Interdisciplinary dance works giving artistic voice to Asian Americans

December 2017 Performances


Upcoming Performances:
–     Thursday, 12/7, 7:30pm – LLD principal dancer Yi-Ting Hsu & Idaho State University (ISU) dance students perform Voices and excerpts from LLD’s repertoire as part of the Surviving Voices Symposium, Frazier Hall, ISU
–     Sunday, 12/10, 12-12:30pm – LLD performs excerpts of Within These Walls as part of the Chinese Historical Society’s Sunset Project, featuring Lynn Huang, Hien Huynh, Eric Koziol, Chloe Luo, Johnny Nguyen, Shannon Preto, at  Sunset Rec Center – 2201 Lawton St, SF.
Photo of Hien Huynh, Eric Koziol, Lynn Huang, by Robbie Sweeny

In Gratitude


Dear Friends,
On this #SmallBusinessSaturday to #GivingTuesday, we invite your participation!
2017 marks our 10th Anniversary and has been our most productive year by far. We celebrated with the creation, production, world premiere and national screenings of our 57-minute film LIGHT, which was awarded Best Experimental Film at the Canada International Film Festival. We launched and are selling the beautiful LIGHT DVD and CD soundtrack Box Set.
We are deeply grateful for your support of the September world premiere of Within These Walls, a new multimedia, immersive performance at the Angel Island Immigration Station Barracks. This work transformed and animated these historic spaces into sites for remembrance and healing, as part of a community-wide commemoration of the 135th Anniversary of the 1882 Chinese Exclusion Act and as the highlight of LLD’s 10th Anniversary Season.
Within These Walls was LLD’s strongest and most ambitious work, and has become one of LLD’s signature pieces. It was an exhilarating experience and brought many to tears, including us. Some say it is the best production they’ve ever seen. Some saw it multiple times, and one person saw 5 out of the 8 performances. The content is so relevant given the current day anti-immigrant climate in this country. It puts forth a compassionate lens on the experiences of immigrants.
We feel extremely thrilled about Within These Walls, coming to you with our plans to make a film and DVD box set based on the project, and to share our desire to remount the performance at the Immigration Station during 2018-2019.
We deeply appreciate your support and invite you to make a contribution today! 
Your gift will directly support the:
–        Creation of the Within These Walls Film
–        Creation of the Within These Walls DVD Box Set
–        Remounting of the Within These Walls Performance at the Angel Island      Immigration Station
–        World Premiere of Beneath The Surface Underwater Immersive Performance in 2018
–        National Screenings of the 57-minute film LIGHT in 2018
We seek to share a sense of gratitude for life and our lived experiences, no matter how challenging, we are here, not just surviving, but thriving. The power in sharing these truths is boundless and with your support, we will continue to envision the possibilities and bring them to life.
WIth much appreciation,
Audience Feedback:
“I thought about ICE jails, people who fear deportation, and refugees overseas. It was heavy….and so beautiful.”
“It was a truly unique and powerful experience, and I feel fortunate to have witnessed it. It snuck into my dreams last night.”
“Moving and beautifully rendered, and of course, so timely given the global dialogue around immigration. I was there with my seven year old son, and the piece made a big impression on him.”
“I was deeply affected and moved by the performance. I left in tears, and literally cried every time I replayed the performance in my head for 4 days afterward.”
“Your performance was indeed historic, an opportunity to trace, embody and heal the wounds of time, and honor the spirits of those who passed through the Immigration Station. The meta for me was the ever present questions of acceptance, inclusion and belonging, true for all of us, but especially now in these difficult times. By allowing us to be with the dancers/immigrants, you and your troupe created a space of resonance. We are all still waiting, aren’t we, for some kind of deeper belonging and transformation….  But in the performance, we could accept each other.”  
“It was brilliant and emotionally powerful.”
“Scenes at the water’s edge were particularly touching. Four women danced in unison as sailboats floated by, driving home the proximity but intangibility of freedom. The dancers then returned to their dormitories, stoically passing through their first audience of the day as if we were invisible witnesses to an injustice we couldn’t control.
No matter which dancer one was following, Within These Walls culminated in a heartbreaking finale in the recreation yard, a sun-drenched acrobatic feat that left just about every performer covered in sweat. The dancers took a bow and were excused to prepare for the day’s second performance. The rest of us made our way to back to the island’s docks, onto ferries and back to freedom.”
From the Director:
“It is not enough to live our lives in the safety of our own experiences, as what we’ve known as our foundation can be taken away in the blink of an eye if we are not exercising our voices for justice, equality and compassion.”  – Lenora Lee
Lenora Lee Dance is sponsored by API Cultural Center: a non-profit tax-exempt organization – EIN: 94-3295968. Contributions can be made by credit card at or sent by check. All donations are fully deductible to the extent allowed by law.
Photo of Hien Huynh & Lynn Huang, by Robbie Sweeny

Within These Walls premieres 9/9 – 9/17/17 on Angel Island!




The performance admission + ferry ticket packages we offer only leave from Pier 41 in San Francisco on the Blue & Gold Fleet.

If you plan to take the Angel Island Tiburon Ferry, purchase the Admission Only tickets on our ticket site. Then purchase Tiburon ferry tickets on board the ferry with cash or check.

The last day to purchase the Admission + Roundtrip ferry package and Shuttle tickets for the 9/9 & 9/10 performances on our ticket site is Tuesday, 9/6!
The last day to purchase the Admission + Roundtrip ferry package and Shuttle tickets for the 9/16 & 9/17 performances on our ticket site is Tuesday, 9/12!
After that you must purchase Admission Only tickets on our ticket site and stand in line at the Pier 39 / 41 Blue & Gold Fleet Box Office, or board the Tiburon Ferry to purchase ferry tickets separately. You may be able to purchase Shuttle tickets from our Angel Island dock Group Leader if they are still available.
On the day of the performance, those who purchased online the Admission + Roundtrip ferry tickets or Shuttle tickets – arrive early to meet our Pier 41 Group Leader wearing the Fluorescent Yellow vest here by the topographical map between Pier 39 & 41 to pick up your tickets.
If you need to buy ferry tickets on the day of the performance, arrive early to stand in line at the Blue & Gold Fleet Ticket Booth between Pier 39 & 41.
Once you have your ferry tickets go to Gate 1 or 2 at the Pier 41 dock to board for Angel Island.
CLICK HERE  for information about the Tiburon Ferry.
If you purchased Admission Only tickets and Shuttle tickets, and ride the Tiburon ferry, you can pick up your Shuttle tickets from our Angel Island dock Group Leader in the Fluorescent Yellow vest once the ferry arrives on the Island.



Asian Improv aRts, API Cultural Center, Chinese Historical Society of America, and
Angel Island Immigration Station Foundation present

The World Premiere of

Within These Walls
A new multimedia immersive dance experience by Lenora Lee Dance

At the Angel Island Immigration Station, San Francisco Bay

Saturdays & Sundays, 9/9, 9/10, 9/16 & 9/17
11am-12pm & 12:30-1:30pm

Performances will begin on time, please arrive early.

Due to the nature of this performance with multiple dances and character narratives unfolding simultaneously throughout the Immigration Station, we recommend you see the performance more than once. It will never be the same experience twice! See ticket options for details on discounted tickets to see the performance twice in one day.


What The Press Is Saying About Within These Walls:

SF Chronicle: Immigrants’ torment as Angel Island detainees re-created in dance

SF Chronicle: A look back at immigration, exclusion at Angel Island
  SF Examiner: Angel Island a historical setting for Lenora Lee’s ‘Walls’

KQED Arts: Fall Dance Season Will Bring Political Fury to Bay Area Stages

There will also be free screenings of LLD’s recent dance films in the Immigration Station Mess Hall held simultaneously at 11am and 12:30pm for ticket holders. These films were created in collaboration with acclaimed filmmaker Tatsu Aoki. Come early or stay after the performance to see the films!

Those attending one of the 9/16 or 9/17 performances may be captured on film and are asked to sign a Release Form, as we are building an experimental dance film of the Within These Walls performance piece. If you prefer to not be captured on film, please attend one of the 9/9 or 9/10 performances.

Click here for Tickets, Transportation & Details

For more info:

For questions or high resolution images, email, 415-816-9376

Please Note:
– Comfortable footwear is encouraged.
– Guests may encounter situations in close proximity with performers.
– We encourage guests with special needs to contact us prior to arrival at: or (415) 816-9376



Join us for the excursion and adventure!

CLICK on the blue “SELECT A DATE” button, then on the green “TICKETS” button to see PERFORMANCE ADMISSION + TRANSPORTATION DETAILS. Group rate available. Email to inquire.

SAN FRANCISCO DEPARTURES: Company: Blue and Gold Fleet


Outbound Angel Island Ferry Options

  • Departs Pier 41 at 9:45am, arrives on Angel Island at 10:10am
    • Ride the 10:30am shuttle to the Station
    • See either the 11am or 12:30pm performance
    • See the 11am or 12:30pm films in the Station Mess Hall
  • Departs Pier 41 at 11:15am, arrives on Angel Island at 11:45am
    • No shuttle available. You must walk 25-30 minutes or bike to the Station
    • See the 12:30pm performance after making your own way to the Station

Please check this website in August for updated ferry schedule

Return to Pier 41 Ferry Options

  • Departs Angel Island at 2:05pm, arrives at Pier 41 at 2:55pm
  • Departs Angel Island at 4:25pm, arrives at Pier 41 at 5:30pm

Please check this website in August for updated ferry schedule

TIBURON DEPARTURES: Company: Angel Island Tiburon Ferry

  • Departs Tiburon hourly from 10am until 5pm
  • Departs Angel Island hourly from 10:20am until 5:20pm

Those wanting to leave from Tiburon must purchase theGENERAL ADMISSION ONLY, ARTS PATRON ADMISSION ONLY, or STUDENT ADMISSION ONLY ticket options. Ferry tickets available for purchase at the facility as you board the ferry with cash or check ONLY. No advanced ferry ticket purchases. See those options and this link for more details.

ANGEL ISLAND SHUTTLE (can be purchased on this Eventbrite site, see TICKETS – LIMITED AVAILABILITY)

  • Departs promptly from the Angel Island Cafe at 10:30am
  • Departs Immigration Station 12:45pm and 3pm

Visit for more info.

If a shuttle is not available at your desired time, walking to and from the Immigration Station takes 25-30 minutes each way. Maps are available at the Angel Island dock.

PARKING OPTIONS at Pier 41, San Francisco

  • Academy of Art parking lot on Beach & Stockton Streets ($30 all day)
  • 2210 Stockton St between Northpoint & Bay ($25 all day)

Taking public transportation, taxi or Lyft are good options as well.

PARKING OPTIONS by Tiburon dock

Tiburon Parking information can be found online here: Parking is between $5 and $15 for the day.

For more info:,, or call (415) 816-9376



Lenora Lee Dance (LLD) celebrates its 10th Anniversary Season with the World Premiere of Within These Walls, a new site-specific immersive multimedia dance experience premiering in a two-week run 9/9 – 9/17/17 on the Angel Island Immigration Station, San Francisco Bay. This work for 14 performers, integrating contemporary dance, video projection, recorded original music, and poetry, will serve as a meditation on healing, resilience, and compassion. Inspired by experiences of those detained and processed on the Station, Within These Walls will transform and animate these historic spaces into sites for remembrance, as part of a community-wide commemoration of the 135th Anniversary of the 1882 Chinese Exclusion Act, speaking to the power of individuals and communities to transcend.

Audiences will travel through a labyrinth of rooms throughout the historic two story building in an intimate interactive environment, a tapestry of movement, sound, poetry and film integrated throughout the inside and outside of the building, and within the walls.



Conceived, produced & directed by Lenora Lee

Choreography by Lenora Lee in collaboration with performers Yao Dang, Lynn Huang, Timothy Huey, Hien Huynh, Carl Irons, Eric Koziol, SanSan Kwan, Wayne Tai Lee, Kevin Lo, Chloe Luo, Johnny Nguyen, Shannon Preto, Yi-Ting Hsu, Stacey Yuen

Music score by Francis Wong and Tatsu Aoki, with Kioto Aoki, JoVia Armstrong, Rami Atassi, Jonathan Chen,Suwan Choi, Deszon X. Claiborne,Coco Elysses, Jason Kao Hwang, Michael Jamanis, Jamie Kempkers, Chad Taylor, Edward Wilkerson Jr., Michael Zerang

Poetry & text by Genny Lim, Wong Gung Jue, and Immigration Station detainees

Voiceover by Lynn Huang, Hien Huynh, Todd Nakagawa, Johnny Nguyen, Shannon Preto

Media Design by Olivia Ting

Videography directed by Lenora Lee
     filmed by Lenora Lee, Shannon Preto, Olivia Ting
     edited by Tatsu Aoki, Lenora Lee, Olivia Ting



LLD’s work integrates contemporary dance, film, music, and research and has gained increasing attention for its sustained pursuit of issues related to immigration, global conflict, and its impacts, particularly on women and families.

“We strive to generate artistic work that engages deeply the connections between individuals and their experiences, and community and collective memory, through creative processes, research, and public involvement.” – Lenora Lee

“What struck me most was how Lee managed to embed the narrative into the installation’s structure. So many different things were happening all at once and no one could predict what was going to occur, or when, or where… it shows how carefully Lee wove the narrative into everyone’s experience, including the viewer’s.” – Heather Desaulniers, Dance Commentary





From 1910 to 1940, Angel Island was the site of an Immigration Station that functioned as the West Coast equivalent of Ellis Island, although the Angel Island facility also enforced policies designed to exclude, rather than welcome, many Pacific Coast immigrants coming from eighty two countries. The processing time for most in the Station was two-three days, however for Chinese, the average was 3 weeks to 3 months of detention. One individual spent 22 months in the station.

In 1970, the site was slated for demolition because of its deteriorated condition; but the discovery of Chinese poetry that had been carved into the walls of the detention barracks saved it from destruction and led to renewed interest in the Angel Island Immigration Station. It increased awareness of the need to access the vivid lessons of sacrifice and triumph in the history of immigration. As a result of a broad advocacy campaign, funding was secured to preserve the site and to open the barracks to the public in 1983. Out of the community campaign the Angel Island Immigration Station Foundation (AIISF) was founded to continue preservation and educational efforts for the site, and to increase awareness of the contributions Pacific Coast immigrants make.

The mission of the Angel Island Immigration Station Foundation (AIISF) is to promote a greater understanding of Pacific Coast immigration and its role in shaping America’s past, present and future. In partnership with the California State Parks, AIISF educates the public about the complex story and rich cultural heritage of Pacific Coast immigrants and their descendants.





The company is directed by San Francisco native Lenora Lee, who has been a dancer, choreographer and artistic director for the past 19 years in San Francisco, Los Angeles and New York. In 2013 she was an Artist Fellow at the de Young Museum, a Djerassi Resident Artist, and was a Visiting Scholar at New York University 2012-2016. She is currently an Artist in Residence at Dance Mission Theater. LLD creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength. For the last ten years, LLD has been pushing the envelope of large-scale multimedia dance performance that connects various styles of movement and music to culture, history and human rights issues. Its work has grown to encompass the creation, presentation and screening of films, museum and gallery installations, civic engagement and educational programming.

Within These Walls is supported in part by California Arts Council,  San Francisco Arts Commission, Zellerbach Family Foundation, Portsmouth Plaza Parking Corporation, Fleishhacker Foundation, San Francisco Grants for the Arts, OCA San Mateo, Dance Mission Theater and to Generous Individuals. Special thanks to Casey Dexter-Lee & California State Parks, Grant Din and Penelope Wong.




photos by Robbie Sweeny featuring:

  1. Johnny Nguyen
  2. Johnny Nguyen & Eric Koziol
  3. Lynn Huang, Eric Koziol, Yi-Ting Hsu
  4. Yao Dang, Yi-Ting Hsu, Stacey Yuen, Chloe Luo
  5. Kevin Lo, Johnny Nguyen, Hien Huynh, Wayne Tai Lee
  6. Kevin Lo & Stacey Yuen
  7. Johnny Nguyen & Chloe Luo
  8. Yao Dang, Stacey Yuen, Chloe Luo, Yi-Ting Hsu
  9. Hien Huynh & Lynn Huang
  10. Hien Huynh


Bay Area People – Lenora Lee Dance on KTVU Fox 2

Thanks to Claudine Wong & KTVU –

Join us for immersive performances of “Within These Walls” in the Angel Island Immigration Station barracks this August – September!

“LIGHT” film screenings!



LIGHT won Best Experimental Film at the Canada International Film Festival!

Click here for excerpts from LIGHT and an interview with producer / choreography director Lenora Lee 




CAAMFest 35 presents the World Premiere screening of the experimental narrative film
LIGHT (2017), 57 minutes
by Lenora Lee and Tatsu Aoki

in association with Lenora Lee Productions, Innocent Eyes and Lenses Films,
and Asian Improv aRts, powered by Asian Improv Nation

Saturday, 3/11, 7pm
Gray Area
2665 Mission Street
San Francisco, CA 94110

Included in the program are live performances by Tatsu Aoki, Melody Takata and Lenora Lee Dance (Yao Dang, Yi-Ting Hsu, Lynn Huang, Wayne Tai Lee)

PAGES short experimental film by Tatsu Aoki & Melody Takata, 15 minutes (precedes LIGHT)
PAGES is a meditation on the emergence of Japanese modernist and experimentalist art movements.

Co-presented by Chinese Historical Society of America and Axis Dance Company

Click here for more info







Asian Women United of Minnesota, Minnesota Coalition for Battered Women & Cornerstone
Invite You to the Twin Cities Premiere of LIGHT a Film by Lenora Lee and Tatsu Aoki

Thursday, 4/6, 2017
Cowles Auditorium, Humphrey School of Public Affairs
University of Minnesota
301 – 19th Ave. S., Minneapolis, MN 55455

2 Screenings: 3:30pm & 6:30pm
After each 57 minute screening, there will be a brief panel discussion with the filmmakers and a light reception to follow.

Click here for more info

Additional Event Partners:
University of Minnesota School of Social Work
University of Minnesota Asian American Studies Program
University of Minnesota Women’s Center
KC Fortune Cookie Factory








The Foundation for Asian American Independent Media presents
The Chicago Premiere screening of LIGHT
as part of the 22nd Annual Asian American Showcase

Included in the program is a short film The Detached with a special dance and music performance by Lenora Lee, Tatsu Aoki, Jamie Kempkers, and Jonathan Chen, along with a post-performance discussion.

Saturday, 4/8, 8pm
Gene Siskel Film Center
164 N State Street
Chicago, IL 60601

Click here for more info



The Center for the Study of Ethnicity and Race
Transnational Asian American Series at Columbia University present:
The New York Premiere film screening of LIGHT

Followed by talkback with Lenora Lee and Tatsu Aoki
Discussants: David Henry Hwang, Associate Professor of Theatre Arts in the Faculty of the Arts, Columbia University and
Karen Shimakawa, Associate Professor, Performance Studies, New York University

Tuesday, 4/11, 5pm
Casa Hispanica
Columbia University
612 West 116th Street
New York, NY 10027

Organized by The Center for the Study of Ethnicity and Race, the Department of Latin American and Iberian Cultures, the Institute for Research on Women, Gender and Sexuality, and the Department of Music. Co-sponsored by the Department of Dance at Barnard College, the Center for Ethnomusicology, the Center for Jazz Studies, the Heyman Center for the Humanities, and the Society of Fellows for the Humanities.

Click here for more info



The DisOrient Asian American Film Festival of Oregon welcomes the Pacific Northwest Premiere of LIGHT

Included in the program is a special performance by and a talkback with Lenora Lee and Tatsu Aoki

Sunday, 4/23, 6pm
Bijou Art Cinemas
492 East 13th Avenue
Eugene, OR 97401

Click here for more info







The San Francisco Dance Film Festival presents LIGHT Saturday, 10/21, 1:30pm at Brava Theater Studio, Mezzanine, 2781 24th Street, San Francisco










Inspired by the life of Bessie M. Lee (1894 – 1955), who, after migrating to New York City, spent two years in indentured servitude, LIGHT is a film in which dance, memory, music and poetry collide in a visual and aural landscape; a meditation on women being propelled into the unknown by courage and faith to risk their lives and everything they have for freedom. In LIGHT, Aoki and Lee highlight the lives of women, including Bessie M. Lee, who through the resilience and triumph over unimaginable experiences, were grounding forces in the creation of the New York Chinatown community in the early 1900s.

In memory of Bessie M. Lee
(1894 – 1955)


Tatsu Aoki (director and filmmaker) is a prolific artist, a filmmaker, composer, musician, educator, and a consummate bassist and shamisen lute player. Based in Chicago, Aoki works in a wide range of musical genres, ranging from traditional Japanese music, jazz, experimental, and creative music and producing experimental films.

Aoki was born in Tokyo in 1957 to Toyaki Moto, an artisan family proficient in Okiya, the tradition of working as booking and training agents for geisha in downtown Tokyo. At the age of four, Aoki became part of his family performance crew and received the essence of traditional Tokyo geisha cultural training and studies, which combine history with creativity. In the late 1960s, upon Tokyo’s economic and social decline and his grandmother’s passing, he shifted his training to American pop and experimental music. By the early 1970s, Aoki was active in Tokyo’s underground arts movement as a member of Gintenkai, an experimental ensemble that combined traditional music and new Western forms. At the same time he began working in small-gauge and experimental films, influenced by his biological father, who was a movie producer at Shintoho Studio.

In 1977, Aoki left Tokyo to study experimental filmmaking at the School of the Art Institute of Chicago, where he is now adjunct associate professor in the Film, Video, and New Media Department, teaching film production and history. He has produced more than 30 experimental films and is one of the most in-demand performers of bass, shamisen, and taiko, appearing in over 90 recording projects.

Lenora Lee (producer, choreography director)
Lenora Lee has been a dancer, choreographer, artistic director, and producer for the past 19 years in San Francisco, Los Angeles and New York. She has been an Artist Fellow at the de Young Museum, a Djerassi Resident Artist, and a Visiting Scholar at New York University through the Asian / Pacific / American Institute. She is currently an Artist in Residence at Dance Mission Theater.

For the last ten years she has been pushing the envelope of large-scale multimedia dance performance that connects various styles of movement and music to culture, history, and human rights issues. Her work has grown to encompass the creation, presentation, and screening of films, museum and gallery installations, civic engagement and educational programming. Lee creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength.


Conceived & Produced by Lenora Lee

Directed & Edited by Tatsu Aoki

Cinematography by Tatsu Aoki, Zhuoyun Chen, Joshua Chuck, Ben Estabrook, Eric Koziol, Heath Orchard, Joel Wanek

Choreography by Lenora Lee in collaboration with the cast.
Main cast: Juliet Ante, Kara Davis, Marina Fukushima (playing Bessie M. Lee), Sebastian Grubb, Chin-chin Hsu, Yi-Ting Hsu, Lynn Huang, Wei-Shan Lai, Yukihiko Noda (playing Lawrence S. Lee), Olivia Ting

Additional Cast Members: Tatsu Aoki, Corey Chan, Ming Quan Chang, Xenia Chiu, Mike Kilo, Derek Lang, Alson Lee, JoAnn Lee, Lenora Lee, Aimee Liu, Jean Liu, Sophia Ma, Sophia Noda, Suiso Ogawa, Zhenzhen Qi, Francis Wong, Michele Wong, Ronald Wong, Jared Young, Alicia Yu


*LIGHT soundtrack recordings by
Francis Wong saxophones, flute
Tatsu Aoki bass, taiko
Jonathan Chen violin, electronics
Min Xiao Fen pipa, vocals

*Opening, Arrival, Bessie’s Song, In the Classroom, Walking to the Opera, Escape, Crossing, In the Park, Grove

ESL from Reduction Live recording featuring Kioto Aoki, Tatsu Aoki, Megan Lee, Melody Takata, Edward Wilkerson

Kitchen & Wine Cellar from CD recording AIR 091 Miyumi Project Live 2015 featuring Kioto Aoki, Tatsu Aoki, Mwata Bowden, Coco Elysses, Jamie Kempkers, Avreeayl Ra, Edward Wilkerson

No Need to be Sad from CD recording AIR 089 Needs Are Met featuring Ari Brown and Francis Wong

Touch of Sand from CD recording AIR 088 Pages featuring Kioto Aoki, Melody Takata

All the above recordings are courtesy of Asian Improv Records.

Killing the Green Lion vignette music recorded for the LIGHT soundtrack, featuring Corey Chan, Mike Kilo, MaryEllen Kirkpatrick, Melvina Lee, courtesy of Kei Lun Martial Arts

Poetry & Voiceover – Genny Lim

Sound Engineers – Adam Diller, Karen Stackpole, Caleb Wilitz
Color Correction & Sound Design – Joel Wanek
Lighting – Mary McFadden (Killing the Green Lion vignette)
Costumes – Lenora and JoAnn Lee
Sculpture – “Dialog” by Roland Mayer at the Djerassi Resident Artists Program
Production Assistance – Libby Jones, Gerard Veronica Sese, Kenjo Hatta-Wong
Graphic Design – Olivia Ting
Photos – Keira Heu-Jwyn Chang, Heath Orchard

Our deepest appreciation to Bessie M. Lee’s grandson, Larry Lee, for sharing so much of his family’s story, and to Larry Lee and Asian Women United of Minnesota for their generous support of this project.

Very special thanks to:

Asian/Pacific/American Institute at New York University
Asia Society
Asian Improv aRts
Asian Pacific Islander Cultural Center
Asian Pacific Islander Legal Outreach
Asian Women Giving Circle
Asian Women’s Shelter
Asian Women United of Minnesota
California Arts Council
California Lawyers for the Arts
Career, Mobility, Partnership (formerly Chinatown Manpower Project, Inc.)
Chinese Historical Society of America
CREDO Mobile
Dance Mission Theater
DAE Advertising
de Young Museum
Djerassi Resident Artists Program
Donaldina Cameron House
Franklin Templeton
Generous Individuals
Grants for the Arts/San Francisco Hotel Tax Fund
New York Asian Women’s Center
New York City Department of Parks & Recreation
Puffin Foundation
San Francisco Arts Commission
Simpson Thacher & Bartlett LLP
True Light Lutheran Church
UTAP Printing & Packaging
Zellerbach Family Foundation

Copyright 2017 Lenora Lee Productions, LLC