Interdisciplinary dance works giving artistic voice to Asian Americans

World Premiere of “In the Movement” September 1-11, 2022

Johnny Nguyễn by Robbie Sweeny

 

FOR IMMEDIATE RELEASE

CONTACT: Lenora Lee

Phone: (415) 913-8725

Email: LenoraLeeDance@gmail.com

www.LenoraLeeDance.com

 

Asian Improv aRts, API Cultural Center and Lenora Lee Dance present 

 

World Premiere of In the Movement

by the award-winning company, Lenora Lee Dance

 

at ODC Theater

Thursday – Saturdays, 9/1, 9/2, 9/3, 9/8, 9/9, 9/10 at 8pm

And Sundays, 9/4, 9/11 at 2pm

Performances will begin on time, please arrive early.

Post-performance discussions after both Sunday 9/4 & 9/11, 2pm performances

 

“In the Movement” is a heartfelt and explosive dance piece focusing on separation of families and mass detention of immigrants as forms of incarceration. It serves as a meditation on reconciliation and restorative justice, speaking to the power of individuals and communities to transcend.

 

LOCATION

ODC Theater

3153 17th Street (between South Van Ness & Folsom) 

San Francisco, CA 94110

https://odc.dance/theaterseason 

Street parking or local garages are available. Please plan ahead regarding parking.

 

ADMISSION 

Link to ticket site

$25 – $50

For more info: www.LenoraLeeDance.com, https://odc.dance/theaterseason 

For questions or high resolution images, email LenoraLeeDance@gmail.com, (415) 913-8725

 

LINK TO ARTIST PHOTOS

 

Audience Responses from LLD’s award-winning Within These Walls production:

“I thought about ICE jails, people who fear deportation, and refugees overseas. It was heavy….and so beautiful.”

“It was a truly unique and powerful experience, and I feel fortunate to have witnessed it. It snuck into my dreams last night.”

“Moving and beautifully rendered, so timely given the global dialogue around immigration. I was there with my seven year old son, and the piece made a big impression on him.”

“I was deeply affected and moved by the performance. I left in tears, and literally cried every time I replayed the performance in my head for 4 days afterward.”

“It was brilliant and emotionally powerful.”

 

Johnny Nguyễn by Robbie Sweeny

 

Conceived, Produced & Directed by Lenora Lee

Choreography by Lenora Lee in collaboration with the performers / dance collaborators

Performers / Dance Collaborators: Keanu Brady, Felicitas Fischer, YiTing (Gama) Hsu, Lynn Huang, Hien Huynh, SanSan Kwan, Johnny Huy Nguyen

Music directed by Francis Wong & Tatsu Aoki

Media Design by Lenora Lee & Olivia Ting

Resource Partners: Asian Prisoner Support Committee, 67 Sueños

Interviewees: Borey Ai, Melanie Kim, and others TBA

 

 

LENORA LEE DANCE

Lenora Lee Dance (LLD) integrates contemporary dance, film, music, and research and has gained increasing attention for its sustained pursuit of issues related to immigration, incarceration, global conflict, and its impacts, particularly on women and families. The company creates works that are both set in public and private spaces, intimate and at the same time large-scale, inspired by individual stories as well as community strength, at times crafted for the proscenium, or underwater, or in the air, and at times are site-responsive, immersive and interactive. For the last 14 years LLD has been pushing the envelope of large-scale multimedia, and immersive dance performance that connects various styles of movement and music to culture, history and human rights issues. Its work has grown to encompass the creation, presentation and screening of films, museum and gallery installations, civic engagement and educational programming. www.LenoraLeeDance.com

 

 

ODC THEATER

ODC Theater exists to empower and develop innovative artists. It participates in the creation of new works through commissioning, presenting, mentorship and space access; it develops informed, engaged and committed audiences; and advocates for the performing arts as an essential component to the economic and cultural development of our community. Since 1976, ODC Theater, founded by Brenda Way, has been the mobilizing force behind countless San Francisco artists and the foothold for national and international touring artists seeking debut in the Bay Area. ODC Theater is currently under the creative direction of Chloë L. Zimberg.

 

 

ARTIST BIOGRAPHIES

 

Francis Wong (music) was dubbed one of “the great saxophonists of his generation” by the late jazz critic Phil elwood. Few musicians are as accomplished as Wong: for over two decades he has performed his innovative brand of jazz and creative music for audiences in North America, Asia, and Europe. A prolific recording artist, Wong is featured on more than forty titles. www.franciswong.net

 

Tatsu Aoki (music) is a prolific composer, musician, filmmaker, and educator. Based in Chicago, Aoki works in a wide range of musical genres, ranging from traditional Japanese music, jazz, experimental and creative music. Aoki studied experimental filmmaking at the School of the Art Institute of Chicago and is currently an adjunct Full Professor at the Film, Video and New Media Department, teaching film production and history courses. To this date, Aoki has produced and appears in more than 90 recording projects and over 30 experimental films. www.tatsuaoki.com

 

Olivia Ting (media & graphic design) is interested in the role of digital technology in the fabric of contemporary lives and how our perception of recorded media (film, photography, audio) as “reality” has shifted as technology becomes more sophisticated. Olivia has done design work for Oakland Museum of California, San Francisco Arts Commission, San Jose Children’s Museum, and collaborated with various dance companies in the Bay Area. Her work shifts between video projection and altered 360 VR film experiences. She holds an MFA in Art Practice from U.C. Berkeley. www.olivetinge.com

 

Keanu Brady (dance) Keanu hails from Salt Lake City, Utah, and enjoyed a nomadic upbringing with his mother and siblings. Finding dance at 15, he nurtured his own relationship to the art form through hip-hop and his improvisational body. He then received a BFA from the University of Utah, leading to dancing  in California, New York, Vermont, England, and Paris.. Movement is his lens to negotiate his role in this world, find questions to answers, and answers to questions. He is currently a company member of FACT/SF and is very excited to be a part of this program. www.keanu.dance IG:@keanu.dance

 

Felicitas Fischer (dance) Felicitas is a Seattle-born contemporary dance artist interested in diverse dance practices from around the world that reflect her own polyethnic-cultural background. She graduated with a B.A in Performing Arts & Social Justice in Dance (2019) from the University of San Francisco, where she performed with various choreographers and interdisciplinary artists throughout the Bay Area. Currently, Felicitas works actively in the city for ODC and HMD/The Bridge Project, contributes to the online dance journal Stance on Dance, and is the founder of Artists for Justice, an artistic collective dedicated to supporting diverse emerging artists and local social-justice initiatives.

 

YiTing (Gama) Hsu (dance) Trained in contemporary, ballet, modern, Chinese martial art, Chinese folk dance, Tai-chi initiation, composition, choreography and improvisation. Yi-Ting is a graduate of Tsoying High School, and received her BFA from University of Taipei of the Arts. She has danced with Hsu Chen Wei Production, Les Petites Choses Production, David Harrera Performance Company Alyssandra Katherine Dance Project, Kinetech Arts and Epiphany Dance Theater. www.gamahsu.com 

 

Lynn Huang (dance)  Trained in modern dance, ballet, and Chinese dance, Lynn has performed with Lenora Lee, Erin Malley, & Philein Wang in San Francisco, and HT Dance Company, Dance China NY & Ella Ben-Aharon/Sahar Javedani in NYC. She studied at Minzu University Dance Conservatory in Beijing, China on a Fulbright fellowship and graduated magna cum laude from Barnard College of Columbia University.

 

Hien Huynh (dance) was born in Da Nang, Vietnam. Through the sacrifices, courage, and resiliency of his parents’ refugee passage, Hien dedicates his artistic and living practices to share, move, and dance in honor of their story alongside the oceanic journeys of ancestors. His movement practices stem from the spirit of improvisation. He recognizes improvisation as an ancestral form of survival, navigation, clarity, and expression. He is honored to have performed in the works of Lenora Lee Dance, Kim Epifano, Robert Moses’ Kin, Kinetech Arts, Christy Funch & Nol Simonse, PUSH, DSDT, and punkkiCO. www.hien-huynh.com 

 

SanSan Kwan (dance) teaches dance and dance studies at UC Berkeley.  She has danced with Jonathon Appels, Joanna Mendl Shaw, Chen and Dancers, and Maura Nguyen Donohue/In Mixed Company, among others.

 

Johnny Huy Nguyen (dance) is a second generation Vietnamese American multidisciplinary dance artist based in Yelamu (aka San Francisco). Centering his practice on the body as place of knowing, he weaves together dance, theatre, spoken word, ritual, installation, and performance art to navigate explorations of home, lineage, resistance, healing, and shared humanity. He has performed in the Bay Area, Oregon, Boston, and NYC. His work has been presented by APAture Festival and the United States of Asian America Festival and his most recent solo work, Minority Without A Model, premiered in 2021. www.johnnyhuynguyen.com IG: @johnny.huy.nguyen

 

In the Movement  is supported by Asian Improv aRts, API Cultural Center, ODC Theater, Cal Humanities, California Arts Council, Fleishhacker Foundation, National Endowment for the Arts, Phyllis Wattis Foundation, San Francisco Arts Commission, San Francisco Grants for the Arts, and by Generous Individuals. Special thanks to Asian Americans Advancing Justice – Asian Law Caucus, Asian Prisoner Support Committee, 67 Sueños.

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