Interdisciplinary dance works giving artistic voice to Asian Americans

Chinatown Shorts Screening 2/8, 1:30pm: Barrio Chino Tusán Perspectives

 

Chinatown Shorts screening of

At the Heart of Barrio Chino: Tusán Perspectives from Lima, Peru

Sunday, February 8, 2026, 1:30 PM – 3:00 PM

(Free to the public but donations welcome to support Clarion)

Clarion Performing Arts Center, 2 Waverly Pl, San Francisco, CA 94108

CLICK HERE TO RSVP

 

About the Event

Chinatown Shorts returns to Clarion with its first international episode, exploring the Chinese diaspora in Lima, Peru!

At the Heart of Barrio Chino: Tusán Perspectives in Lima, Peru 

Documentary, 16min, 2026

Directed by Lenora Lee & Moyra Silva Rodriguez

In this new episode, we explore Capón Barrio Chino, Lima’s vibrant Chinatown and one of South America’s oldest Chinatowns, through dance and personal narratives of fourth-generation Chinese Peruvians, or Tusáns. Moyra Silva, Marco Loo, and Angie Chang delve into their Chinese Peruvian ancestry, connecting their professional backgrounds in performing arts, curation, and architecture to their heritage. Through their stories, accompanied by photographic archives and site-specific dance interventions, the film honors the struggles and lasting cultural contributions of Chinese immigrants to Peruvian society, expanding perspectives on Chinese immigration in the Americas. 

Conversation with co-directors Lenora Lee and Moyra Silva Rodriguez and special guests will follow the screening. Moderated by Chinatown Shorts series creator James Q. Chan

 

Preceded by: 

Pinwheel

Narrative Short, 4min, 2021

Directed by Anson Ho

During an intimate Lunar New Year dinner, a family tells a story of resilience and connection as tradition and magic intertwine through the power of the pinwheel.

 

Director Bios:

Lenora Lee (San Francisco) has been a dancer, choreographer, producer and artistic director for 28 years. She has been a United States Artists Fellow, an Artist in Residence at Dance Mission Theater, Pao Arts Center and ArtsEmerson, and a Visiting Scholar at New York University. For the last 19 years, her company Lenora Lee Dance has created intimate and large-scale multimedia, immersive dance performances connecting movement, film, text, and music to culture, history, and human rights issues. www.LenoraLeeDance.com

Moyra Cecilia Silva Rodríguez (Lima/London) is a dancer, director and researcher working across performance, film, and immersive experiences. Driven by curiosity about her family heritage, she integrates research on Chinese migration in Peru into her academic and artistic practice, including the transnational collaborations Un Puente Hacia el Presente and At the Heart of Barrio Chino with Lenora Lee Dance. www.MoyraSilva.com

Anson Ho is a San Francisco native rooted in the Chinatown community. While serving in the US Navy he found his passion in film and tv when he produced and filmed his own closed circuit television show on his naval ship, USS OLDENDORF. He followed his passion by moving to Los Angeles and worked on various short films, music videos and documentary projects. Notable projects included sundance film FINISHING THE GAME as an associate producer and thereafter worked on Universal’s Studio FAST & FURIOUS as an assistant to the director both directed by Justin Lin. He also helped develop and film numerous webseries and comedy sketches on a Youtube Asian American channel called YOMYOMF which gained over 35 million views within a year. As a traveling cinematographer, he’s filmed documentaries all over China, India, Indonesia, Nepal and Mt Everest base camp. He was the 1st Assistant Director on the feature film SNAKEHEAD and currently works as Acting Production Supervisor/Producer for SF Government TV (SFGovTV).

About Chinatown Shorts

Launched in October 2020, Chinatown Shorts is a documentary series dedicated to archiving and preserving community stories from historic Chinatowns. Rooted in San Francisco, the series has now expanded globally with this Lima, Peru episode, with future episodes planned for Chinatowns nationally in Hawaii and New York, as well as internationally in Johannesburg, Melbourne, Mexico City, and beyond. www.ChinatownShorts.com 

“A Bridge to Now” in SF 3/28 – 3/30/25!

Asian Improv aRts and API Cultural Center Present the U.S. Premiere of

A Bridge to Now / Un Puente hacia el Presente
A multimedia experience by the award-winning Lenora Lee Dance in collaboration with Moyra Silva Rodríguez

A Bridge to Now / Un Puente hacia el Presente is a multimedia dance collaboration between U.S. and Peruvian dancers expanding perspectives on immigration in the Americas by looking at the legacies of racialized labor exploitation and anti-immigrant sentiment in both countries. Through dance, video, archival images, and interviews with the descendants of Chinese indentured servants in Peru and the U.S., this 50-minute piece honors the struggles and lasting cultural contributions of Chinese immigrants to Peruvian and U.S. societies, uplifting the perseverance of these communities made up of multiracial descendants today.

 

Friday, March 28, 2025 at 8pm
Saturday, March 29, 2025 at 8pm
Sunday, March 30, 2025 at 3pm, with post-show discussion
Performances will begin on time, please arrive early.

Dance Mission Theater
3316 24th Street (between Mission & Valencia), San Francisco, CA 94110

 

Box Office: https://ABridgeToNow.eventbrite.com

For more information: call (415) 913-8725, or email LenoraLeeDance@gmail.com

VIDEO TEASER: https://vimeo.com/1030613632?share=copy#t=0 

 

Conceived, Produced & Directed by Lenora Lee (San Francisco), Moyra Silva Rodríguez (Lima / London)

Choreography: Lenora Lee & Moyra Silva Rodríguez in collaboration with Dance Collaborators: José Avilés (Lima), Peter Cheng (New York City), Lynn Huang, SanSan Kwan, Johnny Huy Nguyễn, and Catalina O’Connor (San Francisco)

Recorded music directed by Francis Wong & Tatsu Aoki

Media Design & Editing: Lenora Lee & Moyra Silva Rodríguez

Light Design: Harry Rubeck

Interviewee Voiceover: Moyra Silva Rodríguez, Evelyn Hu-DeHart, Lok Siu, Maria del Pilar Rodriguez Wong, Xuan Gan, Evelyn Kcomt Whu, Cecilia Maria Kcomt, Julia Wong Kcomt, Diana Li, Yukon Choy, John Choy, Jorge Black Tam, Sun Cok, Marco Loo, Angie Chang.

Photos by Robbie Sweeny

 

From sound score of A Bridge to Now / Un Puente hacia el Presente:

“Many of the Chinese when they arrived in Peru were quite stigmatized, racialized, as well as objectified, treated as pack animals, as objects. They were sold and transferred from one owner to another, regardless of their humanity.”  – Marco Loo, Art historian and designer, Lima, Peru

“Unlike anti-miscegenation laws in the U.S. which criminalized inter-racial marriage until 1967, Peru had no anti-miscegenation laws. Children born of marriages between Chinese and Peruvians become important factors in assimilation of the Chinese. Approximately 10% of Peruvians have some Chinese ancestry.” – Lenora Lee, Co-artistic director, SF

“I think Chinese have everything. They have courage first. They have tenacity and they have the fight for life.” – Jorge Black Tam, performing artist and poet, Lima, Peru

ABOUT LENORA LEE DANCE
For the last 17 years Lenora Lee Dance (LLD) has pushed the envelope of intimate and large-scale multimedia, immersive dance performance connecting various styles of movement/dance, film, text, research and music to culture, history, and human rights issues. LLD’s works are set in both public and private spaces, inspired by individual stories as well as community strength. From the proscenium, to even underwater, the company’s pieces are site-responsive and immersive calling audiences into deep engagement with the work and environment. Through partnerships, LLD’s work has grown to encompass the creation, presentation and screening of films, museum and gallery installations, civic engagement, and educational programming signifying the power of art as a movement for change. www.LenoraLeeDance.com, IG: @LenoraLeeDance

 

ABOUT THE ARTISTS

Lenora Lee (co-artistic director of the project) The company is directed by San Francisco native Lenora Lee, who has been a dancer, choreographer and artistic director for the past 26 years. She has been an Artist Fellow at the deYoung Museum, a Djerassi Resident Artist, a Visiting Scholar at New York University 2012-2016, an Artist in Residence at Dance Mission Theater, a 2019 United States Artists Fellow, an Artist in Residence at Dance Mission, Pao Arts Center, ArtsEmerson, and Bunker Hill Community College.

Moyra Cecilia Silva Rodríguez (co-artistic director of the project, choreographer, dancer) from Lima, Peru, holds a Master’s in Dance Anthropology and a Bachelor’s in Communication Science and Arts. Her Chinese-Peruvian heritage influences her exploration of art and identity, blending academic research with movement and visual arts. Awarded by the 2023 Economic Stimulus for Cultural and Arts Industries, Instituto Cultural Peruano Norte-Americano, Festival Artes Escenicas Lima, the German Federal Foreign Office, and Goethe-Institut, she is an Erasmus Mundus scholar (2020-2022) and collaborates with Lenora Lee Dance on Chinatown and Chinese-Peruvian projects. www.moyrasilva.com / @moyra_silva

 

ADDITIONAL COLLABORATORS
http://www.lenoraleedance.com/about/collaborators/

ABOUT THE INTERVIEWEES 

Angie Chang is an architect with a National University of Engineering degree, specializing in the architectural and heritage aspects of Chinese immigration in Peru. Angie published “Built Heritage of Chinese Immigration in Lima’s Historic Center,” and volunteered for the Andean Rural History Institute’s Journal on Barrios Altos. Active in the Peruvian-Chinese Association’s Youth Committee for five years, with leadership roles, she currently analyzes Chinese society facades in Lima’s Historic Center.

John Choy is an advertiser and communicator dedicated to spreading self-healing through Eastern philosophy rituals, with a belief in faith, change, and evolution. John sees himself as a constant learner and a firm believer that for a door to open, one must be grateful and know how to ask, without forgetting that one is the maker of their own dreams and the creator of consequences.
@john_choy_/ Youtube: Vibrando Alto con John Choy

Yujon Choy Hau Yon, has been a Member of the Dance Ensemble of the Chinese Benevolent of Lima since 1991, Instructor since 1995, and coordinator from 2003 to 2015. Born in Lima on June 25, 1976, he is the third of four siblings. Yujon’s father was born in the Village of Pai Long, Tai Shan Region, Guangdong province/China. His mother was born in Trujillo, Peru. Yujon is a former student of Colegio Peruano Chino 10 de Octubre, with a Bachelor of Communication Sciences from the UNIVERSITY OF LIMA.  

Sun Cok is a multidisciplinary Tusán professional artist bridging traditional art and design techniques with applied digital methods. Since 1996, he has been dedicated to creating and developing artistic proposals and design projects aimed at establishing interdisciplinary languages. He has worked in traditional painting using oil, acrylics, watercolors, Chinese ink, sprays, collages, etc., as well as in audiovisual installations that include animations using techniques such as stop motion, analog and digital sound installations, net art, and more. Additionally, Sun is a teacher of traditional and digital illustration and infographics. https://www.behance.net/fscokde0d/ @suncok

Evelyn Hu-DeHart is a Professor of History, American Studies and Ethnic Studies, Brown University. She was Director of the Center for the Study of Race and Ethnicity at Brown from 2002-2014, and Director of the Consortium on Advanced Studies in Cuba 2014-2015, 2019. She received her B.A in Political Science (Stanford University) and her PhD in Latin American/Caribbean history (University of Texas at Austin). In 2018 she was Visiting Professor at the Consortium for Advanced Study Abroad in Barcelona, Spain. She has received two Fulbright fellowships, to Brazil and Peru, and lectures extensively in the United States, Asia, Latin America and Caribbean and Europe. 

Xuan Gan is an Architect, makeup artist and cultural manager. Born in Zhuhai, Guangdong, in 1993, Xuan arrived in Peru as an immigrant in 1996. She grew up surrounded by dishes and woks, as immigrants and children of Chinese immigrants usually do. Despite her parents’ stricter suggestions, she has an affinity for art. Currently, Xuan is a graduate in Architecture from the National University of Engineering and makeup artist. Instagram: @nauxcorner

Cecilia Maria Kcomt is a loving Mother who was born in La Libertad, Peru and moved to Lima when she was nine years old. As an adult, she worked at a Chinese Embassy and a construction company. Cecilia married and left Peru for Mexico with her husband in 1985, then moved to the US a year later where she’s lived for over 35 years and raised three children. She considers the US her home, but occasionally visits Peru to see family.

Evelyn Ivette Kcomt Whu was born in Lima, Peru. Her four grandparents are Chinese and settled in Peru. When she was young, Evelyn studied in a Peruvian Chinese school, and remains close to the Chinese community. She celebrates with her family the Chinese New Year, the Moon Festival, and by eating Chinese cuisine. Evelyn and her family often go shopping on Capon Street, in Lima Chinatown.

Diana Li, Daughter of Cecilia Kcomt, is an artist based in the San Francisco Bay Area. She currently resides and works in Huchiun, unceded Ohlone land. Her work is eclectic and evolving, from sound and video installations glitching diasporic memories, crochet affirmation clothing and accessories, and linocut prints of mythological creatures. A self-proclaimed “hija de chifa y chicha,” she traverses time and space to draw closer to the cultural lineage of her Chinese Cantonese and Peruvian ancestry. 

Marco Loo is an Art historian and designer who has worked on various curatorial projects, including “土生:回乡 Tǔshēng. Returns to the Country of the Center” at the Museum of Contemporary Art in Lima, which won the 2020 Llama Award from the Association of Curators of Peru. He researches artists of Chinese descent in Peru as a contribution of migration to Peruvian culture. He is currently the head of the Publishing Fund at the Antonio Ruiz de Montoya University.

Maria del Pilar Rodríguez Wong, mother of Moyra Silva Rodríguez, is a Peruvian geologist of Chinese descent with a Bachelor’s in Geology from the National University of Engineering (Peru), and advanced studies in Environmental Sciences and Landscaping from Universidad Agraria La Molina. Her work specializes in geochemical exploration across South America and Mongolia. Passionate about Chinese history, culture, and migration to Peru, she has been inspired by her grandfather, Emilio Wong, to search and read books on this topic since youth.

Dr. Lok Siu (she/her/) is Professor of Ethnic Studies and Asian American & Asian Diaspora Studies at UC Berkeley. She is an award-winning author and cultural anthropologist working in the areas of Chinese diaspora, Asian diasporas in the Americas, transnational migration, belonging and cultural citizenship, food, and ethnography. Siu has conducted field research in Panama, Nicaragua, Costa Rica, Peru, China, and the United States. 

Jorge Black Tam is a multidisciplinary performing artist and poet who graduated from the IV Advanced Workshop for Actors with Alberto Ísola, and studied under teachers such as Roberto Ángeles and Gilbert Rouviere. Jorge starred in “Cuaderno Negro de Almada” at the French Alliance Theater and participated in “Puertas” at the 34th ICPNA International Dance Festival. He is notable for creating “El Rezo de los Niños” and wrote “Manta y Vilca,” which was presented at the Place of Memory (LUM). Jorge conducts workshops on poetry and movement, and his poems are included in the Tusán anthology Hojas Sobre Las Raíces. He is currently working on the “Poetic Performance Concert: Tantas Voces, Tantas Veces” and is preparing a poetry collection.

Julia Wong Kcomt (1965-2024) was a Chinese-Peruvian writer and cultural manager, born in Chepén, a city in the northwest of Peru, into a family of Chinese immigrants. She has always been deeply engaged with art and identity expressions. The author of numerous poetry collections, novels, short story collections, and other works, Wong Kcomt explores themes of identity, migration, and womanhood. Her Chinese Peruvian heritage and experiences living across South America, Asia, and Europe heavily influence her work.

ABOUT THE PRESENTERS

Asian Improv aRts Since 1987, Asian Improv aRts (AIR) has built a national cross-cultural, interdisciplinary community rooted in social justice and equity, advancing artists who create innovative works representing Asian and Asian American experiences. AIR’s impact has been far-reaching; building the strength, sustainability and national visibility of Asian American arts and culture, embedded in community-based work with an authentic Asian American voice and grounded in a social justice approach that has deep connections to BIPOC communities. Over its 37 years, AIR has produced more than 100 recordings of Asian American artists, chronicling a legacy of Asian artistic excellence in the U.S. and mentored many artists in their early stages, some of whom are now luminaries in their field. http://www.asianimprov.org 

The Asian Pacific Islander Cultural Center’s (APICC) mission is to support and produce multidisciplinary art reflective of the unique experiences of Asian Pacific Islanders living in the United States. APICC was founded in 1996 by representatives of five nonprofit arts groups: Asian American Dance Performances, First Voice, Asian Improv aRts, the Asian American Theater Company, and Kearny Street Workshop. Since 1998, the center has promoted the artistic and organizational growth of San Francisco’s API arts community by organizing and presenting the annual United States of Asian America Festival as well as commissioning contemporary art for and by the Asian American and Pacific Islander community. www.apiculturalcenter.org 

 

The 2025 U.S Premiere of “A Bridge to Now” is supported in part by Asian Improv aRts, Asian Pacific Islander Cultural Center, California Arts Council, Kenneth Rainin Foundation, San Francisco Arts Commission, San Francisco Grants for the Arts, Zellerbach Family Foundation, and by Generous Individuals. The 2024 World Premiere of “A Bridge to Now” / “Un Puente hacia el Presente” in Lima, Peru was awarded the 2023 Culture Stimulus in Peru, and was supported in part by Pontifical Catholic University of Peru, and Mid Atlantic Arts through USArtists International, a program in partnership with the National Endowment for the Arts, the Andrew W. Mellon Foundation, and the Trust for Mutual Understanding.

Photos by Robbie Sweeny of 1) Peter Cheng & José Avilés. 2) Lynn Huang & Johnny Huy Nguyễn. 3) Catalina O’Connor. 4) Peter Cheng & Moyra Silva. 5) featuring José Avilés. 6) SanSan Kwan

Moyra Silva Rodríguez & José Avilés – March 22 & 31!

Pictured: Moyra Silva, photo by Fatima Sastre

 

Lenora Lee Dance presents internationally acclaimed Peruvian dance and physical theater artists

Moyra Silva Rodríguez & José Avilés

Saturday, March 22, 2025, 8pm at Joe Goode Annex, SF

CLICK HERE TO RSVP

 

Join us for a rare opportunity to see excerpts of  “TORO / BULL” by José Avilés of CRUDO Colectivo & “UPROAR” by Moyra Silva 

In TORO / BULL, CRUDO Colectivo and José Avilés take us on a poetic journey of introspection. Through physical theater, this piece explores the weaving of memory, inviting us to find our place in the infinite threads of existence.

UPROAR by Rieckhof-Silva uses dance, costume design, and audiovisual elements to immerse audiences in a dynamic portrayal of protest and collective power. Transitioning between ancestral rituals and contemporary movements, it reimagines rebellion as a bridge between past and present, echoing themes of solidarity and resistance.

Together, these works highlight the many ways Peruvian artists respond to shared cultural roots, offering profound insights into identity, memory, and the transformative power of art.

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On Monday, March 31, 11am-2pm, José Avilés of CRUDO Colectivo will lead a

 Movement Workshop at Joe Goode Annex, SF

CLICK HERE TO RSVP

Experience excerpts from two transformative performances that reflect on heritage, resistance, and the interplay between memory and action.

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Pictured: José Avilés, photo courtesy of CRUDO Colectivo

 

“TORO / BULL”

A physical theater work by CRUDO Colectivo, featuring José Avilés

Saturday, March 22, 2025, 8pm at Joe Goode Annex, SF

CLICK HERE TO RSVP


“The bravery, the majesty, the pride.

The atrocious, the deplorable, the mutilated.

The duality, the symbol No one asked the bull? 

In agony it reveals itself” 

One-man performance, which tells the story of the birth, life and decline of a beast condemned to veneration and brutality. 

Each of my halves could not exist without the other. Can one love the outdoors without hating the cage? Live without dying, be born without killing? In my chest, bullring, freedom and fear fight. Eduardo Galeano.

Created by Lupe Ramos and José Avilés, Performed by José Avilés 

A production of Crudo Colectivo Artístico 

Content advisory: this presentation contains nudity

video excerpts from CENIZAS / ASHES a recent work by CRUDO, featuring José Avilés. (This is not the work to be performed)

 

José Avilés (Lima, Peru) is an artist and cultural manager. Since 2014, they have directed CRUDO, an artistic collective that promotes scenic research from an interdisciplinary perspective, developing exhibition and training programs. Starting in 2024, they curate Cuerpo Atardecer, an Ibero-American dance and performance program, and began managing Espacio Huaca, a platform for artistic residencies. They have carried out projects in Argentina, Brazil, Colombia, Chile, Ecuador, Uruguay, Paraguay, Mexico, the United States, Spain, and other countries. IG: @crudocolectivo_. Photos by Alejandro Bartra and courtesy of CRUDO

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Photo by Fatima Sastre

UPROAR (Excerpts)
A solo multimedia performance exploring protest and collective action by Rieckhof-Silva

Saturday, March 22, 2025, 8pm at Joe Goode Annex, SF

CLICK HERE TO RSVP

 

UPROAR explores diverse expressions of protest through rebellious choreography, sound-producing costumes, and archival audiovisuals, examining the physical and symbolic relationships between individual and collective bodies. The performance celebrates the right to protest, embodying themes of solidarity, resilience, and transformation. Inspired by Latin American street protests, particularly the Peruvian riots of 2022/2023 in response to the tragic loss of civilian lives under a dictatorial government, UPROAR intertwines dance, costume design, and ancestral traditions to reflect on shared struggles and hopes. Through movement and audience participation, UPROAR becomes an act of protest and resistance, unearthing hidden narratives and inviting audiences to respond to the transformative power of collective action in the face of injustice.

Original Concept and Direction: Rieckhof-Silva

Choreography/Performance: Moyra Silva

Video/sound Editing and Projection: Moyra Silva

Costume Design, Props and Installation: Carolina Rieckhof

Violin: Camila Alva

Premiered at Theatre Deli, as part of Voilá Festival in London, November 2024

More information: https://uproarprojekt.my.canva.site/website

UPROAR video excerpts

UPROAR REVIEWS

“A unique, personal, and exciting piece of work, shedding important light on the political crisis in Peru (…) by uniting collective voices through movement and incredibly unique costume.” – Esther Hallas, Theatre Deli

“Even If I am not from Peru, it made me think deeply about facts from history and the recent past of my country and I felt the same frustration, anger, persistence. (…) your performance touched my thoughts and heart.” – Audience response

“Uproar invites viewers to collectively resist and remember the dynamics of oppression and domination through movement, which highlights the significance of collective action.” – Anthropologist Santiago Cardosa, UCL

 

Moyra Silva (Lima / London) is dancer, director and researcher linking the performing/visual arts, and the anthropology of dance. Her practice centres relations of place through the body, interculturality, mixed ethnic identity. Her embodied research is interested in the possibilities of art to create moments of reflection by connecting an individual bodily experience with the collective body, through imagination and memory. She develops creative processes, performances and workshops, through affective, collaboration and self-exploration processes. Her projects have a social and political effect, through generating experiences that involve audiences, making them participants as protagonists or activating their sensibility. Examples of this approach are the projects”UPROAR” (London, 2024),  ‘Nave’ (Lima, 2019), the site-specific dance film ‘Limas Utópicas’ (Lima, 2019), and ‘Kroppsbroer’ (Trondheim, 2020). Moyra’s artistic creation has been granted by Peruvian Minister of Culture, the Instituto Cultural Peruano Norte-Americano (PE), El Centro Cultural de España (PE), FAE – Festival de artes escénicas de Lima (PE), German Federal Foreign Office and Goethe Institut (DE), Trondheim Municipal Council (NO). Moyra holds a Bachelor’s in Communication Science and Arts, and a Master’s in Dance Anthropology (Erasmus Mundus scholarship holder) focusing on migration and the overseas Chinese community in Europe and the Americas.  https://moyrasilvaportfolio.my.canva.site/  @moyra_silva. Photo by Fatima Sastre

The Rieckhof/Silva Collective A collaboration between two Peruvian immigrant artists, Carolina Rieckhof (costume and prop designer) and Moyra Silva (director and movement thinker). Through their work, they transform collective pain into a healing process, blending ancestral knowledge with innovative artistic practices. Their journey began in November 2023 at SHIFT+SPACE in Theatre Deli, where they presented the initial ideas for their interdisciplinary performance, Uproar. Since then, they have expanded their creative practice through key platforms such as the Migration Festival, Rambert Dance Studios, and the Voila Festival 2024. They are artists in “Space for Action” at Siobhan Davies Studios, where they continued to explore the intersection of dance, activism, and community engagement. Photo by Ewa Emini

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CRUDO MOVEMENT WORKSHOP

By José Avilés

Monday, March 31st, 11am – 2pm

at Joe Goode Annex- 401 Alabama Street, SF 94110

Peruvian artist José Avilés will share different dynamics of movement exploration, which respond to the time of work and processes shared in CRUDO Colectivo; oriented to stimulate: power, agility, multiple senses, fluidity, from a somatic and creative consciousness. Boxing, kung fu, physical theater and dance are the references that enrich José’s practice. This workshop will progressively go through different phases, and build on choreographic and improvisational structures.

José Avilés (Lima, Peru) is a dancer, choreographer and cultural manager. Since 2010 he has been involved in the management of different artistic and cultural management projects. He holds a Bachelor’s degree in Law from the Universidad San Martín de Porres and is currently studying for a Master’s in Public Management at the Universidad del Pacífico. Since 2014 he has been directing CRUDO, an artistic collective that develops research on the body, movement and performance from an interdisciplinary perspective. He was Head of Performing Arts at the Instituto Cultural Peruano Norteamericano – ICPNA between 2016 and 2022, designing and managing the programming of international festivals, training programmes, artistic residencies and stage productions. Since 2022, he has been part of KRACC Centro de Creación, a space for artistic residencies in Lima – Peru, oriented to the research of performing arts and their encounter with different technologies. He has participated as an artist and cultural manager in different international platforms in countries such as Argentina, Brazil, Colombia, Chile, Ecuador, Uruguay, Paraguay, Mexico, the United States, Spain, France, Bulgaria, Hungary, Israel, Singapore and Peru. IG: @crudocolectivo_ @joseavilesf. Photos by Julissa Suarez

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ABOUT THE PRESENTER

LENORA LEE DANCE

For the last 17 years Lenora Lee Dance (LLD) has pushed the envelope of intimate and large-scale multimedia, immersive dance performance connecting various styles of movement/dance, film, text, research and music to culture, history, and human rights issues. LLD’s works are set in both public and private spaces, inspired by individual stories as well as community strength. From the proscenium, to even underwater, the company’s pieces are site-responsive and immersive calling audiences into deep engagement with the work and environment. Through partnerships, LLD’s work has grown to encompass the creation, presentation and screening of films, museum and gallery installations, civic engagement, and educational programming signifying the power of art as a movement for change. www.LenoraLeeDance.com, IG: @LenoraLeeDance 

Moyra Silva Rodríguez & José Avilés will also be performing in the U.S. Premiere of

A Bridge to Now / Un Puente hacia el Presente

A multimedia experience by the award-winning Lenora Lee Dance in collaboration with Moyra Silva Rodríguez

Friday, March 28 and Saturday, March 29 at 8pm, and Sunday, March 30 at 3pm 

Dance Mission Theater, 3316 – 24th Street, San Francisco, 94110

Box Office: https://ABridgeToNow.eventbrite.com 

A Bridge to Now / Un Puente hacia el Presente is a multimedia dance collaboration between U.S. and Peruvian dancers expanding perspectives on immigration in the Americas by looking at the legacies of racialized labor exploitation and anti-immigrant sentiment in both countries. Through dance, video, archival images, and interviews with the descendants of Chinese indentured servants in Peru and the U.S., this 50-minute piece honors the struggles and lasting cultural contributions of Chinese immigrants to Peruvian and U.S. societies, uplifting the perseverance of these communities made up of multiracial descendants today. Photo of Johnny Huy Nguyễn & Lynn Huang, by Robbie Sweeny

STORIES IN MOTION 2/28, 11:30am at Duke University!

Speaker: Lenora Lee

Contact Uzair, Maira maira.uzair@duke.edu

 
Lenora Lee, Artistic Director of Lenora Lee Dance, will share her approaches to creating large-scale multimedia, immersive, and interactive dance experiences, heavily focused on her research in communities, created specifically on historic sites, in public spaces, and theaters around the country and internationally. She will perform a short solo, share video excerpts from her award-winning body of work, and discuss how her process is grounded in and deeply informed by collaborations with advocacy and community-based organizations. Photo of Lenora Lee, by Lei Chen
 

Sponsor: Asian American and Diaspora Studies

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Related Event: “WITHIN THESE WALLS” screening, (an experimental dance film by Lenora Lee & Tatsu Aoki, 2024, 76 min, USA, English, Digital)

Rubenstein Arts Center Film Theater

 

WITHIN THESE WALLS at Rubenstein Arts Center Film Theater 2/27!

 

Within These Walls
(experimental dance film by Lenora Lee & Tatsu Aoki, 2024, 76 min, USA, English, Digital)

In association with Lenora Lee Dance, Lenora Lee Productions, Innocent Eyes and Lenses Films, and Asian Improv aRts, Asian Improv aRts Midwest, powered by Asian Improv Nation.

 

Inspired by experiences of those detained, interrogated and processed at the U.S. Immigration Station, Angel Island State Park in San Francisco Bay, Within These Walls is a film in which dance, memory, music, and poetry serve as a meditation on healing, resilience, and compassion. This U.S. Immigration Station is an International Site of Conscience, site of remembrance transformed and animated as part of a community-wide commemoration of the 1882 Chinese Exclusion Act, speaking to the power of individuals and communities to transcend.

 

Location: Rubenstein Arts Center Film Theater

Contact: Hank Okazaki

Email: hokazak@duke.edu

Screen/Society screenings are free and open to the public.

Parking Info:  https://artscenter.duke.edu/parking

COVID-19 Info: https://cinematicarts.duke.edu/covid-19-information

 

Sponsor: Asian American & Diaspora Studies Program (AADS), Duke University Dance Program

Co-Sponsors: Asian Pacific Studies Institute (APSI), Duke Cinematic Arts

 

— Lenora Lee (producer, choreography director) and Tatsu Aoki (director) in attendance. Q&A to follow with Lenora Lee and Tatsu Aoki, moderated by Prof. Jingqiu Guan (Duke University Dance Program).

 

Lenora Lee has been a dancer, choreographer, producer and artistic director for the past 27 years. For the last 17 years she, along with her company Lenora Lee Dance (LLD), has pushed the envelope of intimate and large-scale multimedia, immersive dance performance connecting various styles of movement/dance, film, text, research and music to culture, history, and human rights issues. Lenora’s works are set in both public and private spaces, inspired by individual stories as well as community strength. From the proscenium, to underwater, to an historic cargo ship, to the immigration station on Angel Island, her pieces are site-responsive, immersive, and interactive, calling audiences into deep engagement with the work and environment. Lenora’s work has grown to encompass the creation, presentation and screening of films, museum and gallery installations, civic engagement, and educational programming signifying the power of art as a movement for change.

Tatsu Aoki is a prolific artist, a filmmaker, composer, musician, educator, and a consummate bassist and shamisen lute player. Based in Chicago, Aoki works in a wide range of musical genres, ranging from traditional Japanese music, jazz, experimental, and creative music and producing experimental films.

 

Johnny Nguyen photo by Hoa Huynh & Tien Nguyen

 


 

Related Event: “Stories in Motion: Interdisciplinary Approaches to Dance Making”, a talk by Lenora Lee. Pink Parlor, East Duke Building, February 28, 11:30AM – 1:00PM.