2022 into 2023!
Dear Friends and Supporters,
With love, creativity, compassion, and gratitude we greet you today, and hope that 2022 has been a year full of good health, recuperation, and clarity for you and your loved ones. With the flood of over 10 projects we have had the honor to work on this year, we are in the midst of working on four of them, and excited to share a recap. Many of these projects had been on hold due to the pandemic, and we are extremely grateful to return to in-person performances this year for many of them!
- Premiere of Convergent Waves: Boston in April 2022 at Pao Arts Center, Boston, inspired by the fight for affordable housing in Boston’s Chinatown
- Premiere of In the Shape of Their Presence by SanSan Kwan & Lenora Lee in May, Joe Goode Annex, in loving memory of Kenneth Speirs & Karina Lee Howe, as part of Dance Lovers 10
- Special preview virtual screening of the Within These Walls film final cuts in May, presented by ArtsEmerson and Boston Asian American Film Festival
- Premiere of Convergent Waves: SF in June at Asian Art Museum, focusing on experiences of residents and advocates in SF’s Tenderloin, challenges of the pandemic, and the housing crisis
- Co-presentation of Expansions // Horizons a celebration of music, dance, and film for Asian Improv aRts’ 35th Anniversary, advancing artists, activism, and culture on a national level with multiple generations of AIR artists in June at Asian Art Museum
- Premiere of In the Movement in September at ODC Theater, highlighting experiences of migration, prison to ICE detention pipeline, and organizing to stop the pipeline and deportations.
- Screenings of Convergent Waves: Boston at Boston Asian American Film Festival, and virtually through ArtsEmerson’s Projecting Connections: Chinese American Experiences Series Oct-Nov
2023 is our 15th Anniversary Season!!
- LLD will screen the And the Community Will Rise film, focusing on the advocacy for Ping Yuen housing tenants’ rights, by residents and Chinatown Community Development Center staff.
- We will screen the final version of our Within These Walls film by filmmaker Tatsu Aoki, inspired by those detained at the U.S. Immigration Station on Angel Island.
- U.C. Berkeley’s Theater, Dance, and Performance Studies Department invited LLD to re-stage our Within These Walls performance on Cal students, February 23-26 at Zellerbach Playhouse
- Premiere of In Visibility fall 2023, a companion piece to In the Movement, focusing on mass detention of immigrants and refugees as a form of incarceration.
- Creation phase of Convergent Waves: NYC, a dance centered on the Asian American, Black, and Latinx intersection, community building and solidarity in NYC.
Your support is critical during this time
The increase in the cost of living and reduced audience capacity has made for a particularly hard year for the Arts. In an increasingly segregated society, artists hold a key to building bridges and creating the foundation for transformation. It is appreciation of diversity, and uplifting voices of collaboration that will bring our society together, allow us to dissolve barriers of discrimination, and witness our collective abilities to grow and unify.
CLICK HERE TO DONATE
We immensely appreciate your generosity and invite you to contribute today!
Your gift will directly support our collaborating artists, designers, filmmakers, performances, films, interviews, and discussions. With the intensity and productivity of this year, and the myriad of adjustments we’ve all had to make in our lives due to the pandemic, we are ever so grateful for your continued support. Wishing you grace, compassion, and love,
Lenora Lee, Artistic Director
Lucy Tafler, Project Consultant
Sawako Ogo, Marketing Consultant
“From Immersion to Access: Lenora Lee Dance’s Filmic Remediation” at Harvard 11/12/22!
“From Immersion to Access: Lenora Lee Dance’s Filmic Remediation”
SanSan Kwan & Lenora Lee are presenting at Harvard University Saturday, 11/12/22, 4-5pm
They will be sharing “Within These Walls” film excerpts, directed by Tatsu Aoki, and discussing transformation of the award-winning immersive dance performance to experimental dance film.
Lenora Lee, Lenora Lee Dance
SanSan Kwan, University of California, Berkeley
Moderator: Simone Levine, Harvard FAS CAMLab
Photo of SanSan Kwan & Dalmacio Palomo, by Robbie Sweeny
“Convergent Waves: Boston” film screenings October & December 2022!
“Convergent Waves: Boston”
by Lenora Lee Dance in collaboration with Pao Arts Center
- In-Person Screening & Panel Saturday, October 22, 2pm as part of Boston Asian American Film Festival “Boston Chinatown Artivism”
- Virtual Presentation December 6 – 20, 2022 ArtsEmerson “Projecting Connections: Chinese American Experiences” Series
With support from Mellon Foundation, New England Foundation for the Arts, National Endowment for the Arts, Emerson College, ArtsEmerson, Pao Arts Center
CLICK HERE for more information about “Convergent Waves: Boston”
Thanks to Anna Hoang for this interview! See “Convergent Waves: Boston” on-demand until 12/20!
World Premiere of “In the Movement” September 1-11, 2022
Johnny Huy Nguyễn by Robbie Sweeny
Asian Improv aRts, API Cultural Center and Lenora Lee Dance present
the World Premiere of In the Movement
by the award-winning company, Lenora Lee Dance
Thursday – Saturdays, 9/1, 9/2, 9/3, 9/8, 9/9, 9/10 at 8pm
And Sundays, 9/4, 9/11 at 2pm
Performances will begin on time, please arrive early. Post performance discussions after both Sunday shows
Post-Performance Panelists
Sunday, 9/4 – Borey “Peejay” Ai, Guisela Ramos Guardado, Rhummanee Hang
Sunday, 9/11 – Ericson Amaya Bonilla, Enrique Cristobal Meneses, Jessica S. Yamane
A heartfelt and explosive dance piece, “In the Movement” in part highlights the stories and experiences of individuals subjected to incarceration, ICE detention and deportation. This new work helps to illustrate systematic cycles of oppression, one such cycle keeping many immigrants either incarcerated, detained or cycling between the two. “In the Movement” serves as a meditation on reconciliation and restorative justice, speaking to the power of individuals and communities to transcend.
One of those interviewed is Community Advocate for Asian Prisoner Support Committee (APSC) and a former juvenile lifer Borey “Peejay” Ai, who recounts: “ICE detention is worse than prison. I couldn’t believe a system in America could treat people that way, regardless of your circumstances, your background…. It was heartbreaking.”
In addition to Ai, Artistic Director Lenora Lee interviewed advocates working with: 67 Sueños, an Oakland-based youth organizing program with political education, artivism, and trauma-healing; Cindy Liou, the daughter of Chinese-Taiwanese immigrants, attorney and immigrants’ rights advocate; Jessica S. Yamane, co-director at Pangea Legal Services, directly supporting impacted community members who are developing alternatives to deportation and detention; advocate, artist, counselor and organizer Enrique Cristobal Meneses who was born in Mexico City, Mexico; Rhummanee Hang, Co-Director of AYPAL, an API youth leadership development and movement-building organization based in Oakland Chinatown; and Melanie Kim, a State Policy Director at the San Francisco Public Defender’s Office and a leader in ICE out of California.
In the Movement features excerpts from a total of nine interviews in the sound score, which includes recorded music and vocals, as well as video filmed on Alcatraz Island. We strongly believe in the impact of this performance experience and the power of its emotional, and timely message.
CLICK HERE to view the video teaser
Melissa Lewis Wong writes:
“The ugly underbelly of nationalism (saran-wrapped and suffocating) ruptures and emerges through a palette of perspectives; these voices (from Borey “Peejay” Ai, Ericson Amaya, Guisela Mishel Ramos Guardado, Rhummanee Hang, Melanie Kim, Cindy Liou, Enrique Cristobal Meneses and Jessica S. Yamane) meet our ears like beacons of truth: both hard to look at or away from.”
Click here to read full reflection by Melissa Lewis Wong
Jen Norris writes:
“In the Movement is a masterful example of how art can be used in support of social justice.”
“The nine narratives we hear are personal, heartrending, and enthralling…”
“Moyra Silva Rodriguez, with fists clenched, performs a powerful solo.”
“In the Movement is a rich and sometimes overwhelming experience, worthy of a second viewing.”
“May what we learned make powerful ripples through our community as the work to create immigrant justice continues.”
Click here to read the full review by Jen Norris
Here’s what audiences are saying:
“Amazing performances!”
“The work was so impactful.”
“Beautifully done”
“Heartfelt and compassionate”
“A fervent call to action.”
LOCATION
ODC Theater
3153 17th Street (between South Van Ness & Folsom), San Francisco, CA 94110
https://odc.dance/theaterseason
Street parking or local garages are available. Please plan ahead regarding parking.
ADMISSION
$20 – $50
For more info: www.LenoraLeeDance.com, https://odc.dance/theaterseason
For questions or high resolution images, email LenoraLeeDance@gmail.com, (415) 913-8725
Audience Responses from LLD’s award-winning Within These Walls production:
“I thought about ICE jails, people who fear deportation, and refugees overseas. It was heavy….and so beautiful.”
“It was a truly unique and powerful experience, and I feel fortunate to have witnessed it. It snuck into my dreams last night.”
“Moving and beautifully rendered, so timely given the global dialogue around immigration. I was there with my seven year old son, and the piece made a big impression on him.”
“I was deeply affected and moved by the performance. I left in tears, and literally cried every time I replayed the performance in my head for 4 days afterward.”
“It was brilliant and emotionally powerful.”
Keanu Brady & Felicitas Fischer by Robbie Sweeny
Conceived, Produced & Directed by Lenora Lee
Choreography by Lenora Lee in collaboration with the Performers / Dance Collaborators (in order of appearance): Felicitas Fischer, Johnny Cox, Miguel F. Forbes, Moyra Silva Rodriguez, Sawako Ogo, Johnny Huy Nguyễn, Lynn Huang, SanSan Kwan. Dance Collaborators (video): Keanu Brady, YiTing Hsu, Hien Huynh
Recorded music directed by Francis Wong & Tatsu Aoki, with Kioto Aoki, JoVia Armstrong, Mwata Bowden, Suwan Choi, Deszon X. Claiborne, Coco Elysses, Jamie Kempkers, Melody Takata, Edward Wilkerson Jr., Michael Zerang
Vocals sung by Helen Palma include the songs “Gracias a la Vida” written and composed by Chilean Violeta Parra in 1966 and “¡El pueblo unido jamás será vencido!” (“The people united will never be defeated”) composed by Sergio Ortega with text by Quilapayún in 1970. Both songs are part of the Nueva canción chilena (New Chilean Song) movement.
Interviewee Voiceover (in order of those speaking in the audio): Guisela Ramos Guardado, Ericson Amaya Bonilla, Anonymous, Borey “Peejay” Ai, Melanie Kim, Cindy Liou, Rhummanee Hang, Enrique Cristobal Meneses, Jessica S. Yamane
Media Design by Lenora Lee & Olivia Ting
Media Programming: Lucy Tafler
Videography by Edward Kaikea Goo & Lenora Lee, filmed on Alcatraz Island
Artwork in Projection by (in order of appearance):
– Salvador Moncada
– “Dreaming and Changing” mural lead artist Francisco Amend Sanchez, assistant artist James Pops Delgado, 67 Sueños youth artists Alan, Alina, Angel, Areyto, Ayshah, Camila, Cassandra, Daniel, Evelyn, Genesis, Ime, Jade, Jessica, Jesus, Karla, Lili, Luna, Lyna, Mikayla, and Yajaira, 67 Sueños mural staff leads Jacqueline Garcia-Martinez, Ericson Amaya, Guisela Ramos, Edith Cercado, Daniell Lopez, Felix Amaya.
– “Warrior” & “The Aztec” by Adan Castillo Moreno
– Enrique Cristobal Meneses
Photos in Projection courtesy of Borey “Peejay” Ai and Asian Prisoner Support Committee, Enrique Cristobal Meneses
Resource Partners: Asian Prisoner Support Committee, 67 Sueños
Light Design by Jack Beuttler
Production Manager: Lenora Lee
ODC Technical Crew: Jackson Fields, Cole Johnson
Production Assistants: Edward Kaikea Goo, Q. Quan
LLD Staff & Consultants
Artistic Director: Lenora Lee
Project Consultant: Lucy Tafler
Marketing: Sawako Ogo
Development Consultant: Francis Wong
Graphic Design: Olivia Ting
Photography: Robbie Sweeny
Public Relations: Mary Carbonara
LENORA LEE DANCE
Lenora Lee Dance (LLD) integrates contemporary dance, film, music, and research and has gained increasing attention for its sustained pursuit of issues related to immigration, incarceration, global conflict, and its impacts, particularly on women and families. The company creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength, at times crafted for the proscenium, or underwater, or in the air, and at times are site-responsive, immersive and interactive. For the last 14 years LLD has been pushing the envelope of large-scale multimedia, and immersive dance performance that connects various styles of movement and music to culture, history and human rights issues. Its work has grown to encompass the creation, presentation and screening of films, museum and gallery installations, civic engagement and educational programming. www.LenoraLeeDance.com
ODC THEATER
ODC Theater exists to empower and develop innovative artists. It participates in the creation of new works through commissioning, presenting, mentorship and space access; it develops informed, engaged and committed audiences; and advocates for the performing arts as an essential component to the economic and cultural development of our community. Since 1976, ODC Theater, founded by Brenda Way, has been the mobilizing force behind countless San Francisco artists and the foothold for national and international touring artists seeking debut in the Bay Area. ODC Theater is currently under the creative direction of Chloë L. Zimberg.
ASIAN PRISONER SUPPORT COMMITTEE
Asian Prisoner Support Committee (APSC) provides direct support to Asian and Pacific Islander (API) prisoners and raises awareness about the growing number of APIs being imprisoned, detained, and deported. Since 2002, APSC has led programs in prisons, organized anti-deportation campaigns, provided resources to “lifers,” and developed culturally relevant reentry programs. APSC facilitates Ethnic Studies programs in prisons, provides community-based reentry services, and organizes deportation defense campaigns. https://www.asianprisonersupport.com
67 SUEÑOS
67 Sueños is an Oakland-based youth organizing program with political education, artivism, and trauma-healing work at the center. It works primarily with Latinx undocumented youth and youth from mixed status families (ages 14-24) through a leadership development program that engages them in local campaigns fighting towards ending youth incarceration and militarized policing of BIPOC communities. 67 Sueños was born in 2011 out of the recognition that 67 percent of migrant youth would be excluded from the DREAM Act, a federal bill aimed at providing a path to citizenship for migrants who arrived in the U.S. at an early age. http://67suenos.org
ARTIST BIOGRAPHIES
Tatsu Aoki (music) is a prolific composer, musician, filmmaker, and educator. Based in Chicago, Aoki works in a wide range of musical genres, ranging from traditional Japanese music, jazz, experimental and creative music. Aoki studied experimental filmmaking at the School of the Art Institute of Chicago and is currently an adjunct Full Professor at the Film, Video and New Media Department, teaching film production and history courses. To this date, Aoki has produced and appears in more than 90 recording projects and over 30 experimental films. www.tatsuaoki.com
Jack Beuttler (light design) is an Oakland based producer and designer. He’s the Director of Production for ODC and the Production Manager for the Sun Valley Music Festival in Idaho. He’s toured nationally and internationally with Margaret Jenkins Dance Company, Van Anh Vo, and Flyaway Productions among many others, and is thrilled to have been a part of bringing The Forgotten Empress to Pakistan in 2017. Jack is honored to have received a 2019 Isadora Duncan Dance Award for Outstanding Achievement in Visual Design for Flyaway’s The Wait Room. Most recently Jack produced the critically acclaimed opera film Goodbye, Mr Chips. www.jackb.info
Johnny Cox (dance) is a Gay, Guatemalan-American performing artist who graduated from UC Santa Barbara with a B.F.A in Dance in 2019. After college, he ventured to Portland, Oregon where he was an apprentice with the LGBTQ+ affirming Shaun Keylock Company. He recently moved to the Bay Area and is currently working with Shawl Anderson Dance Center (SADC). He served East Bay Tutu Schools as their only male ballet teacher and taught a modern class for 4 to 6 year old boys at SADC. Johnny feels joyful to be launching his dance career as an apprentice with Nancy Karp and Dancers and with Lenora Lee Dance for In the Movement. Connect with Johnny on Instagram @johnnycdancing and at vimeo.com/jcdancing
Felicitas Fischer (dance) is a contemporary dance artist whose practice and interest is rooted in exploring diverse movement forms that reflect her own polyethnic-cultural background. Graduated from the University of San Francisco with a B.A in Performing Arts & Social Justice in Dance (2019), Felicitas has had the honor of working with Simpson/Stulberg Collaborations, Dazaun Soleyn, Megan Nicely, Nicole Klaymoon, Amber Julian, Eli Nelson, Amie Dowling, Jennifer Polyocan, Kinetech Arts, and Lenora Lee Dance. She works on staff with Bridge Live Arts, contributes annually to the online dance journal Stance on Dance, and runs Artists For Justice, an artistic collective dedicated to supporting diverse emerging artists and local social-justice initiatives. Her latest choreographic work, Lungs of the Earth, was selected for the Bay Area Shorts Film Festival and featured in USF’s Thacher Gallery Art Exhibition: All That You Touch.
Miguel F. Forbes (dance) discovered the passion for dance while attending high school. Began his formal training in Ballet, Jazz, and Modern Techniques at Anti – Gravity School of Dance in Roseville, California. Forbes then attended the Bachelor’s of Art Program in Dance at CSUS (Sac State) where he obtained knowledge in movement, history, philosophy, performance, and artist creation processes. A perpetual learner, Forbes is pursuing many educational and professional pursuits including graduate school to become a Doctor of Chiropractic, Certified Instructor of Katherine Dunham Technique, study in Butoh, Talawa, and Silvestre techniques.
Lynn Huang (dance) Trained in modern dance, ballet, and Chinese dance, Lynn has performed with Lenora Lee, Cynthia Ling Lee, and Philein Wang, among others in San Francisco, and HT Chen and Dancers, Dance China NY and Ella Ben-Aharon/Sahar Javedani in NYC. She studied at Minzu University Dance Conservatory in Beijing, China on a Fulbright fellowship and graduated magna cum laude from Barnard College of Columbia University. She also teaches GYROTONIC® and GYROKINESIS®. IG: @lynnxspirals
SanSan Kwan (dance) is Associate Professor and Chair in the Department of Theater, Dance, and Performance Studies at UC Berkeley, where she teaches dance and dance studies. She has performed with Jonathon Appels, Joanna Mendl Shaw, Chen and Dancers, Scott Rubin, and Maura Nguyen Donohue/In Mixed Company, among others.
Lenora Lee (artistic direction) The company is directed by San Francisco native Lenora Lee, who has been a dancer, choreographer and artistic director for the past 23 years in San Francisco, Los Angeles and New York. She has been an Artist Fellow at the de Young Museum, a Djerassi Resident Artist, a Visiting Scholar at New York University 2012-2016, an Artist in Residence at Dance Mission Theater, a 2019 United States Artists Fellow, and is the recipient of a New England Foundation for the Arts National Dance Project grant award. Lenora is currently artist in residence at Pao Arts Center and ArtsEmerson.
Johnny Huy Nguyễn (dance) is a second generation Vietnamese American multidisciplinary somatic artist based in Yelamu (a.k.a San Francisco) and son of courageous refugees. Fluent in multiple movement modalities including myriad street dance styles, contemporary, modern, and martial arts, Nguyen weaves together dance, theater, spoken word, ritual, installation, and performance art. He creates immersive, time-based works that recognize the body’s power, as a place of knowing, site of resistance, gateway to healing, and crucible for new futures. His recent works are Minority Without A Model (solo, 2021) and HOME(in)STEAD (duet, 2022). In addition to being an individual artist, he has been a core member of Lenora Lee Dance Company since 2017 and has appeared in the works of KULARTS and the Global Street Dance Masquerade to name a few. As an arts professional, he works as a development and program associate with Asian Improv aRts (AIR), helping to nurture the viability and sustainability of Asian American artists and organizations both locally and nationwide. www.johnnyhuynguyen.com IG: @johnny.huy.nguyen
Sawako Ogo (dance) is a freelance dancer based in the San Francisco Bay area, originally from Tokyo, Japan. Upon graduating from San Francisco State University with a BA in Dance, Sawako had the privilege to work with choreographers and directors, such as David Herrera, Natasha Adorlee, Erin Yen, Christian Burns, Joe Landini, Jennifer Gerry, Kristin Damrow, as well as numerous others. https://www.sawako.dance, IG @sawako_horsemackerel
Helen Palma (music) is a graduate of San Francisco State University, where she received her Bachelor of Fine Arts in Music with an emphasis on Vocal and Jazz Studies. Her vocal styles range from Brazilian to Latin Jazz, Salsa, Swing, Blues, R&B and Pop. During Helen’s time at SF State, she studied with John Calloway in the Afro Cuban Ensemble and later performed professionally with his latin jazz septet at the Redwood City Salsa Festival in 2017 and 2019. She was also a part of the 2020 Hispanic Heritage Concert under Calloway’s direction. Helen’s own group, The Helen Palma Trio, performs in venues throughout the Bay Area with an emphasis on Latin and Brazilian jazz, R&B and pop. She is also pursuing a certificate in audio engineering and video editing. https://helenentertains.wordpress.com/, https://www.instagram.com/helen_palma_cantante/, linkedin.com/in/helen-palma
Moyra Silva Rodriguez (dance – Lima) is a Peruvian interdisciplinary and performing artist with a background in contemporary dance and theatre. Her artistic research explores the intersections between public space, dance community, hybrid identities and ancestry, through an interdisciplinary approach (film, dance, installation). Her academic study focussed on the overseas Chinese community in Europe and the Americas, as fourth generation Tusan (Chinese-Peruvian). Her work has been supported by the Instituto Cultural Peruano NorteAmericano (PE), El Centro Cultural de España (PE), Performing Arts Festival of Lima (PE), German Federal Foreign Office and Goethe Institut (DE), Trondheim Municipal Council (NO), and NOoSPHERE Arts (USA). www.moyrasilva.com, IG @moyra_silva
Olivia Ting (media & graphic design) is interested in the role of digital technology in the fabric of contemporary lives and how our perception of recorded media (film, photography, audio) as “reality” has shifted as technology becomes more sophisticated. Olivia has done design work for Oakland Museum of California, San Francisco Arts Commission, San Jose Children’s Museum, and collaborated with various dance companies in the Bay Area. Her work shifts between video projection and altered 360 VR film experiences. She holds an MFA in Art Practice from U.C. Berkeley. www.olivetinge.com
Francis Wong (music) was dubbed one of “the great saxophonists of his generation” by the late jazz critic Phil elwood. Few musicians are as accomplished as Wong: for over two decades he has performed his innovative brand of jazz and creative music for audiences in North America, Asia, and Europe. A prolific recording artist, Wong is featured on more than forty titles. www.franciswong.net
INTERVIEWEE BIOGRAPHIES
Borey “Peejay” Ai (9/4 panelist) is the Community Advocate for Asian Prisoner Support Committee (APSC) and a former juvenile lifer. He was incarcerated at the age of fifteen and served 20 years in prison. After his parole, Peejay spent 18 months incarcerated in ICE jails, while fighting his deportation case. Peejay was released from ICE jail in May 2018 after a grassroots campaign, #BringPJHome. Peejay’s work includes serving as APSC organizational representative in meetings, coalition spaces, lobby visits, and events related to reentry, in-prison programs, and anti-deportation defenses. Peejay also conducts workshops around APSC programs and missions to youth, students, and community organizations.
Ericson Amaya (Lead Organizer at 67 Sueños, 9/11 panelist), known as “E”, is an Oakland native dedicated to serving migrant youth justice. E started off as a high school intern where he was able to build his political awareness, uncover his passion for art, and engage in community advocacy towards migrants and system impacted youth. Years later, E became a youth mentor which further allowed him to access his passion for teaching and spoken word. He took his skills and knowledge to other programs and schools across Oakland and neighboring cities, while handling his BA in Latino Studies at San Francisco State University. E has also served a term for the Oakland Youth Advisory Commission, a leadership training and civic engagement platform for youth focusing on education, employment, public safety, environment, and health for the city of Oakland.
Guisela Mishel Ramos Guardado (Program Coordinator at 67 Sueños, 9/4 panelist) a Guatemalan born, Oakland raised, young womyn. Oldest of 4, a plant lover who enjoys sunset walks with her dog Luna. During her High school career she was involved in many youth led groups and community organizing, a 67 Sueños Alum. A program that gave voice to undocumented youth and allies with students in mixed status families, through political education in the form of organizing and activism. She was part of The Anastacio Project by NAKA Dance Theater, through Eastside Arts Alliance, a project that shines light on the similarities in state sponsored violence against Black and Brown bodies, through police and border patrol. She started working at E.B.A.Y.C. in 2016 as an Academic Mentor at Urban Promise Academy. She recently left this position to join 67 Sueños as Program Coordinator. Guisela is passionate about being a positive mentor in Oakland youths lives, and hopes to have a lasting impact with the youth she serves, like her mentors had with her.
Rhummanee Hang (9/4 panelist) is a poet, dancer, and community organizer from Oakland. Rhummanee’s experience with racial equity work, culturally specific programming, youth leadership development, and community organizing has spanned two decades. Rhummanee is Co-Director of AYPAL, an API youth leadership development and movement-building organization based in Oakland Chinatown. She is also a consultant and facilitator with World Trust Educational Services. She earned a BA in Sociology at UC Davis and an MA in International & Multicultural Education at the University of San Francisco. Rhummanee is an Aquarian dragon, earring maker and collector, and most importantly, Mommy to the amazing kid, Noreak!
Melanie Kim is the State Policy Director at the San Francisco Public Defender’s Office. Melanie is a leader in ICE out of California, the statewide coalition moving the VISION Act (AB 937) authored by Assemblymember Wendy Carrillo, which would stop all ICE transfers from local jails and state prisons. Before venturing into policy work, Melanie worked as an deportation defense attorney providing direct legal service in private practice and, most recently, at the Asian Law Caucus where she focused on representing individuals who faced deportation due to criminal convictions. At the Caucus, Melanie represented the first and second Cambodian refugees to ever return to the United States from deportation.
Cindy Liou, the daughter of Chinese-Taiwanese immigrants, is currently the State and Local Policy Director at Kids in Need of Defense (KIND), advocating for unaccompanied immigrant children. Previously, she was the Director of the Human Trafficking Project at Asian Pacific Islander Legal Outreach, where she practiced immigration, family, and victims’ rights law for survivors of human trafficking, domestic violence, sexual assault, elder and child abuse. She is currently on the Advisory Board of Training in Early Abortion for Comprehensive Healthcare (TEACH) and the Steering Committee of the Freedom Network to Empower Trafficked and Enslaved Persons (USA).
Enrique Cristobal Meneses (9/11 panelist) was born in Mexico City, Mexico, and lived in Los Angeles California since the age of 14. He is an advocate, artist, counselor and organizer. Enrique was detained at Golden State Annex (GSA) for 15 months as he fought his immigration case. After a long fight, and thanks to his resilience and community support, Enrique won his case in February 2022 and returned home after 18 years away. He got involved in the organizing and advocacy inside of GSA because of the injustices he saw happening inside. People were not being treated with humanity. Enrique is motivated, by his daughter and by his own journey through the criminal system, to keep on standing up to injustices and inequality. This is why he used his voice to stand up to the inhumane treatment inside of Golden State Annex. Enrique is currently working as a substance abuse counselor and is continuing to work alongside our communities to bring the change we need.
Jessica S. Yamane (9/11 panelist) is a co-director at Pangea Legal Services. At Pangea, Jessica’s goal is to support directly impacted community members who are developing alternatives to deportation and detention. As a person of both Chinese and Japanese ancestry, Jessica has been to enough memorials to recognize that the US immigration regime we live under has always been inherently racist. This country once recognized its errors in shuttering all concentration camps of Japanese Americans during WWII, and it can do so again. She firmly believes that we should be working towards that day when all immigration detention centers—today’s concentration camps—are permanently and forever closed.
ABOUT THE PRESENTERS
Asian Improv aRts
Since 1987, Asian Improv aRts (AIR) has built a national cross-cultural, interdisciplinary community rooted in social justice and equity, advancing artists who create innovative works representing Asian and Asian American experiences. AIR’s impact has been far-reaching; building the strength, sustainability and national visibility of Asian American arts and culture, embedded in community-based work with an authentic Asian American voice and grounded in a social justice approach that has deep connections to BIPOC communities. Over its 35 years, AIR has produced more than 100 recordings of Asian American artists, chronicling a legacy of Asian artistic excellence in the U.S. and mentored many artists in their early stages, some of whom are now luminaries in their field, such as Vijay Iyer and Jen Shyu. Today, AIR continues this legacy supporting the next generation of artistic leaders in the field. http://www.asianimprov.org
APICC
The Asian Pacific Islander Cultural Center’s (APICC) mission is to support and produce multidisciplinary art reflective of the unique experiences of Asian Pacific Islanders living in the United States. APICC was founded in 1996 by representatives of five nonprofit arts groups: Asian American Dance Performances, First Voice, Asian Improv aRts, the Asian American Theater Company, and Kearny Street Workshop. Since 1998, the center has promoted the artistic and organizational growth of San Francisco’s API arts community by organizing and presenting the annual United States of Asian America Festival as well as commissioning contemporary art for and by the Asian American and Pacific Islander community. www.apiculturalcenter.org
In the Movement is supported by Asian Improv aRts, API Cultural Center, ODC Theater, California Humanities, California Arts Council, Fleishhacker Foundation, National Endowment for the Arts, Phyllis Wattis Foundation, San Francisco Arts Commission, San Francisco Grants for the Arts, and by Generous Individuals.
Special thanks to Asian Americans Advancing Justice – Asian Law Caucus, Asian Prisoner Support Committee, Ny Nourn, Ben Wang, 67 Sueños, Pablo Paredes, Jacqueline Garcia-Martinez, Golden Gate National Recreation Center, Marty McGee.
Asian Improv aRts’ 35th Anniversary Celebration: Expansions // Horizons June 30th, 2022
FOR IMMEDIATE RELEASE
CONTACT: Lenora Lee
Phone: (415) 913-8725
Email: Lenora@asianimprov.org
Asian Art Museum in collaboration with
Asian Improv aRts, API Cultural Center & Lenora Lee Dance present
Asian Improv aRts’ 35th Anniversary Celebration
Expansions // Horizons
For 35 years, Asian Improv aRts (AIR) has been at the forefront of the Asian and Asian American movement – advancing artists, activism, and culture on a national level. Come join us for two unique programs of music, dance, and film, bringing together multiple generations of AIR artists, as we celebrate this historic milestone and look forward to the future with radical imagination.
Featuring performances and work by:
- Kioto Aoki (taiko / percussion), Chicago
- Tatsu Aoki (taiko / shamisen), Chicago
- Karl Evangelista (guitar), Bay Area
- Marina Fukushima (dance), Bay Area
- Ben Goldberg (clarinet), Bay Area
- YiTing (Gama) Hsu (dance), Taiwan / Bay Area
- Hien Huynh (dance), Bay Area
- Christopher Lam (Vietnamese Monochord – Đàn Bầu), Bay Area
- Jacqueline Lam (Vietnamese zither – Đàn Tranh), Bay Area
- William Roper (tuba), Los Angeles
- Karen Stackpole (multiple percussion), Bay Area
- Melody Takata (taiko), Bay Area
- Francis Wong (saxophone), Bay Area
- And additional artists TBA
At Asian Art Museum
Thursday, June 30, 2022
Program A: 6-7pm, and
Program B: 7:30-8:30pm
Performances will begin on time, please arrive early.
LOCATION
Asian Art Museum
200 Larkin Street (at McAllister St)
San Francisco, CA 94102
https://asianart.org or (415) 581-3500
Click here for parking & transportation
ADMISSION
$10 plus museum admission
All attendees are required to wear masks following current CDC, city and state guidelines.
For more info: https://www.asianimprov.org, https://asianart.org
For questions or high resolution images, email Lenora@asianimprov.org , (415) 913-8725
The Asian Art Museum strives to be welcoming and accessible to all. Please visit our Accessibility page to see a full list of accommodations, including complimentary assistive listening devices, ASL interpretation, and wheelchairs. Please note that for some accommodations, we require at least two weeks advance notice.
Asian Improv aRts
Since 1987, Asian Improv aRts (AIR) has built a national cross-cultural, interdisciplinary community rooted in social justice and equity, advancing artists who create innovative works representing Asian and Asian American experiences. AIR’s impact has been far-reaching; building the strength, sustainability and national visibility of Asian American arts and culture, embedded in community-based work with an authentic Asian American voice and grounded in a social justice approach that has deep connections to BIPOC communities. Over its 35 years, AIR has produced more than 100 recordings of Asian American artists, chronicling a legacy of Asian artistic excellence in the U.S. and mentored many artists in their early stages, some of whom are now luminaries in their field, such as Vijay Iyer and Jen Shyu.
(Work in network, co-commission, fellow, record label)
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ARTIST BIOGRAPHIES
Kioto Aoki // 青木希音
Kioto Aoki is an artist, educator and musician who descends from the Toyoakimoto performing arts family in Tokyo with roots dating back to the Edo period. Studying under her Tokyo-born father, she carries on the artistic family lineage as a taiko artist in Chicago, also playing shamisen and tsuzumi. Musical projects include Yoko Ono’s SKYLANDING, Tatsu Aoki’s The MIYUMI Project, Experimental Sound Studio’s Sonic Pavilion Festival, and Soundtrack at the Museum of Contemporary Art Chicago. https://kiotoaoki.com
Tatsu Aoki
Tatsu Aoki is a community advocate, filmmaker, educator, and prolific composer and performer of traditional and experimental music forms. As Executive Director of Asian Improv aRts Midwest (AIRMW), Aoki has initiated several programs to advance the understanding of traditional arts. He is also a founder of the Chicago Asian American Jazz Festival. In 2019, he received the Community Service award from the Asian American Coalition of Chicago and was recently awarded the 2020 United States Artist Fellowship and Illinois Arts Council Fellowship for his work as a musician, composer, and educator. https://tatsuaoki.com
Ben Goldberg
Clarinetist / composer Ben Goldberg grew up in Denver. He was a pupil of the eminent clarinetist Rosario Mazzeo and studied with Steve Lacy and Joe Lovano. Since 1992, when his group New Klezmer Trio “kicked open the door for radical experiments with Ashkenazi roots music” (SF Chronicle), Ben has shaped a career through curiosity and experimentation. The New York Times says Ben’s music “conveys a feeling of joyous research into the basics of polyphony and collective improvising, the constant usefulness of musicians intuitively coming together and pulling apart.” http://www.bengoldberg.net
Karl Evangelista
Filipino-American guitarist/composer Karl Evangelista (b.1986) ranks among a new wave of musicians pushing the traditions of jazz, experimentalism, and political music into the 21st century. Evangelista has performed with the likes of Andrew Cyrille, Fred Frith, Oliver Lake, Louis Moholo-Moholo, Bobby Bradford, Ben Goldberg, and Francis Wong. Signal to Noise magazine hails Evangelista as “one of the most original instrumentalists and composers of his generation,” and as the creative force behind boundary-breaking group Grex, Evangelista’s music has been called an “otherworldly experience” (Eugene Weekly). https://www.karlevangelista.com
Marina Fukushima
Marina Fukushima is a dancer and choreographer based in San Francisco. Born in Tokyo, Japan, she immigrated to the US in 1992. From a cross-cultural perspective, her creative focus is on the themes of silence, family, and intergenerational relationships. Amongst her projects, she created “Family Seasons” and “Zoom Dinner” in collaboration with her parents (both visual artists). Also, in collaboration with Isak Immanuel, a series of intergenerational dance works like “Festival of Shadows” was developed. Additionally, she has performed with numerous dance companies including KUNST-STOFF, ODC, Lenora Lee Dance, and Tableau Stations and toured across the US and internationally.
YiTing (Gama) Hsu
Trained in contemporary, ballet, modern, Chinese martial art, Chinese folk dance, Tai-chi initiation, composition, choreography and improvisation, Yi-Ting is a graduate of Tsoying High School, and received her BFA from University of Taipei of the Arts. She has danced with Hsu Chen Wei Productions, Les Petites Choses Productions, David Herrera Performance Company, Alyssandra Katherine Dance Project, Kinetech Arts, and Epiphany Dance Theater. www.gamahsu.com
Hien Huynh
Hien Huynh was born in Da Nang, Vietnam. Through the sacrifices, courage, and resiliency of his parents’ refugee passage, Hien dedicates his artistic and living practices to share, move, and dance in honor of their story alongside the oceanic journeys of ancestors. His movement practices stem from the spirit of improvisation. He recognizes improvisation as an ancestral form of survival, navigation, clarity, and expression. As a performing artist, Hien was nominated and received an Isadora Duncan Award for Outstanding Individual Performance (Within These Walls, Lenora Lee Dance 2019). He is a 2020 San Francisco Arts Commission IAC recipient. He is honored to have performed in the works of Lenora Lee Dance, Kim Epifano, Robert Moses’ Kin, Kinetech Arts, Christy Funch & Nol Simonse, PUSH, DSDT, and punkkiCO. www.hien-huynh.com
Christopher Lam
Studying Vietnamese Monochord (Dan Bau) for over a decade under Emmy Award winning master Vanessa Van Anh Vo, he has performed with Asian Improv aRts, Lenora Lee Dance, and Jimi Nakagawa. at venues such as the Legion of Honors, Asian Art Museum, and Kennedy Center. He takes his influences from both traditional and contemporary Vietnamese music alongside improvisational methods. Within Au Co Center, he is a teacher apprentice for beginner students and stage logistics coordinator for performances within the Vietnamese community’s arts and culture.
Jacqueline Lam
For over a decade, Jacqueline has learned and performed the Vietnamese zither (Dan Tranh) and has been trained by Emmy Award winner master artist, Vanessa Van Anh Vo. Over time, Jacqueline has developed her musical knowledge and skills, from traditional and contemporary Vietnamese music to improvisation. She has collaborated and performed with various ensembles/artists – Asian Improv aRts, Lenora Lee Dance – and has performed for various venues – Asian Art Museum, Legion of Honors, and the Kennedy Center. She is currently a teacher apprentice for beginner students and the Su Viet Ensemble coordinator at the Au Co Center.
William Roper
William Roper is a Los Angeles-based multidisciplinary artist concentrating his efforts in music composition/performance, painting, digital and video art. His primary instrument is the tuba. He also specializes in primitive and ethnic aerophones extemporaneous and spoken word performance. He has appeared as soloist and ensemble member in the Americas, Europe and Japan. His visual work has been exhibited in the U.S. and Europe. Roper heads the record label and arts organization Tomato Sage Consortium. Though he has lived in the same place for three decades, he is always looking for home.
Karen Stackpole
Drummer/percussionist Karen Stackpole has a long-standing passion for gongs. In her exploration of metals, she has cultivated some distinctive techniques for drawing harmonics out of tam tams with various implements. She specializes in dynamic soundscapes and textures and has contributed gong sounds to more conventional musical genres as well as contributing source material for film soundtracks. In addition to solo work, she performs and records with various projects including Machine Shop: Live Amplified Gong Experience (a duo with electronics master, Drew Webster), Sabbaticus Rex, Ghost in the House, Vorticella, the Francis Wong Unit, and the rock band Steel Hotcakes. https://www.facebook.com/Machine-Shop-Live-Amplified-Gong-Experience-137078913044811
Melody Takata
Founder and artistic director of GenRyu Arts, Melody Takata is a Japanese Diaspora artist. Takata is a taiko (Japanese drums) composer/arranger, and dancer/choreographer. Takata is trained in classical Japanese dance, and from the Kineya School of shamisen. In her 25+ year career she has engaged in creating new works in these traditions. She has been a recipient of Creative Work Fund, Alliance of California Traditional Arts: Living Culture, Master/Apprentice program, California Arts Council Local Impact, and National Endowment for the Arts to name a few. https://www.melodytakata.com
Francis Wong
Francis Wong co-founded Asian Improv aRts with Jon Jang in 1987. Wong is a saxophonist, composer, educator, and community worker, with roots in the Asian American Consciousness Movement of the 1960s and 1970s. https://www.franciswong.net
Supported in part by Asian Art Museum, Asian Improv aRts, API Cultural Center, William & Flora Hewlett Foundation, Lenora Lee Dance, San Francisco Grants for the Arts, Zellerbach Family Foundation, and by Generous Individuals
World Premiere of “Convergent Waves: SF” Thursday, June 9, 2022
Asian Art Museum, Lenora Lee Dance, Asian Improv aRts, and API Cultural Center present
World Premiere of Convergent Waves: SF by Lenora Lee Dance
From the award winning site-responsive, multimedia dance company Lenora Lee Dance, comes their newest performance piece Convergent Waves: SF, engaging viewers across the country in 2022 and 2023. Audiences are guided through a journey set in the Asian Art Museum to see unfolding stories of community agency, resilience, and transformation. Visitors experience a collective statement for the preservation of community, as neighborhoods across the country face cultural erosion, loss of businesses, and displacement through the pandemic and gentrification.
at Asian Art MuseumThursday, June 9, 2022
6:00 – 7:00pm, and 7:30 – 8:30pm
Performances will begin on time, please arrive early.
These performances are also part of Asian Improv aRts’ 35th Anniversary programming and Asian Pacific Islander Cultural Center’s United States of Asian America Festival.
LOCATIONAsian Art Museum
200 Larkin Street (at McAllister St)
San Francisco, CA 94102
https://asianart.org or (415) 581-3500
ADMISSION $10 plus museum admission
For more info: www.LenoraLeeDance.com, https://asianart.org
For questions or high resolution images, email LenoraLeeDance@gmail.com, (415) 913-8725
The Asian Art Museum strives to be welcoming and accessible to all. Please visit our Accessibility page to see a full list of accommodations, including complimentary assistive listening devices, ASL interpretation, and wheelchairs. Please note that for some accommodations, we require at least two weeks advance notice.
IJ Chan, Naoko Brown, Johnny Nguyễn, photo by LeeDaniel Tran
LENORA LEE DANCE
Lenora Lee Dance (LLD) integrates contemporary dance, film, music, and research and has gained increasing attention for its sustained pursuit of issues related to immigration, incarceration, global conflict, and its impacts, particularly on women and families. The company creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength, at times crafted for the proscenium, or underwater, or in the air, and at times are site-responsive, immersive and interactive. For the last 14 years LLD has been pushing the envelope of large-scale multimedia, and immersive dance performance that connects various styles of movement and music to culture, history and human rights issues. Its work has grown to encompass the creation, presentation and screening of films, museum and gallery installations, civic engagement and educational programming. www.LenoraLeeDance.com
Conceived, Produced & Directed by Lenora Lee
Choreography by Lenora Lee in collaboration with the performers
Performers / Dance Collaborators: Naoko Brown, IJ Chan, Flora Hyoin Kim Han, Lynn Huang, SanSan Kwan, Johnny Huy Nguyen
Media Design by Lenora Lee
Interviewee Voiceover by Malak Alameri, Asala Alhanshali, Amalia Avendando, Martha Jaime, Junjie Lin 林俊杰, Aisha Majdoub, Frederick Martin, Abdoalehman Sade, Eduardo Sandoval, Emelita Torio, Anonymous
Interview Translation by Sherman Ayala, Rachel Chen, Rosa Mariscal, Diana Pang, Jacinta Wu
Props & Sets: Sherman Ayala, Flora Hyoin Kim Han, Lenora Lee, Johnny Huy Nguyen
Audio / Visual Crew: John O’Shea, Timmy Leong, additional museum staff
Production Assistance: Edward Kaikea Goo, Q. Quan
Partner Organization: Chinatown Community Development Center
Music
VIJAY IYER
“Ascent”, “Proximity”, “Prayer” composed and performed by Vijay Iyer
“Ghost Time” composed by Vijay Iyer, performed by Fieldwork
The following are used by arrangement with ECM Records:
“Chorale” and “Geese” Composed by Vijay Iyer. Performed by the Vijay lyer Trio.
“Passage” Composed by Vijay Iyer. Performed by Vijay lyer and Wadada Leo Smith.
“Mutation X: Time” Composed by Vijay Iyer. Performed by Vijay Iyer, Miranda Cuckson, Michi Wianko, Kyle Armbrust, and Kivie Cahn-Lipman
“The Empty Mind Receives” Composed and performed by Vijay lyer and Wadada Leo Smith, published by Kobalt Music Publishing America Inc. and Kiom Music. (ASCAP).
TATSU AOKI
“Let it not fall” composed and performed by Tatsu Aoki, with Kioto Aoki, Jamie Kempkers, Edward Wilkerson Jr. Courtesy of Asian Improv Records.
FRANCIS WONG
“Revolutionary Process 1.0” (2013) BMI, from the “Trio SF” album (to be released in 2022). Composer and leader: Francis Wong. Performed by Francis Wong, Deszon X. Claiborne, Tatsu Aoki. Courtesy of Asian Improv Records.
The following are translations of interviewee stories included in the performance.
Click here for information about the redistricting that was recently approved in San Francisco.
ASIAN ART MUSEUM Located in the heart of San Francisco, the museum is home to one of the world’s finest collections of Asian art, with more than 18,000 awe-inspiring artworks ranging from ancient jades and ceramics to contemporary video installations. Dynamic special exhibitions, cultural celebrations and public programs for all ages provide rich art experiences that unlock the past and spark questions about the future.
ARTIST BIOGRAPHIES
Vijay Iyer (music) Described by The New York Times as a “social conscience, multimedia collaborator, system builder, rhapsodist, historical thinker and multicultural gateway,” composer-pianist VIJAY IYER is one of the leading music-makers of his generation. His honors include a MacArthur Fellowship, a Doris Duke Performing Artist Award, a United States Artist Fellowship, a Grammy nomination, and the Alpert Award in the Arts. His most recent album, a trio session with drummer Tyshawn Sorey and bassist Linda May Han Oh titled Uneasy (ECM Records, 2021), was named Best New Music in Pitchfork and was hailed by the New Yorker as “a triumph of small-group interplay and fertile invention.” https://vijay-iyer.com
Johnny Huy Nguyen (dance – San Francisco) is a second generation Vietnamese American multidisciplinary dance artist based in Yelamu (aka San Francisco). Centering his practice on the body as place of knowing, he weaves together dance, theatre, spoken word, ritual, installation, and performance art to navigate explorations of home, lineage, resistance, healing, and shared humanity. He has performed in the Bay Area, Oregon, Boston, and NYC. His work has been presented by APAture Festival and the United States of Asian America Festival and his most recent solo work, Minority Without A Model, premiered in 2021. www.johnnyhuynguyen.com IG: @johnny.huy.nguyen
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TRANSLATION OF SECTIONS OF INTERVIEWS IN SPANISH & CHINESE
My name is Amalia Avendando. And I’ve lived in the Tenderloin for 20 years. Yes I’ve been an instructor for Zumba for Ladies for many many years.
Fui víctima de violencia doméstica y no me gustaría que ninguna mujer pasara eso. Es difícil para mí hablar de esto, pero estoy me entero cuando algunas de mis amigas me comentan lo que están viviendo en casa o cuando están siendo abusadas físicamente lo que sea. Yo les recomiendo La Casa de las Madres y les recomiendo alternativas. Para salir de este problema en el que ellas viven. Que cuando alguien me comenta que busca vivienda, les recomendio que busquen en el edificio las habitaciones como no se, hay muchas cosas que quisiera hacer por la gente y especialmente para las mujeres y los niños. Porque hay veces que cuando una madre sufre violencia, los niños también sufren violencia, y no son escuchados.
She is a victim of domestic violence and from experiencing this she knows that she wants no other woman to experience the same thing. And she tries to be really involved in this movement whenever someone shares to them that they stay at home or have been abused at home. She always tries to recommend them to an organization called casa de madres, and just other alternatives that are there for them. He has a huge focus of helping women and kids specifically, that a lot of times when a woman is suffering from domestic violence that the children are also suffering. And there’s a lot of times no way for the kids or the woman to be heard.
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Mi nombre es Martha Jaime.
She is a mother of four children. She has three boys and one girl. She’s been living in Tenderloin for 17 years now.
Yo camino a mi niño el más pequeño este a la escuela, nosotros veníamos caminando de aquí del Tenderloin hasta la Bryant entonces cuando vamos caminando por esta área del Tenderloin hay muchas personas indigentes que se están usando drogas están picando a veces están como muy agresivos Entonces este pues están peleando entre ellos y cuando lo va pasando pues a veces le toca a uno es que lo ofendan a uno también decirles cosas.
Entonces este mi hijo el más pequeño tiene mucho trauma de vivir acá en el Tenderloin porque le tiene mucho miedo a las personas que esté están en la calle Entonces es una es una preocupación para mí también porque este yo lo veo a él como que él les tiene bastante miedo cuando nosotros vamos caminando el tiempo me trata como de proteger y proteger sea a el mismo. Pues es muy preocupante. He tratado de buscar otra solución de otro lugar donde ir a vivir con mi familia pero la verdad la renta son bastante cara si es dinero que no podemos pagar y es la razón que seguimos viviendo en esta área.
She walks her youngest son to school and she walks from tenderloin, her building to Bryant they’ve witnessed people using drugs in the streets, whether it be injecting themselves in front of her and her child on their walks, or just being aggressive towards each other, seeing that escalation happen between themselves and the people in the streets. And she notices that her youngest has been affected a lot with his mental health and that he has trauma and he’s very much on alert when he’s on the streets. She notices that he makes an effort not only to protect himself, but also to protect her and being very concerned over her well being this is a really big worry for her to see his response to this. It’s been very difficult to find a solution to this other than to leave the space, but she hasn’t been able to find something that works for her. Because the rents are so expensive. So it’s just not something that they’re able to financially do for themselves.
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Martha Spanish
Okay este pues yo mi niñez prácticamente toda la tuve en México en un lugar de donde esté como provincia puede decir como un pueblito pequeño y pues la verdad la vida de allá es mucho muy bonita Entonces este pues la verdad fui muy feliz todo el tiempo que estuve en México, después llegó el momento de que me casé y me esposo se vino para Estados Unidos, entonces yo salí embarazada de mi primer hijo y me esposo estuvo ese tiempo aquí, entonces cuando mi primer hijo nació me esposo regresó a México a conocerlo. El se tenia que regresar otra vez para Estados Unidos y me decía que me tenía que venir con él porque no quería dejarme sola México con mi bebé, verdad?eso me ponía nerviosa porque yo no me quería venir porque yo sentía que no iba a poder estar aquí porque aquí es muy diferente la vida,Verdad? Entonces siempre me animé Y me tuve que venir para acá y entonces cuando yo llegué aquí pues sentí un cambio muy diferente mucho muy diferente que me empecé como a enfermar, me empezó a dar depresión y todas esas cosas verdad. Entonces es que yo tenía mucho miedo salir a la calle porque sentía como que estaba en una jaula y este y sí estuve bastante tiempo en tratamiento de depresión a causa de eso también y el encerramiento, porque yo era una persona muy libre. Entonces mi hermana me dijo que si quería ayudar a trabajar para que yo no estuviera pensando que estaba encerrada, entonces yo por las mañanas trabajaba y cuando regresaba mi esposo se iba a trabajar y yo me quedaba con el niño Entonces ya mis amistades que yo tenía que ellos me empezaban a sacar a qué conociera un poco y con ayuda de la terapia y psicóloga y todo eso me fui como adaptado hasta que vinieron mis otros hijos y pues ya me convertí una persona bastante ocupada y pues he tratado de dejar todo eso atrás, la depresión y esas cosas, y mantener mi mente siempre ocupada y esa es una de las maneras que me ha mantenido estar un poco más adaptada aquí.
Martha English
She used to live in Mexico. And she explains her childhood as being something very beautiful, very open and freeing. She was very happy. And then came the time when she got married and had her family. She ended up coming out pregnant and her husband was already living in the US and working here. He didn’t want to leave them behind. He didn’t want to leave her or their son over there while he was in the US. So they ended up coming over as a family. And she explains that it was a very hard change for her. She was very reluctant to it at first, but she ended up deciding that she wanted to do this. She got her things and she came over. She ended up getting very sick. She got very depressed. She saw a lot of her health go down. And it was a very hard stage. She says she explained it as feeling caged, in that, she was living here and she wasn’t really going out. She was scared to be in the street to see the things that were going on outside and she explained it as feeling very enclosed and ended up getting treated for this depression and with help the psychologist and therapist and her sister, who also was noticing and helping her through this, she was able to kind of pull herself out of this dark phase. Her sister would insist for her to come and help her with her work just to bring her back out into the world. And she started going to work with her sister. What she has done best to keep her mental spirit up is staying busy. She’s a very busy woman now compared to her past where she could just just stay home that she finds herself keeping her mind busy always, busy always having something to do, busy working, cleaning houses not only physically busy but also mentally busy like keeping things in order. And her brain is always working.
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Mr. Jack (Junjie) Lin 林俊杰
你好,我叫林俊杰。我来自中国,广东新会。我目前是个全职学生。我来到美国没多久,大概九个月,就通过“经济适用房”(Affordable Housing)等候名单,被选中。我觉得非常幸运得到这个机会成为这里的租户。在这里认识了很多员工,其中是员工凯特罗宾逊。这里还有中文服务,所以我也得到了很多帮助。我当时在这里参加了社区义工活动,并且成为了这里的租户委员会成员,以及代表我们租户提出关于住社问题和建议。
我来到的时候,租户委员会和“食品储藏室”(Food Pantry)还没建立。后来,是由于凯特提出以及组织的。也在这个时候,我意识到了通过参与式投票。这个方式让每个租户者参与选出他们认为最合适代表他们的人,并且投票关于社会或其他的需求。比如为了租户的需求,“食品储藏室”(Food Pantry)也是这个时候开始举办的。每个星期由自愿者帮忙派发。最后 ,华协中心是我们大楼的业主,以及组织了租户领导力培训和交流。
So my name is Jack Lin, I was born in China. Guangdong Xinhui. And right now I am a full time student. I’ve moved into the tenderloin after nine months of immigrating to the United States. Tenderloin Family Housing we were selected through, you know, an affordable housing waiting list. And at that time, I also got to, you know, meet the staff. For example, Kate Robinson, this is also a time where the staff here would have Chinese speaking support too, that was one that I started volunteering with our community, and was even elected as a tenant council member to represent all the neighbors in our building to come forward with different issues around our property and neighborhood.
I’d like to share, for example, some projects staff, for example, Kate had organized us to create a tenant council. And I was familiar then with, you know how participatory voting worked, where neighbors would elect, nominate different neighbors and then you know, elect them for them to represent the needs of the community. Another thing was a food pantry, which is all volunteer run by the residents here, staffed every week by them. That wasn’t in existence. And, you know, that was created here for our building, Chinatown Community Development Center, which is the owner manager of our building, also organized tenant leadership trainings and exchanges.
Mr. Lin 林俊杰
另外一件事情得到了我们租户委员会会长Norma,以及三藩市市长的注意和参与。这件事关于到了一位学生上学的时候被（袭击）而导致了去医院。因为发生了这件事,我们在市政府进行了一个社区游行，并与市长和市参事开会。后来,三藩市举办了一个紧急计划,而这个计划让每一个Tenderloin街头有了几个工作人员来看管地区清洁和人们的安全。这对Tenderloin的环境和治安得到改善。
除了在租户委员会参与的这些事情,作为父母,我在这个疫情期间与其他家长，学校的孩子们，和监事会也做了很多组织工作。很多家长担心他们的孩子回学校上学的安全,我也不例外,毕竟我们还在疫情时期。我于其他家长都希望可以让孩子们继续远程学习。最初,孩子们要回去学校里上学,否则他们会失去在学校的名额。或者说他们可以继续远程学习,但学位也会被取消。通过我们的坚持,最终远程学习被保留了,以及学位也不会被取消。
Tenderloin区任然有社区安全和无家可归者的问题。在这个疫情期间,从二零二零年三月到现在我差点被突击了三次。第一次,是在学校附近。虽然现在街头有了些看管人,安全方面提供了,但还是小心为好。我们大楼也请了保安。以前我会带我的孩子们去Eddy街玩儿,但现在不去那边了,因为我确实还是担心他们的安全。对于社区安全,改进是有的,但还是存在了很多未解决的问题。
Another another piece that happened recently was that along with our president of the Tenant Council, Miss Norma, really tried to address the community safety piece at large and the impetus was because there was a young girl who was in a hijab and she was recently an immigrant from Yemen, who was attacked and assaulted to the point where she had to go to urgent care in the hospital while going to school. And so this was really a crystallizing point for many people. And so we had a community March at City Hall. That then led to some wins. We even met with the mayor and now there’s a Tenderloin Emergency Plan where she had shared that before she had publicly declared the plan. And we were as residents able to give our proposals and have her listen to our experiences. And even you know, those ambassadors called Urban alchemy practitioners on the street corners, was something that I think we had contributed to. Lastly, I want to also recognise, you know, I did a lot of organizing as a parent, with kids in the school district during COVID that had organized with other parents to, you know, demonstrate at this San Francisco Unified School District and also the board of supervisors on retaining distance learning classes. While schools were reopening, a lot of our parents were really concerned about the return to school, I wasn’t comfortable and many parents weren’t in doing so I wanted to retain distance learning as an option. And we were fearful that they would change the district policy where the original policy was you have to return to school or you’ll lose your spot if you want to do the web zoom version. When we eventually want to return you’ll lose your spot. So that was changed where you can still do online learning while keeping your spot for your school.
Mr Lin shared some examples of some of the issues around the Tenderloin that still need work. I think primarily around homelessness, and community safety, even anti-Asian hate. So he shared several examples, you know, right around COVID, he’s actually been assaulted physically or verbally assaulted three times since COVID. So I do think that community safety are really big issues that we do need to as a community continue to tackle and the progress is there. But it’s not an overnight solution. We did meet with the mayor, I can see some changes where there are more community ambassadors. So the progress is there. But again, I now no longer bring my kids over to the park that we got the free Wi Fi at, which is a couple of blocks away on Eddy Street, because I’m not confident that my children and I will be safe in our neighborhood.
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Amalia
En los 20 años que yo había vivido en Turk street estaba lleno de homeless, afuera en la calle por el tema de la pandemia se limpio, el proyecto que organizaron para poner un parque afuera, por eso la calle se ha limpiado los nuevos edificios y no he tenido problemas. Para mi Tenderloin es muy bonito, a mucha gente no le gusta, pero a mi me encanta Tenderloin
More recently, they’ve started some projects where they’re cleaning up the space and creating a park space outside. That’s been positive. She thinks it’s beautiful. And she loves tenderloin.
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Martha
Estoy bien agradecida y muy contenta es que los últimos meses bueno el año pasado creo que comenzó he visto poco más de vigilancia en las calles del Tenderloin de cuando los niños salen de la escuela y la hora de las mañanas de los que los niños empiezan a ir a la escuela hay muchas personas que están cómo esté como no sé cómo decirlo pero están como protegiendo la salida de los niños a la hora de la entrada y a la hora de la salida por todo ese barrio del Tenderloin. La verdad ver eso, me hace muy feliz y muy contenta. Y es una experiencia muy y la verdad es lo que necesitamos aquí y es lo que me hace sentir feliz porque al igual que yo, hay muchas mamás que están pasando lo mismo que yo.
It started happening last last year, that she noticed that there’s more care for the community that we have ambassadors and the walking school bus which comes out during school hours is sort of like an extra set of eyes that provides vigilance for the kids who are coming out of school. She’s seeing something positive coming out of the community, it makes her happier, because she knows that there’s other moms that have the same fears as her and it’s very relieving that herself and other moms are getting the service this help.
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“In the Shape of Their Presence” premieres May 5-7, 2022 !
“In the Shape of Their Presence” (12 minutes)
by SanSan Kwan & Lenora Lee
In loving memory of Kenny Speirs & Karina Lee Howe
Created and performed as part of James Graham Dance Theatre’s Dance Lovers 10 Series May 2022, an annual performance produced by James Graham Dance Theatre.
Choreography & Performance: SanSan Kwan & Lenora Lee
Music: Tatsu Aoki and Francis Wong, with Kioto Aoki, Deszon X. Claiborne, Jaimee Kempkers, Karen Stackpole, Edward Wilkerson Jr. Courtesy of Asian Improv Records.
Text: Karina Lee Howe, SanSan Kwan, Lenora Lee, Li-Young Lee, Kenneth Speirs, Henry David Thoreau
Voiceover: Karina Lee Howe, SanSan Kwan, Lenora Lee, Johnny Nguyen, Bo & Kenneth Speirs
Media Design & Costumes: Lenora Lee & SanSan Kwan
Video / Audio Editing: Lenora Lee
Cinematography: Edward Kaikea Goo, Hien Huynh, Lenora Lee
Images: courtesy of Speirs & Kwan families, Lee & Howe families
SanSan Kwan, photo by Robbie Sweeny
World Premiere of Convergent Waves: Boston / April 21 – 23, 2022
FOR IMMEDIATE RELEASE
CONTACT: Lenora Lee
Phone: (415) 913-8725
Email: LenoraLeeDance@gmail.com
www.LenoraLeeDance.com
Pao Arts Center and Lenora Lee Dance present
World Premiere of Convergent Waves: Boston
site-specific, multimedia, immersive dance performances by Lenora Lee Dance
At Pao Arts Center in celebration of its 5th Anniversary Season!
LOCATION
ADMISSION
$20-50 – https://www.eventbrite.com/e/convergent-waves-boston-tickets-244507136427
For more info: https://www.paoartscenter.org, www.LenoraLeeDance.com
For questions or high resolution images, email LenoraLeeDance@gmail.com, (415) 913-8725
Convergent Waves: Boston is a new site-responsive, multimedia experience by Lenora Lee Dance celebrating the contributions of activists and non-profit leaders, reclaiming space by eliciting stories of community agency, resilience, and transformation. Inspired by rich narrative, this work represents a powerful call for community oriented development in the face of rapid change, making a collective statement for the preservation of community as neighborhoods across the country inhabited for generations face cultural erosion, loss of businesses, and displacement through gentrification. Convergent Waves: Boston highlights successes in preserving the cultural fabric and accomplishments of these communities.
Conceived, Produced & Directed by Lenora Lee
Choreography by Lenora Lee in collaboration with the performers
Performers / Dance Collaborators: Naoko Brown, IJ Chan, Peter Cheng, Flora Hyoin Kim Han, Lynn Huang, Johnny Huy Nguyen
Media Design by Lenora Lee
Music
- Composed by Vijay Iyer, performed by Fieldwork, Vijay Iyer Trio, Miranda Cuckson, Michi Wianko, Kyle Arrmbust, Kivie Cahn-Lipman, and Wadada Leo Smith. Additional recordings composed and performed by Vijay Iyer and Wadada Leo Smith.
- Composed and performed by Tatsu Aoki, with Kioto Aoki, Jamie Kempkers, Edward Wilkerson Jr.
- Composed by Francis Wong. Performed by Francis Wong, Deszon X. Claiborne, Tatsu Aoki.
For more detailed information about the music, click here
Interviewee Voiceover by Susan Chinsen, Ken Eng, Paul Lee, Tunny Lee, Angie Liou, Lydia Lowe, Cynthia Woo, Yu-Wen Wu, Cynthia Yee
There will also be a virtual screening of Convergent Waves: Boston presented by ArtsEmerson in Fall 2022.
Lynn Huang by Robbie Sweeny
LENORA LEE DANCE
Lenora Lee Dance (LLD) integrates contemporary dance, film, music, and research and has gained increasing attention for its sustained pursuit of issues related to immigration, incarceration, global conflict, and its impacts, particularly on women and families. The company is directed by San Francisco native Lenora Lee, who has been a dancer, choreographer and artistic director for the past 23 years in San Francisco, Los Angeles and New York. She has been an Artist Fellow at the de Young Museum, a Djerassi Resident Artist, a Visiting Scholar at New York University 2012-2016, an Artist in Residence at Dance Mission Theater, a 2019 United States Artists Fellow.
LLD creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength, at times crafted for the proscenium, or underwater, or in the air, and at times are site-responsive, immersive and interactive. For the last 14 years, the company has been pushing the envelope of large-scale multimedia, and immersive dance performance that connects various styles of movement and music to culture, history and human rights issues. Its work has grown to encompass the creation, presentation and screening of films, museum and gallery installations, civic engagement and educational programming. www.LenoraLeeDance.com
PAO ARTS CENTER
Pao Arts Center was established in 2017 as a visionary program collaboration between Boston Chinatown Neighborhood Center (BCNC) and Bunker Hill Community College (BHCC). Located at 99 Albany Street in downtown Boston, Pao Arts Center is Chinatown’s first arts and cultural center. Pao Arts Center represents the belief that investing in arts, culture, and creativity are vital to the health and well-being of individuals, families, and vibrant communities. Through its innovative approach, Pao Arts Center empowers creativity, connection, learning, and support. paoartscenter.org
ARTIST BIOGRAPHIES
Vijay Iyer (music compositions, recordings) Described by The New York Times as a “social conscience, multimedia collaborator, system builder, rhapsodist, historical thinker and multicultural gateway,” composer-pianist VIJAY IYER is one of the leading music-makers of his generation. His honors include a MacArthur Fellowship, a Doris Duke Performing Artist Award, a United States Artist Fellowship, a Grammy nomination, and the Alpert Award in the Arts. His most recent album, a trio session with drummer Tyshawn Sorey and bassist Linda May Han Oh titled Uneasy (ECM Records, 2021), was named Best New Music in Pitchfork and was hailed by the New Yorker as “a triumph of small-group interplay and fertile invention.” https://vijay-iyer.com
Tatsu Aoki (music) is a prolific composer, musician, filmmaker, and educator. Based in Chicago, Aoki works in a wide range of musical genres, ranging from traditional Japanese music, jazz, experimental and creative music. Aoki studied experimental filmmaking at the School of the Art Institute of Chicago and is currently an adjunct Full Professor at the Film, Video and New Media Department, teaching film production and history courses. To this date, Aoki has produced and appears in more than 90 recording projects and over 30 experimental films. www.tatsuaoki.com
Francis Wong (music) was dubbed one of “the great saxophonists of his generation” by the late jazz critic Phil elwood. Few musicians are as accomplished as Wong: for over two decades he has performed his innovative brand of jazz and creative music for audiences in North America, Asia, and Europe. A prolific recording artist, Wong is featured on more than forty titles. www.franciswong.net
Olivia Ting (media & graphic design) is interested in the role of digital technology in the fabric of contemporary lives and how our perception of recorded media (film, photography, audio) as “reality” has shifted as technology becomes more sophisticated. Olivia has done design work for Oakland Museum of California, San Francisco Arts Commission, San Jose Children’s Museum, and collaborated with various dance companies in the Bay Area. Her work shifts between video projection and altered 360 VR film experiences. She holds an MFA in Art Practice from U.C. Berkeley. www.olivetinge.com
Naoko Brown (dance – Boston) is a native of Nagoya, Japan. At the age of six, she was introduced to the world of classical ballet by Michiko Matsumoto. She continued her training with Barbara Banaskowski Smith in Lansing, MI. While there, she performed with the students of the National Ballet School of Gdansk in Poland, as well as students from Vaganova Ballet School in St. Petersburg, Russia. Brown received her B.F.A. in Dance from The Boston Conservatory. While there, she performed works by Daniel Pelzig, Sean Curran, Lar Lubovitch and José Limón. She also attended the Boston Ballet School Summer Dance Program, Ballet Intensive from Moscow, and was a full scholarship recipient at Summer Stages Dance in 2012. She has performed with Michiko Matsumoto Ballet, Urban Nutcracker, Zoé Dance, Contrapose, Prometheus Dance and Jo-Mé Dance. She is currently a faculty member of The Boston Conservatory at Berklee, Walnut Hill School for the Arts Community Dance Academy as well as Boston Ballet.
IJ Chan (陳加恩) is a dance artist and educator from Boston, MA. She has dedicated her life to training and performing intensively in multiple dance genres and under many choreographers. In her own choreographic work, IJ is interested in intersecting and exploring the Asian-American narrative. She is committed to bringing quality performing arts instruction to low-income and minority youth populations within Boston. She also works as a freelance graphic designer, visual artist and seamstress.
Lynn Huang (dance – San Francisco)Trained in modern dance, ballet, and Chinese dance, Lynn has performed with Lenora Lee, Erin Malley, & Philein Wang in San Francisco, and HT Dance Company, Dance China NY & Ella Ben-Aharon/Sahar Javedani in NYC. She studied at Minzu University Dance Conservatory in Beijing, China on a Fulbright fellowship and graduated magna cum laude from Barnard College of Columbia University.
Flora Hyoin Kim Han (dance – Boston) is a Korean-American dancer, choreographer, and dance educator. Since earning her B.F.A. in Dance from the University of Wisconsin-Madison in 2014, she has worked with The Click, Prometheus Dance, Jenna Pollack, Lenora Lee Dance, beheard.world, Jennifer Lin, Deborah Abel Dance Company, Lorraine Chapman, and Urbanity Dance. Flora is currently an Assistant Professor of Dance at the Boston Conservatory at Berklee, a Lecturer of Dance at Brandeis University in Fall 2021, a senior faculty at Urbanity Dance and Coastline Ballet Center. Flora’s artistic vision is to bring inclusivity, empowerment, and joy to individuals and communities through the power of dance.
Johnny Huy Nguyen (dance – San Francisco) is a second generation Vietnamese American multidisciplinary dance artist based in Yelamu (aka San Francisco). His practice is centered on the body, recognizing its power as a place of knowing, site of resistance, gateway to healing, and crucible of imagination. Drawing from fluency in multiple movement modalities rooted in a street dance foundation, he weaves together dance with text, ritual, performance art, and other mediums to navigate the intersections between the personal and the political. He has appeared in the works of Lenora Lee Dance, KULARTS, and Embodiment Project and has performed nationally in Oregon, Boston, and NYC. His work has been presented by APAture Festival, the United States of Asian America Festival, and SOMArts, and his most recent solo work, Minority Without A Model, premiered in 2021. www.johnnyhuynguyen.com IG: @johnny.huy.nguyen
Convergent Waves: Boston is supported by ArtsEmerson, Pao Arts Center, and by generous individuals. The creation, presentation of and production residency for Convergent Waves: Boston was also made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation. This project is supported in part by an award from the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.
Special Thanks to: Asian Community Development Corporation, Carmen Chan, Chinatown Community Land Trust, Chinese Historical Society of New England, Susan Chinsen, Ken Eng, Stephanie Fan, Amy Guen, Isabella Stewart Gardner Museum, Harry Lee, Paul Lee, Tunney Lee, Angie Liou, Lydia Lowe, Cynthia Soo Hoo, Cynthia Woo, and Cynthia Yee.
Pao Arts Center is a program collaboration between Boston Chinatown Neighborhood Center and Bunker Hill Community College.
Women’s History Month – Our Story is Our Strength – Artist Lenora Lee
Lenora Lee Dance, Reflection & Gratitude
(Back Row) Wayne Tai Lee, Lynn Huang, Johnny Nguyen, Gama Hsu, Q. Quan, Lenora Lee,
(Front Row) Amber Julian, SanSan Kwan, Melissa Lewis, Jacinta Wu, Ethan, Elsie & Edward Kaikea Goo, Hien Huynh by Robbie Sweeny
Dear Community,
- LLD worked with Chinatown Community Development Center to perform excerpts and complete the filming of And the Community Will Rise, inspired by the fight for tenants’ rights by current and former residents of Ping Yuen housing complex. We shared in the “Peaceful Garden Summer Block Party”, promoting unity and solidarity within our communities, with an emphasis on our Black and Asian communities.
- LLD traveled to Boston to create and screen the short film Meditations on the Power of Community illuminating stories of their Chinatown community alongside Shen Wei’s paintings.
- Online presentations, convenings, podcasts, small performances, and articles rounded out our 2021. See www.LenoraLeeDance.com for film and video of these presentations.
Amber Julian & Lynn Huang by Robbie Sweeny |
Going forward into our 14th Season
Moving into a full 2022, we seek opportunities to screen our film And the Community Will Rise, continue to work in Boston to premiere Convergent Waves: Boston at Pao Arts Center April 21-24, 2022, celebrating the contributions of activists and non-profit leaders in the fight for affordable housing, eliciting stories of community agency and resilience.
On June 9, 2022, LLD will premiere Convergent Waves: SF at the Asian Art Museum, featuring dancers from Boston & SF. We will finalize and screen our Within These Walls film by filmmaker Tatsu Aoki, inspired by those detained and interrogated at the U.S. Immigration Station on Angel Island.
In September 1st -11th, 2022, LLD will premiere In the Movement in SF, focusing on separation of families, deportation, and mass detention of immigrants as a form of incarceration.
Melissa Lewis, Clarrisa Dyas, SanSan Kwan, Megan Lowe, by Robbie Sweeny |
Your support is critical during this time of recovery
Contemporary segregation exists along color, class, geographic, economic, and material lines. We need to clear the divide, the fear of indifference, and the resistance to change with risk-taking vulnerability. It is appreciation of diversity, and power in uplifting voices of collaboration into leadership roles that will bring facets of American society together, allow us to dissolve barriers of discrimination & control, and bear witness to our collective abilities to grow, unify, and transform.
We deeply appreciate your generosity and invite you to make a contribution today!
Your gift will directly support the above programs: performances, tours, film screenings, interviews and discussions. With the intensity of this year, and the myriad of adjustments we’ve all had to make in our lives, we are ever so grateful for your continued support. Wishing you grace and love,
Lenora Lee Hien Huynh Lucy Tafler
Artistic Director Marketing & Outreach Project Consultant
We are grateful for the support of ArtsEmerson, Asian Art Museum, Asian Improv aRts, Asian Improv aRts Midwest, API Cultural Center, Boston Asian American Film Festival, California Arts Council, Cal Humanities, Chinatown Community Development Center, Fleishhacker Foundation, Isabella Stewart Gardner Museum, Kenneth Rainin Foundation, National Endowment for the Arts, New England Foundation for the Arts, Pao Arts Center, Phyllis C. Wattis Foundation, SF Arts Commission, SF Grants for the Arts, The Creative Work Fund a program of Walter and Elise Haas Fund also supported by The William and Flora Hewlett Foundation, Zellerbach Family Foundation, and you.
Photo Credits: SanSan Kwan, Lynn Huang, Lenora Lee, Johnny Nguyen, Hien Huynh, Chloe Luo, Gama Hsu, Amber Julian, Megan Lowe, Clarissa Dyas, Melissa Lewis, Jacinta Wu, Edward Kaikea Goo, Wayne Tai Lee
Photos by Robbie Sweeny
CALL FOR ASIAN MALE & LATINX DANCERS!
CALL FOR ASIAN MALE & LATINX DANCERS!
Lenora Lee Dance (LLD), based in San Francisco, is seeking Asian/Asian American male and Latinx dancers for performances in Spring and Fall 2022.
LLD is looking for dancers with experience in choreography, improvisation, collaboration, modern / contemporary dance, and or other dance styles, for the following two projects in 2022.
“Convergent Waves” in Boston April 21-24, 2022 & SF June 9, 2022
“Convergent Waves” will be a series of 6 site-specific, multimedia performances in Boston in and around Pao Arts Center, April 21-24, 2022, and in San Francisco June 9, 2022 at the Asian Art Museum, with the possibility of touring Los Angeles and NYC in 2023. This opportunity is for Asian/Asian American male dancers.
Rehearsals will begin in SF & Boston January 2022, with Boston rehearsals occurring one week per month almost every month, for approximately 20 hours each time through April 2022 shows. All flights, lodging, rehearsal and performance time is paid.
This work celebrates the contributions of residents, activists and non-profit leaders towards the preservation of community, as neighborhoods across the country inhabited for generations face displacement through gentrification.
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“In the Movement” in San Francisco – September or October 2022
“In the Movement” will be a new multimedia dance project: 6 in person and virtual performances with community dialogues September or October 2022. Comment end It will focus on the separation of families and mass detention of immigrants as a form of incarceration, and will serve as a meditation on reconciliation and restorative justice, speaking to the power of individuals and communities to transcend. This opportunity is for Asian/Asian American male & Latinx dancers.
We’re looking at rehearsals in SF twice per week starting in May, with 2 weeks of performances somewhere in the 9/1 – 10/9/22 time frame, depending on everyone’s availability. Preference is for 9/1 – 9/11/22, but is TBD. All rehearsal and performance time is paid.
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Those interested in either opportunity can email LenoraLeeDance@gmail.com
- your contact number,
- a resume,
- your website or social media handle
- up to four video links of dance pieces you have choreographed or are featured dancing in by Monday, October 18, 2021
Video call backs / Auditions will be between October 25 – November 4, 2021, with notifications sent by November 12, 2021.
Call (415) 913-8725 for more information.
Image credits: Hien Huynh & Johnny Nguyen by Kate Fim
Image credits: Macio Payomo, Johnny Nguyen, SanSan Kwan & YiTing (Gama) Hsu by Kate Fim
These projects are supported in part by Pao Arts Center, National Endowment for the Arts, New England Foundation for the Arts National Dance Project and Expeditions Tour Planning Grant, ArtsEmerson, California Arts Council, Cal Humanities, San Francisco Arts Commission, and San Francisco Grants for the Arts and Generous Individuals.
About the Company
For the last 13 years Lenora Lee Dance (LLD) has been pushing the envelope of intimate and large-scale multimedia dance performance that connects various styles of movement/dance, film, text, research and music to culture, history, and human rights issues. LLD creates works that are both set in public and private spaces, inspired by individual stories as well as community strength. At times crafted for the proscenium, or underwater, and at times the pieces are site-responsive, immersive and interactive. Its work has grown to encompass the creation, presentation and screening of films, museum and gallery installations, civic engagement, and educational programming.
LLD is directed by San Francisco native Lenora Lee, who has been a dancer, choreographer and artistic director for the past 23. She has been an Artist Fellow at the de Young Museum, a Djerassi Resident Artist, a Visiting Scholar at New York University, an Artist in Residence at Dance Mission, a 2019 United States Artists Fellow, and is currently an Artist in Residence at Pao Arts Center and ArtsEmerson.
Lenora Lee Dance creates multimedia and immersive dance performances connecting various styles of movement, music, and film to culture, history and human rights issues. www.LenoraLeeDance.com
LLD performs during Night Watch at Fort Mason, 9/17/2021
YiTing (Gama) Hsu & Hien Huynh photo by Robbie Sweeny
LLD Performs as part of Night Watch events this Friday, 9/17, 6:30pm inside the Cowell Theater at Fort Mason!
YiTing (Gama) Hsu & Hien Huynh photo by Robbie Sweeny
Saint Joseph’s Arts Foundation: Art and Social Justice
Saint Joseph’s Arts Foundation (ticketed)
Evening | Speaker presentation for Shimon Attie’s Night Watch, featuring panelists in conversation about the role of art as an amplifier for social justice issues. Pre-registration required. This event is open to the public, but with limited admittance! Address: 1401 Howard Street, San Francisco
St. Joseph’s Art Society is a supporter of and contributor to the SF premiere of Night Watch.
Panelists at this event:
Charith Premawardhana, Classical Revolution https://www.classicalrevolution.org/
Ana Teresa Fernandez, artist https://anateresafernandez.com/
Lenora Lee, Lenora Lee Dance http://www.lenoraleedance.com/
Judy Flannery (or) Randall Heath from Dance Film SF https://sfdancefilmfest.org/
Clark Suprynowicz (Immersive Arts Alliance)
Moderator, Catharine Clark (BOXBLUR)
Photograph of St. Joseph’s Art Society by Elizabeth Pianta.
CALL FOR BOSTON DANCERS – 2021 – 2022!
CALL FOR BOSTON
DANCERS – 2021 – 2022!
Lenora Lee Dance (LLD), based in San Francisco, is seeking Boston based Male Asian/Asian American modern / contemporary dancers for “Convergent Waves” a series of 6 site-specific, immersive, multimedia performances in Boston in and around Pao Arts Center, April 21-24, 2022, with the possibility of touring in San Francisco June 1 – 9, 2022, Los Angeles and NYC in 2023.
LLD is looking for dancers with experience in choreography, improvisation, and collaboration. Rehearsals will begin in Boston January 2022, occurring one week per month almost every month, for approximately 20 hours each time through April 2022 shows. Below is a tentative draft of the schedule. All rehearsal and performance time is paid.
Those interested can email LenoraLeeDance@gmail.com
- your cell phone number,
- a resume,
- your website, and
- up to four video links of dance pieces you have choreographed or are featured dancing in by August 21, 2021
Video call backs / Auditions will be in September 2021.
Call (415) 913-8725 for more information.
Potential Rehearsal & Performance Dates:
- Rehearsals, approximately one week per month in January, February and March
- April 8 – 20 – Rehearsals, Tech and Dress Rehearsals
- April 21 – 24, 2022 – Boston premiere
- May 31 – June 9, 2022 – San Francisco Rehearsals
- June 9 2022 – tour – San Francisco Performance (Asian Art Museum)
- Spring 2023 – LA tour
- Fall 2023 – NYC tour
Background
“Convergent Waves” is a site-responsive, immersive, multimedia experience premiering in and around Pao Arts Center (Pao) in Boston April 21-24, 2022, with potential touring June 2022 – November 2023. LLD will transform Pao into an immersive site where the audience follows performers on an interactive journey that will feature 6 dancers, multimedia design, recorded original music, research, and voiceover interviews with activists and residents.
Audiences are reoriented for a unique perspective that merges memory, contemporary reality, and social commentary. Walking through the building will be like walking through the interior of someone’s body with the idea of memory housed in the architectural blueprint of the building.
Pao sits on a historically significant piece of land, Parcel 24, where hundreds of residents were displaced in the 1960s in order to build a highway on-ramp. The reclamation of this land by Pao represents a powerful call for community oriented development in the face of rapid change. The work, which celebrates the contributions of activists and non-profit leaders, will make a collective statement for the preservation of community as neighborhoods across the country inhabited for generations face displacement through gentrification.
Supported in part by Pao Arts Center, National Endowment for the Arts, New England Foundation for the Arts National Dance Project and Expeditions Tour Planning Grant, ArtsEmerson and Generous Individuals. San Francisco performances supported in part by California Arts Council, San Francisco Arts Commission, and San Francisco Grants for the Arts
About the Company
For the last 13 years Lenora Lee Dance (LLD) has been pushing the envelope of intimate and large-scale multimedia dance performance that connects various styles of movement/dance, film, text, research and music to culture, history, and human rights issues. LLD creates works that are both set in public and private spaces, inspired by individual stories as well as community strength. At times crafted for the proscenium, or underwater, or in the air, and at times the pieces are site-responsive, immersive and interactive. Its work has grown to encompass the creation, presentation and screening of films, museum and gallery installations, civic engagement, and educational programming.
LLD is directed by San Francisco native Lenora Lee, who has been a dancer, choreographer and artistic director for the past 23. She has been an Artist Fellow at the de Young Museum, a Djerassi Resident Artist, a Visiting Scholar at New York University, an Artist in Residence at Dance Mission, a 2019 United States Artists Fellow, and is currently an Artist in Residence at Pao Arts Center and ArtsEmerson.
Lenora Lee Dance creates multimedia and immersive dance performances connecting various styles of movement, music, and film to culture, history and human rights issues. www.LenoraLeeDance.com
dancers in photo: Johnny Nguyen, I.J. Chan, Naoko Brown, Flora Hyoin Kim
SF’s Chinatown Block Party Aims to Bring Community Together
Performance of “And the Community Will Rise” excerpts
as part of the “Ping Yuen-Peaceful Garden Summer Block Party”
Music directed by saxophonist Francis Wong, with rapper AK Black, guitarist Karl Evangelista, vocalist Helen Palma, percussionist Deszon X. Claiborne, Courtesy of Asian Improv Records. Additional vocals by Amber Julian.
Lenora Lee Dance featured in DREAM magazine!
Isabella Stewart Gardner Museum (ISGM), Pao Arts Center & Lenora Lee Dance present “MEDITATIONS ON THE POWER OF COMMUNITY
Video still Meditations on the Power of Community, dancer Naoko Brown at Shen Wei: Painting in Motion Exhibition (Hostetter Gallery), Isabella Stewart Gardner Museum, Boston, December 3, 2020 – June 20, 2021, courtesy Weiying Olivia Huang.
ISGM, Pao Arts Center & Lenora Lee Dance present
Meditations on the Power of Community
In response to the Shen Wei: Painting in Motion exhibition, Pao Arts Center 2021 Artist in Residence Lenora Lee Dance presents a new commissioned work, illuminating stories of the Chinatown community against the backdrop of Wei’s large-scale, immersive paintings. Interviews and contemporary dance choreographed by Lee in collaboration with Lenora Lee Dance and Boston-based dancers, provide a meditation on the experiences of Boston’s Chinatown community. Filmed by local filmmaker Weiying Olivia Huang.
Artistic Direction: Lenora Lee
艺术指导: 李小玉
Choreography / 编舞:
Lenora Lee (李小玉) in collaboration with cast:
Naoko Brown (原田尚子), IJ Chan (陳加恩),
Flora Hyoin Kim, and Johnny Huy Nguyen
Interviewees / 采访人物:
Pieranna Cavalchini, Peggy Fogelman,
Paul W. Lee (李宝罗), Lydia M. Lowe (駱理德),
Rhea Vedro, Cynthia Woo (胡善怡), Cynthia Yee (余麗馨)
Sound Mixer / 声音混合: Eric Taylor
Sound Engineering / 声音处理: Joel Wanek
Costumes / 服装 : Lenora Lee / 李小玉
Chinese Translation / 中文翻译 :
Weiying Olivia Huang / 黄维英
Music / 音乐 :
Tatsu Aoki, with Kioto Aoki, JoVia Armstrong, Mwata Bowden, Suwan Choi, Coco Elysses, Jamie Kempkers, Paul Kim, Avreeayl Ra, Melody Takata, Edward Wilkerson Jr., Hide Yoshihashi
Songs / 歌曲: “Conscription”, “Look at Our Time”, “Nobi – the other side”, “Move-meant” (from the first album MIYUMI Project by Southport Records), “An Eye Opener for Angels” and “Dynamite MHB” (from album Raw and Alive Volume II)
Courtesy of Asian Improv Records / 由亚洲即兴唱片提供
Images / 图像: Shawn Read, Cynthia Woo (胡善怡), Cynthia Yee (余麗馨), and Christine Nguyen courtesy of Asian Community Development Corporation
Murals / 壁画：
Chinese dragon mural by Enivo (14 Tyler Street)
“Tale of an Ancient Vase” by Bryan Beyung (22 Tyler Street)
“Chinatown Heritage Mural” by Wen-ti Tsen and Zuo Yuan, (Oxford Street)
The Mayor’s Mural Crew / Boston Youth Clean-up Crew
(Adjacent to the Chinatown Gate)
More information (Shen Wei | Isabella Stewart Gardner Museum)
Language: English with Chinese Subtitles
Age: All-ages
Screenings and panel discussions
Join the Isabella Stewart Gardner Museum, Pao Arts Center, and Lenora Lee Dance for a free virtual viewing party for Meditations on the Power of Community.
This short film will viewable through the Gardner Museum here starting Thursday, May, 6th with a screening and panel discussion Tuesday, May 11, 3pm PST (6pm EST)
Meditations on the Power of Community is a short film commissioned by the Isabella Stewart Gardner Museum, featuring choreography by Pao Arts Center 2021 Artist-in-Residence Lenora Lee Dance and filmed by Weiying Olivia Huang. The film features interviews with members of Boston’s Chinatown community, in response to the Museum’s exhibition Shen Wei: Painting in Motion.
Following a screening of the film, join filmmaker Weiying Olivia Huang, Lenora Lee of Lenora Lee Dance, Board President of Asian Community Development Corporation Paul W. Lee, Cynthia Woo of Pao Arts Center, and moderator Susan Chinsen, Creative Producer/Engagement, Founding Director/Boston Asian American Film Festival, Emerson College Office of the Arts, ArtsEmerson, for a dialogue about the resilience of local activists, dreams turned into reality through art, advocacy, and the healing embrace of culture.
The program will feature a screening of this short film as well as opportunities for the audience to join the conversation.
Lenora Lee is a 2021 Pao Arts Center Artist in Residence, with additional support from ArtsEmerson.
Meditations on the Power of Community will also be screened in Projecting Connections: Chinese American Experiences, presented by ArtsEmerson and the Boston Asian American Film Festival from May 6- 10.
About the 5/11/21 Panelists
Lenora Lee is a dancer, choreographer, and artistic director of Lenora Lee Dance. She pushes the envelope of large-scale multimedia dance performance crafted for the proscenium, underwater, or in the air, and at times is site-responsive, immersive and interactive. Lenora’s work integrates contemporary dance, film, music, and research related to immigration, global conflict, and human rights.
photo by Hien Huynh
Paul W. Lee is a retired Partner of Goodwin Procter LLP. Mr. Lee grew up in the Boston Chinatown and Brookline, Mass. His Chinese immigrant parents worked in restaurants and garment factories. After earning a degree in electrical engineering and computer science, he became a lawyer and was a partner at Goodwin Procter specializing in corporate law from 1984-2013. Mr. Lee serves on the boards of The Boston Foundation Board, Conservation Law Foundation, and WGBH, Chair of the Asian Community Fund, and Board President of the Asian Community Development Corporation, which has built over 600 units of housing in Boston Chinatown. In 2019 he received the Sojourner Award from the Chinese Historical Society of New England.
Cynthia Woo, has been the Director of Pao Arts Center, at Boston Chinatown Neighborhood Center since Jan 2017. She has fifteen years of experience in the non-profit arts, and arts education sector. She has worked at the Chinese American Museum of Los Angeles, LynnArts, Museum of Fine Arts, Boston, and Boston Center for the Arts.
photo by Ashley Yung
Filmmaker Weiying Olivia Huang
Weiying Olivia Huang (https://oliviahuang.yolasite.com) is an award winning documentary filmmaker. Her documentary ‘City as Canvas’ won the Best Human Interest Documentary at the World Premiere Film Awards in 2020. The film, funded by a grant from the Cambridge Arts Council, was also nominated for ‘Best New England Film’ at the Massachusetts Independent Film Festival.
Moderator:
Susan Chinsen is a Creative Producer at ArtsEmerson. She established the annual Boston Asian American Film Festival in 2008, where she continues as the Festival Director. Previously, she managed the Chinese Historical Society of New England, and was an engagement consultant for the PBS documentary “The Chinese Exclusion Act,” building upon her community work and past experience working at WGBH. She is on the Board of Directors at South Cove Community Health Center, MASS Creative and a Steering Committee member of the API Arts Network. Susan is also an alumna of the American Chinese Art Society’s traditional dance troupe and Tufts University.
Photo Credit: Sampan/Yiyan Zheng 鄭怡嫣
About the Partner:
Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It is originally the home of Isabella Stewart Gardner, whose will called for her art collection be permanently exhibited “for the education and enjoyment of the public forever”.
ISGM Community programs created in partnership with Pao Arts Center are made possible by the National Endowment for the Arts and Barr Foundation ArtsAmplified initiative.
Education and community programs receive support from the Vertex Foundation, the Rowland Foundation, The Lubin Family Foundation, The Beker Foundation, Liberty Mutual Foundation, The Hamilton Company Charitable Foundation, Thomas Anthony Pappas Charitable Foundation, and the Janet Burke Mann Foundation.
The Gardner Museum receives operating support from the Massachusetts Cultural Council.
Pao Arts Center was established in 2017 as a visionary program collaboration between Boston Chinatown Neighborhood Center (BCNC) and Bunker Hill Community College (BHCC). Located at 99 Albany Street in downtown Boston, Pao Arts Center is Chinatown’s first arts and cultural center.
Pao Arts Center represents the belief that investing in arts, culture, and creativity are vital to the health and well-being of individuals, families, and vibrant communities. Through its innovative approach, Pao Arts Center empowers creativity, connection, learning, and support.
@paoartscenter, #paoartscenter, www.paoartscenter.org
2021 Sacramento Dance Sampler – in Memory of Jory Horn
April 10, 16 & 18
This 10th Anniversary Season is dedicated to the memory of Jory Horn (1991-2019). Jory may have left too soon but his abundance of creativity and dedication to the art of dance continues to inspire us all. Fifty percent of the ticket price will help establish the Jory Horn Memorial Scholarship for aspiring dancers at Sacramento State.
The mission of the Sacramento Dance Sampler is to foster community growth by providing a platform to showcase the works of emerging and established professional dance artists and to expose audiences to the growing dance culture in our region. Founded by Lorelei Bayne in Sacramento in 2011, this annual event is modeled after New York City’s, Symphony Space Dance Sampler. The goal this year is to bring together acclaimed professional area dance companies for a virtual celebration of dance!
Sacramento Dance Sampler is scheduled to showcase April 10th, 16th and 18th (Showtimes TBD) as part of the Sacramento State, College of Arts and Letters, Festival of the Arts (FOTA) week-long celebration April 5th-11th, 2021.
One “ticket” purchased gives access for all 3 Dance Sampler programs, available to view through the end of April.
Purchase Dance Sampler virtual ticket here
Jory Horn Scholarship Fund
We, at Sacramento State University, would like to continue Jory’s joy of helping those in need. With the Dance & Theatre Department at Sacramento State University, we would like to set up a one-time scholarship or an endowed scholarship for aspiring dancers. The endowed scholarship will provide funding on an annual basis.
$2,500 -> Minimum for Scholarship
$10,000 -> Minimum for Endowed Scholarship
Please click here to view the scholarship fund
